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Con.ugiui^ of nu/}ierous
The /7'iendly Contribuho/ts of variotis Writers;
PRINCIPALLY INTENDED AS
Designed ajid ErcTied.
BY R. 1>AGLEY,
Author of 'select GE^MS frovn tfie ^A:ATI(^V'e!&c
'Av, ayl qiio lie, Hii sliook Lis liead,
'Its een a lang-, laiig- time indeed
'Sia I l)eg-dii to Tiick tlie tlu'ead-,
"All cli/)kr tlie In-eatli:
Tolk m-um do sonietliiiig tin- tlieijplTread,
'!Ari so mauii Deatk.
'Sax tlionsaiid veaxs axe near Tiand fled
'Sin I was to th.e "butcTiiiig' lired,
'Aii m<my a sclieme in vain 'a lieen laid,
'To stap or scar me'
THE SECOND EDITION. WTTH CONSIDERABLE ADDITIONS.
1 OF THE
"^^o..
L OND UN:
J. ANDREWS. 167. NEW BOND STREET
DEATH'S DOINGS:
CONSISTING OF NUMEROUS
ORIGINAL COMPOSITIONS,
IN ,
THE
FRIENDLY CONTRIBUTIONS OF VARIOUS WRITERS ;
PRINCIPALLY INTENDED AS -
ILLUSTRATIONS
OF
THIRTY COPPER-PLATES,
DESIGNED AND ETCHED
BY R. DAGLEY,
AUTHOR OF " SELECT GEMS FROM THE ANTIQUE/' &c.
SECOND EDITION,
WITH CONSIDERABLE ADDITIONS.
LONDON:
J. ANDREWS, 167, NEW BOND STREET ; AND W. COLE,
10, NEWGATE STREET.
1827.
0 )?>cL
FRANCIS DOUCE, Esq.
WHOSE UNWEARIED RESEARCHES AND LIBERAL
COMMUNICATIONS
HAVE SO GREATLY EXTENDED
Cte il:itoU)letige of Vivin
AND ENRICHED
THIS VOLUME
IS,
WITH THE GREATEST RESPECT, DEDICATED,
BY HIS
OBLIGED AND OBEDIENT SERVANT,
RICHARD DAG LEY.
S91'?38
<»
CONTENTS.
Death and the Poet . . . . <
[The Articles thus marked, * as well as the Plates which they
illustrate, have been added since the First Edition was printed.^
Page
Introduction R. Dagley 1
♦Death's Sermon S. Maunder" . .... 25
f H A. Driver, Author of
The Last of the Graces ■ • ■] ,,rm . i„ „«
( " The Arabs" .... 37
The Poet Alfred 43
Rev. H. Stebbing, Au-
thor of" Network," ^c. . 45
L. E. L. Author of " The
The Pilgrim "\ Improvisatrice," " The
Golden Violet," Sfc. . . 49
The Scroll L. E. L 51
John Fitzgerald Pennie,
Author of " The Royal
The Artist *\ Minstrel," an epic Poem,
" Rogvald," " Scenes in
Palestine," Sfc. ... 53
Ephraim Hardcastle,
Death and the Artist . . . .^^ Author of " Wine and
Walnuts," Src 59
The Pursuits of Art . . . . R. Dagley 65
TheGame of Life; or, Death. ^^^^^^^ ..... 69
among the Cricketers . . >
*Verses in Praise of Cricket . Rev. M. Cotton . . . *72
Death and the Cricketer . . Barnard Batwell . . 73
I
. ]
1'
Vlll CONTENTS.
Page
Death aud the Captive . . . Rev, H. Stebbing ... 85
The Captive Alfred 89
N. T. Carrington, Author
*The Gamester .. ^
of " Dartmoor' ... 91
*Gaming R. Montgomerv ... 95
The Serenade L. £. L 109
c By the Author of " The
Death at the Toilet • • • 1 , „ , „ .
I Lollards, cVc. . . .113
Lucy ; or, The Masked Ball . A. T. T 120
*To the Mother Mrs. Hofland .... 137
To the Memory of my Infant ^ ^ ,, ,^^
^ •' J S. Maunder 139
Niece j
The Ball Mrs. Hofland . . . .143
Hypochondriana J. Ollier 150
Spleen Edward . . ... 153
The Hypochondriac : a Tale By an Eye-Witness . . 154
Life's Assurance T. Harral 179
The Assurance Office . . . . W. H. Watts .... 186
The Antiquary Cheviot Tichburn . . 191
Antiquarian Researches , . . R. D 194
Death in " The Ring" . . . S. MaUxVder 203
The Fancy A Querist 209
*Death : a Dramatic Scene . H. A. Driver .... 215
The Last Bottle W. Jerdan 225
The Bacchanalians . . . . H. D 232
Elixir Vit« W. H. Leeds 234
*The Shades M 243
*Death and the Warrior . . . Mrs. Hemans 245
*The Warrior L. E. L 248
C David Lester Richard-
*The Warrior's Farewell . .< son, Author of " Son-
(_ nets and other Poems" . 253
< T. Hood, Author of
*The Volunteer < " Whims and Oddities,"
C S,-e 256
*The Rival Deaths : a Battle ^G. M. de La Vove, of the
Scene ^ E.I.M.Coll Addiscomhe 263
The Apoplectic ...... A. T. T 269^
CONTENTS. IX
Page
The Complaint of the Stomach Anon 277
Death and the Hunter . . . J. F. Pennie 279
The Fatal Gate H. D 284
The Hunter's Leap . ... Simon Surefoot . . . 285
*Childe the Hunter . . . . N. T. Carrington . . . 288
The Alchymist J. J. Leathwick .... 296
Contentment, the true Alchvmv i „ ^
^ , .. -^ -^ 5 H. D 297
of Life J
Alchymy G. Field 299
Academic Honours .... Barry Cornwall . . . 307
The Martyr Student . . . . N. T. Carrington . . . 308
The Academic Aspirant . . . J. J. Leathwick . . . .311
Academic Pursuits .... Proteus 313
The Empiric S. Maunder 317
mi_ ikiw ^T^i- • i By the Author of " Glances
The Men of Physic ....]"' , , , ..
•' i from the Moon" . . . 320
*The Lost Treasure .... R.Montgomery . . . 335
Death and the Gay Charioteer . J. F. Pennie 341
The Foreboding : a Sketch . . C. Ollier 348
Death (a Dealer) to his Lon-
don Correspondent .
♦Death and his Allies . . . W. H. Leeds 365
An Auxiliary of Death . . . Hatchment 371
Death and the Lawyer: a Dia- ) „ ,,
J S. Maunder 377
logue >
Law Peter Plaintiff . . . 387
*The Angler Mrs. Hemans 391
*Death and the Angler . . . Rev. H. Stebbing . . . 393
*Waltonian Reminiscences . . S. Maunder 401
Death, the Sage, and the Fool . Randolph Fitz-Eustace . 423
♦Sonnets. To Death . . . . D. L. Richardson . . . 430
The Sage and the Fool . . . D 432
The Fool and the Philosopher :
^ J. Forbes 361
a Vision ^^'^'^^ 434
The Epilogue, and Address Re- "
capitulatory. Spoken by \ S. Maunder 445
Death in Character
}
LIST OF PLATES.
1. Death Preaching, — to face the Engraved Title.
2. The Poet ....
. 43
3. The Pilgrim . . . •
. 49
4. The Scroll ....
. 51
5. The Artist .....
. 53
6. The Cricketer ....
. 69
7. The Captive ....
. 85
8. The Gamester . . , .
91
9. The Serenade ...
. 109
10. The Toilet ....
. 113
11. The Mother . , . .
. 137
12. The Hypochondriac
. 150
13. Life's Assurance . . . .
. 179
14. The Antiquary ....
. 191
15. The Champion
. 203
16. Death : a Dramatic Scene
. 215
17. The Last Bottle
. 225
18. The Warrior ....
. 245
19. The Glutton
. 269
20. The Hunter ....
. 279
21. The Alchymist . .
. 296
22. Academic Honours
. 307
23. The Empiric
. 317
24. The Miser ....
. 335
25. The Phaeton
. 341
26. Death's Register
. 361
27. The Lawyer
. 377
28. The Angler ....
. 391
29. The Bubbles of Life broken by Death
. 423
30. The Epilogue ....
445
'<:>'
PREFACE
TO THE FIRST EDITION.
Although a Preface, when an Introduc-
tion is given, may appear too much like going
on to " more last words," yet an apology
may be found in an author's anxiety to ac-
quit himself on every ground connected with
the nature and character of his publication :
in the course of which many things may arise
that require explanation.
There are hopes, fears, and wishes to be
expressed ; but in doing this, it is no easy
task to steer between the extremes of pre-
sumption and servility. Few writers could
now be found to approach the tribunal of an
intelligent and discerning public in the follow-
ing strain : —
Xll PREFACE.
" My fears are lighter than my expecta-
tions ; I wrote to please myself, and I pub-
lish to please others : and this so universally,
that I have not wished to rob the critic of
his censure, or my friend of the laugh. * *
* * * * I have learnt, that w^here
the writer would please, the man should be
unknown. An Author is the reverse of all
other objects, and magnifies by distance, but
diminishes by approach. His private attach-
ments must give place to public favour; for
no man can forgive his friend the ill-natured
attempt of being thought wiser than himself."*
This may be considered a curiosity in lite-
rature, and it exhibits a perfect contrast to
the inflated Dedications and pompous Pre-
faces of the period in which it appeared.
In the volume now presented to the Public,
my part is little besides that of having pro-
* Preface to " Fables for the Female Sex," fourth edition: London,
printed for T. Davies, in Russell Street, Co vent Garden, and J. Dods-
ley, Pall Mall, 1761.
PREFACE. Xm
jected the work, and furnished the designs.
It is to the kind contributors who have so
amply and ably illustrated the subjects of
my pencil, that I must attribute any success
that may attend the work ; and to them I
embrace this opportunity of returning my
most grateful acknowledgments.
Of the motives of some for concealing
their names, it does not become me to speak ;
though it is hardly possible but in many in-
stances they may be recognised. " By their
fruits ye shall know them."
In the etchings, I have endeavoured to show
the way in which a certain class of writing-
may be embellished, without incurring the
expense of those laboured and highly finished
engravings, which, while they exhibit the ta-
lents and taste of our native artists, in many
instances exclude the works they ornament
from general purchase.
On the part of the Publisher, every thing
XIV PREFACE.
has been done to render the vohime worthy
the attention of the Public, in all that regards
the typographical department.
That I have my hopes and fears on the
present occasion, I will not deny ; and though
time and experience have done much to damp
the ardour of the one, and to diminish the
effect of the other, yet still I retain enough of
deference for public opinion, to render me so-
licitous with respect to the result.
R. D.
ADVERTISEMENT TO THE SECOND EDITION.
The encouragement given to this volume
having, in a very few months, rendered a
Second Edition necessary, its projector feels
himself called upon gratefully to express his
sense of so flattering a testimony of public
approbation. He begs also to acknowledge
his obligations to those gentlemen who, in
their critical notices, have taken so favour-
able a view of these united efforts of the pen
and pencil; in fact, the generous reception
given to what had before been performed, has
operated as a stimulus for him to render this
Second Edition more worthy of such liberal
patronage and commendation. With this
view, he has added several new designs,
which, like the former, have been illustrated
by the friendly contributions of literary coad-
jutors; to all of whom he begs to return his
XVI ADVERTISEMENT.
unfeigned thanks ; being vt^ell assured that it
is mainly to their kind and talented Illustra-
tions, that " Death's Doings" is indebted for
so great a degree of popularity. When, indeed
(to use the words of one of its reviewers), it
is recollected that " the designs are illustrated
by the writing, and not the writing by the de-
signs, it is exceedingly amusing — interesting
even — to observe the various points of view in
which the same pictorial subject may be un-
derstood, imagined, or wrought into descrip-
tion and narrative, by persons of different ge-
nius and powers."
Considerable interest having been excited in
consequence of the singular Drawing by Van
Venne being described in " The Introduc-
tion" (page 11), an Etching has been made
from it, which now appears as the Frontis-
piece; and it is hoped that it cannot fail to be
regarded as a curious and appropriate em-
bellishment.
mt$iW$ BoinQ$*
Ay, ay ! quo' he, an' shook his head.
It's e'en a lang, lang time indeed
Sin' I began to nick the thread.
An' choke the breath :
Folk maun do something for their bread.
An' so maun Death.
Sax thousand yeare are near hand fled
Sin' I was to the hutching bred.
An' mony a scheme in vain's been laid.
To stap or scar me."
Bi<7'ns.
Death came dryvyng after, and all to dust pashed
Kings and kaysers, knightes and popes ;
Many a lovely lady, and lemman of knightes,
Swoned and swelted for sorrowe of Death's dyntes."
Vision of Fierce Plowman^ 1350.
DEATH'S DOINGS.
INTRODUCTION.
It is difficult, if not impossible, in this our day of
accumulated literature, to start any thing new ; yet,
rather than close their labours for '' lack of argu-
ment," our literary adventurers ransack every cor-
ner for subject matter; and, to stimulate the public
appetite, old viands are served up in new dishes,
either of plate, china, or delf, as best may suit the
taste or the means of the bookish epicure.
How far the subject now offered may be relished
by the generality, remains to l)e tried. It will not
want the seasoning of antiquity to recommend it,
being nearly as old as the Creation ; and, if a judg-
ment may be formed from the number of works, both
literary and graphic, which have appeared in ancient
and modern times, and the avidity with which they
B
2 DEATH S DOINGS.
have been received, it may reasonably be expected,
that the present attempt to serve up a sort of Gra-
phic Olio, with suitable garnishes of prose and
verse, may not be unacceptable to the general
reader ; and the more so, as the endeavour has been
to give (if not altogether a new), at least a more
appropriate reading to the old version of the Dance
OF Death.
There is little to apprehend in the way of objection,
from any application of the designs contained in the
work to individual concerns or pursuits, as —
" All men think all men mortal but themselves;"
and there will be no want of claimants to the heir-
looms either of safety or of longevity. At any rate,
the greater part of mankind will assume the privi-
lege of exemption from such incidental casualties as
are pointed out in the course of the illustrations here
exhibited, and will find a clause in their own favour.
Thus, for example^ the sportsman will readily ob-
serve,—
" I have hunted, leapt gates, hedges, and ditches,
and cleared all that came in my way ; but, then, my
skill and my horse brought me safe ofi". The foolish
INTRODUCTION. 3
fellow that broke his neck the other day could ex-
pect nothing else ; instead of minding- what he was
about in taking his leap, he was looking another
way ; and, then, the hack he rode !"
** That poor devil of an artist," observes one of
the same profession, " laboured his pictures till he
was nearly blind, toiling till nature became ex-
hausted ; he could hardly be said to breathe the vital
air ; the effluvia of his colours had entirely pene-
trated his system ; and it is no wonder he fell a
victim to his confinement and his exertions toge-
ther."
" Ned is gone at last," says a bon-vivant
to his companion ; " but it is not surprising, — he
was a careless drinker ; I told him his wine-merchant
sold him poison."
In this, or in some such way, all will argue in
favour of themselves ; while the machine of life
drives on heedlessly and rapidly. It is true, the
check-string may occasionally be drawn by the ob-
serving traveller, to point out to his fellow pas-
sengers some remarkable spot, stamped by some
striking event connected with mortality ; but the
B 2
4 DEATH S DOINGS.
pause will be brief, and the vehicle will again be in
motion with as little care as before it was stopped.
And this, in some measure, must be the case while
we continue to be creatures of this world : even the
gloomy ascetic will sometimes steal a look from his
cloisters or his cell upon the beauties of the creation,
and become a momentary sceptic to his monastic
notions, and pine at the vegetative character of his
own existence.
With whatever success the labours of the moral-
ist, the philosopher, or the preacher, may have been
attended in bringing into view the skeleton remains
of the human frame as an emblem of Death, to warn
and awaken mankind to a sense of the condition to
which they must come at last, the satirist has sel-
dom failed of exciting attention to the characteristic
structure of this human machinery, stripped of those
lineaments and fair proportions which in life were
its charm and pride ; but with this difference, that
his views of the subject have ever tended to the lu-
dicrous.
Such appears to have been the case even in those
days of superstitious ig-norance when the minds of
men were subject to the domination of monkish
INTRODUCTION. O
power ; for, as soon as the first impression of alarm
made by the ghastly phantom, as exhibited in their
churches, was over, and the object became familiar,
— ridicule took place of fear ; and farcical represen-
tations of Death on the stage and by the pencil suc-
ceeded, in numbers and extent, perhaps, beyond
those of any other subject.
One of these farcical moralities is hinted at by
our immortal bard, in his play of " Measure for
Measure :" —
" Merely thou art Death's fool :
For him thou labourest, by thy flight, to shun,
And yet runn'st toward him still."
This passage is explained in a note, thus : — " In
the simplicity of the ancient shows upon our stage,
it was common to bring in two figures, one repre-
senting a fool, and the other. Death or Fate ; the
turn and contrivance of the piece was, to make
the fool lay many stratagems to avoid Death, which
yet brought him more immediately into the jaws
of it."
It is more than probable that Shakspeare had
seen and considered many of the paintings and de-
signs on the subject of Death, and with his powerful
6 death's doings.
touch concentrated the spirit of all that had been
said or done in the various works then extant, still
keeping up the character of the burlesque united
with the deepest pathos : —
" For within the hollow crown
That rounds the mortal temples of a king,
Keeps Death his court : and there the antic sits,
Mocking his state and grinning at his pomp ;
Allowing him a breath, a little scene
To monarchize, be fear'd, and kill with looks ;
Infusing him with self and vain conceit.
As if this flesh, which walls about his life,
Were brass impregnable -. and, humoured thus.
Comes at the last, and with a little pin
Bores through his castle walls, and — farewell king !"
The same play has the following monitory pas-
sage, equally expressive of the frailty and folly of
man, who, —
" Most ignorant of what he's most assured, —
His glassy essence," —
is apt to play the game of life with too much con-
fidence.
Some there are who make Death the whole busi-
ness of life : shutting their eyes on the fair face of
nature, they think a snare is set in every beauteous
object by which they are surrounded, and plunge at
once into the gloom of solitude, lest the light of
INTRODUCTION. 7
heaven should dazzle their sight and darken their
understanding, and work them perdition by tempting
to the indulgence of those feelings it was meant to
inspire : —
" And thus, in one continued strife,
'Twixt fear of Death and love of life,"
they pass their existence in a state of deadening
apathy or of feverish self-denial ; immolating the
charities of life and the best affections of the heart
at the shrine of superstition. True, the tenure of
our being cannot be beneficially held without occa-
sionally adverting to the terms on which it has been
granted ; and it is sometimes necessary to call in aid
the admonitions of the wise and the reflecting, to
bring our truant thoughts to a proper estimate of life.
In this view, most of the designs of skeleton forms
have been presented to the contemplation of the
careless and unthinking; but, as has been before ob-
served, few of them have been so managed as not to
border on the ludicrous. Of their capability of and
tendency to the caricature, a very recent instance
appeared in some examples of death-like figures en-
gaged in a variety of occupations, as gambling,
dancing, boxing, &c. &c. These designs were
chalked on a wall bordering the road from Turnham
8 death's doings.
Green towards Kew Bridge ; they were drawn of the
natural size, and displayed, on the part of the un-
known * artist, no small skill in composition and
character. Of the artist's intention there can be no
question : it was to exhibit forms the most strikingly
grotesque. But they are now swept away, like
many other efforts of art, to give place to the names
and nostrums of the charlatans of the day.
The subject of Death has continued to employ the
pen and the pencil, with more or less of character,
down to the present time ; though the productions of
recent date possess less point, and have, perhaps,
more of the grotesque than works more remote, and
do not, in their graphic form, exhibit the higher qua-
lities of art, which are seen in the performances of
the old masters ; but are principally addressed to
the eye and understanding of the many, rather than
to those of the artist or amateur. It should appear,
however, from the reception and extensive sale of
some of these subjects, that they have been equally
* The editor of " The Tmes," in alluding to this passage, observed
that these chalk sketches were made by a nephew of Mr. Baron Gar-
row, who at that time was living in unenviable retirement nearly op-
posite the scene of his early morning operations ; but that the gentle-
man had fortunately, some time since, obtained a situation in India.
INTRODUCTION. 9
acceptable to the present as they were to past times.
Among the most striking and popular designs of this
class, are two which have long occupied a place in
the print-shop in St. Paul's Church Yard ; and in
which the skeleton shape appears as one half of a
gorgeously dressed human form. These prints
represent a male and female thus powerfully
contrasted, and, it must be confessed, hold out
as perfect an example as can well be imagined
to show us what we are, and to warn us what we
are to be.
Another specimen of the monitory kind is a repre-
sentation of a heathen philosopher, contemplating
the structure of a human skeleton, and thence in-
ferring the existence of a Deity.
Of the more whimsical and pointed of these moral
lessons, is one where a man is draining an enormous
bowl, and Death stands ready to confirm the title of
the print,—'' The Last Drop."
There is also, among the varieties of this sort, an
etching representing a gay couple visiting a tomb.
It is called, " An Emblem of a Modern Marriage :"
in the background of the piece is a view of a noble
10 death's doings.
mansion, behind which appears a rising ground ;
beneath the print are the following lines : —
" No smiles for us the godhead wears,
His torch inverted, and his face in tears;"
answering to the figure of a Cupid in the act of flight,
which the artist has also introduced into his sub-
ject. This etching is the performance of a lady,
Mrs. Hartley, the wife of D. Hartley, Esq., who
constructed a building on Putney Common, which
he rendered incombustible. The original was
sketched with a diamond on a pane of glass, and
the print published in 1775. There can be little
doubt that this curious design had a reference to
some individual of the time ; but its application
might be made to every unhappy and fatal marriage
that has taken place, or may take place, any where
and at any time.
These later productions (as was before observed)
possess little of art in the composition, or skill in
the execution, to recommend them, though some of
them have probably outlived the expectations of the
inventors. It was for the artists of an earlier period
to combine in these subjects every quality of paint-
ing, whether of design, composition, character, or
expression.
INTRODUCTION. 11
An example of excellence in this way, is a draw-
ing from the collection of the late Paul Sandby,
R. A., where Death is exhibited as preaching from a
charnel-house, amidst skulls and bones ; another
skeleton form is introduced as making a back on
which to rest the book from which the phantom is
discoursing ; and, though highly ludicrous in point
of character, the groups and composition are in the
best style of art. The auditors of the grim preacher
are of every age and class, and are happily con-
trasted : the peasant and the ruler, the matron and
the gayly attired female, the cavalier and the person
of low degree, all disposed with skill in their ap-
propriate and varied postures of attraction. Part of
a cathedral-like building forms the background ;
the design is from the pencil ofVan Venne,* and,
* In the first edition of this work, Van Venne is mentioned as sy-
nonymous with Otho Vsenius. A similar error exists both in Pilking-
ton and in Bryan ; in whose Dictionaries of Painters, under the article
" Van," " Vsenius Otho, or Van Venne," is written.
By the kindness of Mr. Douce, an opportunity is now allowed of
distinguishing the individuals, and showing the character of the artist
from whose design is the etched frontispiece to the present edition of
" Death's Doings."
" Van Venne, or, as he writes himself, Adr. Vaiide Venne, has not the
smallest connexion with Otho Vaenius, who was a Flemish painter, but
the fonner a Dutch painter and poet. He was bora at Delft, about
1590, and died in 1650. He usually painted in black and white, and
seems to have worked chiefly in Denmark, where his paintings were
much esteemed, and are now very rarely to be seen. He appears to
12 death's doings.
from the picturesque costume and character of the
composition, would do credit to the talents of the
best artists of that period.
Mr. D'Israeli, in his " Theory of the Skeleton,"
has shown that a tendency similar to that which
has just been noticed pervaded many of the writers
on the subject of Death.
" When," observes this ingenious and intelligent
author, " the artist succeeded in conveying to the
eye the most ludicrous notions of Death, the poet
also discovered in it a fertile source of the burlesque.
The curious collector is acquainted with many
volumes where the most extraordinary topics have
been combined with this subject. They made the
soul and body debate together, and ridiculed the
complaints of a damned soul ! The greater part of
have made many of the designs for the celebrated and extremely popu-
lar work, entitled, '* Catz's Emblems," but he never etched or en-
graved. He likewise published a set of emblems under his own name,
with poetry by himself, 1635, 4to. His name on the prints stands
Adrian Vande Vemie.
Otho Vaenius, the master of Rubens, was also distinguished for his
emblematical designs, and appears, from a painting of his in the pos-
session of Mr. Douce, to have exercised his pencil in a similar way to
Hans Holbeins. In this painting, Death is represented as intimating
his approach to an old man, by the tinkling of a musical instrument.
INTRODUCTION. 13
the poets of the time were always composing on the
subject of Death in their humorous pieces.
" Of a work of this nature, a popular favourite
was long the one entitled, ' Le Faut Mourir, et les
Excuses Inutiles qu'n apporte a cette Necessity ; a
tout en vers burlesques, 1556.' Jaques Jaques, a
canon of Aubrun, was the writer, who humorously
says of himself, that he gives his thoughts just as
they lie on his heart, without dissimulation; 'fori
have nothing double about me except my name. I
tell some of the most important truths in laughing,
— it is for thee d'y penser tout a bon.' "
Mr. D'Israeli goes on to remark, — " Our canon
of Aubrun, in facetious rhymes, and with the naivete
of expression which belongs to his age, and an
idiomatic turn fatal to a translator, excels in plea-
santry ; his haughty hero condescends to hold very
amusing dialogues with all classes of society, and
to confound their excuses inutiles. The most miser-
able of men, — the galley-slave, the mendicant, alike
would escape when he appears to them. ' Were I
not absolute over them,' Death exclaims, ' they
would confound me with their long speeches ; but
I have business, and must gallop on !' "
14 death's doings.
Our monumental effigies, where the figure of
Death is introduced, are not entirely free from a
cast of the ludicrous, though, from the nature and
character of sculpture, fewer offences this way are
exhibited. Like the muse of history, the dignity of
sculpture would be lessened in the service of comedy:
the temple and the tomb are its proper sphere ; dei-
ties, heroes, statesmen, and poets, are the objects it
contemplates ; and the ideal perfection of grace and
beauty is its principal aim.
Under the hand of sculpture, the familiar may,
however, in some degree become exalted, and mo-
dern costume be made subservient to the purposes
of fine art. But it requires the skill of a Roubilliac,
a Chantrey, or a Baily, to mould folds and cast
form into that character which judgment and taste
sanction or approve.
Of the power to mould and fashion form and cos-
tume into the character of grandeur, Roubilliac's
figure of Handel, in Westminster Abbey, is a strik-
ing example ; and, while contemplating the dignified
attitude of the portrait, the arrangement of the ac-
cessories, and its composition throughout, it is im-
possible to imagine it could be improved, even by
INTRODUCTION. 15
the introduction of what is termed the classic in
art, — the costume of Greece and Rome.
In this artist's monument of Lady Nightingale,
he has necessarily employed a drapery suitable to
the introduction of an ideal character, — that of
Death ; and has, in his personification of the phan-
tom, enveloped the figure with a loosened drapery,
in order, it may be readily conceived, as much as
possible to avoid the skeleton shape.
The same artist has introduced, in the monument
of William Hargrave, one of the finest allegorical
representations that has ever been imagined, — that
of Time's victory over Death : yet, here the skill
with which the bony structure of the struggling ske-
leton is executed, is apt to attract the regard of the
vulgar (like the deceptive in painting), rather than
the sublimity and character of the composition, and
its reference to the immortality of the soul and the
resurrection of the body.
While thus treating of subjects connected with
the Abbey of Westminster, it is impossible not
greatly to regret, that from the inspection of these
monumental remains — these eftbrts of sculptured art.
1() death's doings.
past and present, the public should be barred, with-
out the payment of an admission fee ; a regulation
which, while it debases the character of a national
exhibition, excludes the generality of the people,
and defeats every legitimate purpose for which
these memorials of the great and good were erected.
An additional evil is, that the visitor is hurried over
a space and spectacle whose very essence is des-
troyed if not traversed and seen with freedom, quiet,
and calm contemplation. Under the present regula-
tions of abbey economy, the charm is almost dis-
solved which would otherwise preserve the memory
of those heroic achievements of our fleets and ar-
mies,— those labours of the statesman and the legis-
lator, of the man of science and the poet, all of rank
and of literature, to which these testimonials of a
nation's gratitude have been raised, by public or pri-
vate expense. It is not only interring the body, but
burying the monument too ; and the lament has been
hardly more for the departed, than for the labours of
art, the value of which is so much depreciated by
this miserable expedient to obtain money. It is hu-
miliating to reflect on the debasing character which
the mischievous atrocities of a few ignorant or un-
thinking individuals have, in some degree, brought
upon the nation at large, and which, it is said, have
INTRODUCTION. 17
led to these obnoxiou§ regulations, and given us, in
the eyes of foreigners, at once the stamp of a mer-
cenary and a barbarous people ; but it is, however,
to be hoped that, with an increasing knowledge of
the fine arts, the progress of instruction, and the
consequent prevalence of good sense, a way may be
found to protect these records of our country's glory
and talent, without imposing a tax upon those who
might benefit by such examples in the endeavour to
imitate them.
From the tombs and monuments within, is but a
step to those without ; from the church to the church-
yard— whence, as the poet says, — " The voice of
nature cries." But, like many other poetical asser-
tions, this is somewhat equivocal, for little de-
pendence can be placed on these " frail memorials,"
many of which, like the old moralities, are calcu-
lated to excite a laugh rather than serious and sober
reflections. In some places, indeed, scarce a stone
is raised but a jest is raised with it.
It is hardly possible to touch on the subject of
epitaphs, but a train of uncouth rhymes follow, in
the shape of serious foolery or ignorant burlesque.
Nor is this folly confined to the obscure village
c
18 death's doings.
dormitory, or to times long past: there is scarcely
a churchyard within the metropolis or its suburbs,
but will afford some modern examples of gross ig-
norance or inflated nonsense ; such as, — " God has
chosen her as a pattern for the other angels."
This exquisite piece of extravagance, to say no
more of it, was intended doubtless to convey an ex-
alted idea of the departed ; no reflection whatever
being made on the absurdity of the hyperbole.
It is somewhat remarkable, that men should be so
very anxious in life that their remains should not be
disturbed after death, and yet take no heed of what
may be said upon their tombs ; men write their auto-
biographies, and why not their own epitaphs? —
Virgil did. Or why not have recourse to the Vicar
of Wakefield's plan, who wrote his wife's epitaph
when living, commending in it the virtues he wished
her to practise ? At all events, it might be imagined
that either the pulpit or the press would have come
in aid to check this prevalent absurdity ; that, if
men chose to make ** life a jest," they should not be
permitted to record one on their tombs.
But, not to dwell longer on churchyard regula-
INTRODUCTION. 19
tioris, let us take a brief view of mortality as ex-
hibited under the refined sentiment of the Greek my-
thology and of Grecian art.
" The ancients contemplated death without terror,
and met it with indifi'erence. It was the only divi-
nity to which they never sacrificed, convinced that
no human being could turn aside its stroke. They
raised altars to Favour, to Misfortune, to all the
evils of life ; for these might change. But, though
they did not court the presence of Death in any
shape, they acknowledged its tranquillity in the
beautiful fables of their allegorical religion. Death
was the daughter of Night and the sister of Sleep,
and ever the friend of the unhappy.
" If the full light of revelation had not yet broken
on them, it can hardly be denied that they had some
glimpse and a dawn of the life to come, from the
many allegorical inventions which describe the
transmigration of the soul : — a butterfly on the ex-
tremity of a lamp, — Love mth a melancholy air,
leaning on an inverted torch, elegantly denoted the
cessation of life."*
* J. D'Israeli's Curiosities of Literature, Second Series, vol. 2.
c2
20 death's doings.
It was in contemplating this touching and appro-
priate representation, as it appears in an engraved
gem, that Mr. Croly produced those beautiful lines
in his Illustrations of Antique Gems: —
" Spirit of the drooping wing,
And the ever-weeping eye.
Thou of all earth's kings art king :
Empires at thy footstool lie.
Beneath thee strew'd.
Their multitude
Sink like waves upon the shore, —
Storms shall never rouse them more .
" What's the grandeur of the earth
To the grandeur of thy throne >
Riches, glory, beauty, birth,
To thy kingdom all have gone.
Before thee stand
The wondrous band, —
Bards, heroes, side by side,
Who darken'd nations when they died !
" Earth hath hosts, but thou canst show
Many a million for her one :
Through thy gate the mortal flow
Has for countless years roll'd on.
Back from the tomb
No step has come ;
There fix'd, till the last thunder's sound
Shall bid thy prisoners be unbound."
Beautiful as the emblem of Mortality in the
weeping infant, with the inverted torch, certainly
is, that of the butterfly is no less apt in representing
INTRODUCTION. 21
the soul. The purity and lightness of its nature, its
ambrosial food, the gayety and splendour of its co-
lours,— above all, its winged liberty when bursting
from its tomblike confinement, in which it appeared
to sleep the sleep of Death, afford so powerful a
contrast exhibited in the same creature, that it could
not fail to strike the intelligent among the heathen
world as a fit symbol of Immortality.
It is no very extravagant stretch of fancy, to ima-
gine the souls of some gifted individuals embodied
agreeably to their intellectual endowments. What
a contrast might then be seen to the low, grublike,
insignificant forms under which many a genius has
been cloaked, in the exalted, noble, and imposing
shapes which they would then assume ; while others,
whose vacant minds have been hid beneath a fair
exterior, would sink in the scale, and become in ap-
pearance the insects or reptiles best suited to their
real character.
Neither is this " considering the matter too curi-
ously;" for it is in perfect accordance with the apos-
tle's views of the resurrection.
" But some men will say, — how are the dead
raised up ? and with what body do they come ?
22 death's doings.
" Thou fool, that which thou sovvest is not quick-
ened except it die."
And then he thus goes on, —
"There is one glory of the sun, and another glory
of the moon, and another glory of the stars ; for one
star differeth from another star in glory.
" So also is the resurrection of the body : it is
sown in corruption, it is raised in incorruption ; it
is sown in dishonour, it is raised in glory ; it is sown
in weakness, it is raised in power."
With this exalted view of the subject, the follow-
ing serious and appropriate lines, from the pen of
Mrs. Hemans, may not inaptly conclude the Intro-
duction to a work, which, varied and miscellaneous
as it is, yet in its general character is calculated to
lead the mind to a contemplation of
" THE HOUR OF DEATH."
" Leaves have their time to fall.
And flowers to wither as the North-wind's breath,
And stars to set — but all.
Thou hast all seasons for thine own, O Death !
INTRODUCTION. 23
" Day is for mortal care.
Eve for glad meetings round the joyous hearth,
Night for the dreams of sleep, the voice of prayer.
But all for thee, thou Mightiest of the Earth !
" The Banquet hath its hour.
Its feverish hour of mirth, and song, and wine ;
There comes a day for Grief's o'erwhelming power,
A time for softer tears — but all are thine.
" Youth and the opening Rose
May look like things too glorious for decay.
And smile at thee — but thou art not of those
That wait the ripened bloom to seize their prey.
" Leaves have their time to fall.
And flowers to wither at the North-wind's breath.
And stars to set — but all.
Thou hast a// seasons for thine own, O Death ?
" We know when moons shall wane.
When summer-birds from far shall cross the sea,
When Autumn's hue shall tinge the golden grain —
But who shall teach us when to look for thee ?
" Is it when Spring's first gale
Comes forth to whisper where the violets lie ?
Is it when roses in our paths grow pale ? —
They have one season — all are ours to die !
*' Thou art where billows foam ;
Thou art where music melts upon the air ;
Thou art around us in our peaceful home.
And the world calls us forth, and thou art there.
24 death's doings.
" Thou art where friend meets friend.
Beneath the shadow of the elm to rest ;
Thou art where foe meets foe, and trumpets rend
The skies, and swords beat down the princely crest.
" Leaves have their time to fall.
And flowers to wither at the North-wind's breath.
And stars to set — but all.
Thou hast all seasons for thine own, O Death !"
P. S. — While the early part of this Introduction was at' press,
but not soon enough to insert it in its proper place, we were told by a
gentleman, who assures us that the correctness of his information is not
to be doubted, that the person who made the chalk sketches of the
skeleton figures on the wall leading to Kew Bridge, was a Mr. Samuel
Ponsonby Palmer, Midshipman, R. N. Our informant states, that
" Mr. Palmer entered the navy about the year 1810, on board the Vic-
tory, Sir J. Saumarez, and, having served about five years, he, on
quitting it, came to Hammersmith, where he resided during the years
1816, 17, and 18. In the latter period he sketched his Dance of Death
on the wall on the left side of the road going towards Kew Bridge.
On the 8th of September, 1824, this young man was unfortunately
drowned in the river Thames, by the upsetting of a sailing boat."
The Editor of The Times, who stated that these sketches were the
work of the nephew of Mr. Baron Garrow, doubtless derived his infor-
mation from a source which he conceived might be relied on ; but the
foregoing statement amounts almost to a flat contradiction of it, imless,
indeed, it happened that both the gentlemen occupied themselves in the
same amusement. The question is certainly one of no great moment,
but as the merit of these sketches (and, as we have elsewhere said, they
possessed considerable merit) has been publicly attributed to a party
whose clairii to it, to say the least, appears to be very questionable, our
readers will pardon us, we trust, for thus relating what has subsequently
come to our knowledqe.
25
DEATH S SERMON*
" What man is he that liveth, and shall not see Death?" — Psalm
Ixxxix, V. 48.
" Be thou faithful unto Death, and I will give thee a crown of Life."
— Rev. ii. V. 10.
" And I looked, and behold a pale horse : and the name that sat on
him was Death." " And the kings of the earth, and the great men,
and the rich men, and the chief captains, and the mighty men, and
every bondman, and every freeman, hid themselves in the dens and
in the rocks of the mountains." — Rev. vi. v. 8 & 15.
What wild creation of a fev'rish brain
Is this, which mocks my sight with ghastly forms
Of skeletons — grotesque yet terrible?
Is't an illusive vision, conjured up
To cheat the eye and scare the tim'rous soul ? —
Ha! — no — 'tis real ! see — one moves ! he speaks !
And in the attitude of preaching stands —
His book before him, resting on a desk
Made up of human bones ! — Ah ! now I see
'Tis DEATH! gaunt Preacher! whose rude pul-
pit 's placed
* Vide Frontispiece.
26
DEATH S DOINGS.
Within the precincts of the charnel-house ;
Where bones on bones, in heaps unnumber'd, lie.
And fetid exhalations taint the air !
There, on the mould'ring relics of mankind.
The all-subduing Monarch of the Tomb
His station takes — as if to make frail man
With man's inevitable fate familiar. —
Mark ye his outstretch'd arm and withering look !
While tones sepulchral from his lipless jaws
Resound, like thunder in a troubled sky
When Nature is convuls'd, and man and beast
Quail at the crash, and dread the fiery bolt !
And see — the hollow sockets of the eyes
Gleam with a lurid light, which fearless none
Can view ! O how terrific is the scene !
Now all is hush'd ; for e'en the last faint sound
Of murm'ring echo dies away. The pause
How drear ! — Now, now again, his deep-toned voice
Is heard, in accents superhuman, loud.
And awfully sublime !
" Though truth may sound
Ungracious to the ear, where flattery pours
Its honied poison — still the truth I'll speak ;
And though my form appalling to the sight
death's sermon. 27
Be deem'd— still shall that form be view'd.
Mercy and Might with Death go hand in hand !
And Mercy bids rae throw aside the veil
That screens mortality from outward ken.
And keeps mankind in ignorance of self!
*' The great Deliverer of Man am I,
Although of mortal Life the Conqueror :
For though at human pride my shafts I hurl.
And into atoms crush the vaunting fools
Who, with prosperity intoxicate, affect
To heed me not — yet from the direst woes
I rescue the oppress'd, and with a wreath
Of never-fading glory bind their brows.
And shall my wondrous attributes remain
Unnotic'd or contemn'd — my pow'r forgot.
Which earth, and air, and sea encompasseth ?
Shall I not use that glorious privilege,
Which both to mercy and to might belong —
Now striking terror in obdurate hearts.
And punishing men's crimes — now turning from
The error of their ways the penitent.
And leading them in paths of righteousness 7 —
" When hydra-headed Vice o'er all the earth
Triumphant stalks— and man is sunk in crime ;
28 death's doings.
When mad Ambition, Av'rice, lust of Power,
Hate, Rapine, Envy, and fierce Discord reign ;
And when the child of Merit droops his head,
And pines in want, while bloated Ignorance
Luxurious revels in his splendid halls ;
In vain shall Man exhort his fellow man :
A worm, alas, remonstrates with a worm !
In vain shall Preachers, whatsoe'er their creed.
Anathemas denounce, or woo their flocks
With promises of pardon and of peace :
Though gifted with persuasive eloquence.
Though every precept spoke a truth divine,
Without MY aid would Preachers preach in vain,—
Their words — as evanescent as the wind
That whispers in the grove at eventide,
And then is heard no more.
"But/ am fear' d!
For my dominion over all extends.
And naught can circumscribe my sov'reign will.
To ME, though not in homage, all men bow !
Yea, e'en the mighty puppets of the earth.
Surrounded by the minions of their will.
And deck'd in all the mockery of state.
Crouch, like the veriest slaves, at my approach.
And try, by pray'rs, and vows, and floods of tears.
death's sermon. 29
To crastinate their sure impending doom.
Yet such is oft their arrogance and pride.
And such the madness of the vassal crew.
Who blindly follow in the vain pursuit
Of glittering glory and of noisy fame;
That were not / to check their vile career.
Ills, far more grievous than Egyptian plagues.
The world would so infest, that Honour, Truth,
Love, Friendship, Hope, and heav'n-born Charity,
To other spheres would flee, and leave this orb
To man's unbridled violence a prey.
" Yet, though none dare dispute my boundless sway.
My actions none will bear in memory. —
When foam-crown'd billows sweep across the deck.
The awe-struck seaman, clinging to the mast.
Sees me with terrors arm'd, and dreads the surge
That soon may overwhelm him in the deep :
But when the storm subsides, forgotten quite
The waves which, tempest-toss'd, dash'd o'er his head.
And but an hour before had fill'd his mind
With all the horrors of a wat'ry grave !
'Tis thus with all mankind. When near I'm view'd,
Appall'd by guilty fears, they dread my dart; —
But seen afar, or veil'd in some disguise.
They act as though my power they despised.
30 death's doings.
Or treat me as a bugbear, fit for naught
But keeping fools and children in subjection.
*' 'Tis strange — 'tis wonderful — that Man, endow'd
With reasoning pow'rs — with faculty of speech —
With clear perceptions, knowing right from wrong ; —
That Man, who bears the impress of his God ; —
That Man, to whom the sacred truth's reveal'd
That mortal life is but probationary;
And that his essence, purged from fleshly sin.
Shall at the last great day e'en Death and Time
O'ercome, and take its flight to realms of bliss.
Surrounded by the spirits of the Just,
And angels, hymning great Jehovah's praise; —
'Tis wonderful, that Man, of this assur'd.
And the dread certainty before his eyes
That everlasting woe the wretch awaits
Who scorns high heaven's reward — should plunge in
crime.
And rush, regardless, tow'rds a precipice.
Beneath whose frightful brink perdition yawns!
" What! will ye risk your soul's eternal peace.
To gain some perishable gewgaw here ?
Or, what more likely is,— to lose the substance
And the shadow too,— to earn men's curses first.
death's sermon. 31
Then die the martyr of some guilty wish.
Some meditated, unrepented crime?
A.las ! ye will. Then am I man's bes't friend,
And most his friend, when speedy aid I give.
To save him from himself— his direst foe !
" Dark is the picture, but the tints are true; —
For though the gloss of flattery I despise.
No shades unreal, for efiect, I use ;
'Tis colour'd from the life — the life of man !
And what is Life? — at best, a dream of Hope,
Where fairy visions of delight appear
To dance before the eye ; but vanish quite.
And leave a dreary blank behind, when those
Who trust in their reality, awake !
O 'tis a pageant — unsubstantial, vain.
And falsely gay ! And what are all its joys ?
Mere childish baubles — playthings of an hour —
Call'd pleasure, wealth, or fame ; which if possess'd.
Bring with them anxious cares and countless toils.
In lieu of earth's best treasure, sweet Content !
" From infancy to age, the scenes of Life,
Hovve'er the colours vary, all abound
With sombre shadows of mortality. —
32 death's doings.
The laughing eye and dimpled cheek of Youth,
Though bright and blushing as the rosy morn.
At unrequited love or blighted hope
Change fearfully. — In all the pride of strength
Manhood may walk erect; but soon the brow
With care's deep furrows is engrav'd — the eyes
With tedious vigils red — the firm, bold step.
Cautious and timid grows — while anxious fears
Are painted on the sallow cheek, where health
Once bloom'd, and manly beauty shone. — Then Age
(If Life's contracted span to Age extend)
Comes tott'ring on, in sad decrepitude.
Bending beneath a load of pain ; while scanty
Locks of silvery hair, and eyes grown dim.
And ears which sluggishly their task perform.
Are Nature's never-failing messengers.
Old Age to warn, that Death in mercy comes
To close the scene, and from its bondage free
Th' imprison'd soul, which pants for liberty !
" Thus having Life's brief hist'ry fairly sketch'd.
Now let me turn to what Life leaves behind. —
Look here ! around me lie the frail remains
Of rich and poor, of weak and strong, of sage
And fool, of culprit and of judge. This skull.
Now crumbling into dust, was once th' abode
death's sermon. 33
Of brains which teem'd with scientific lore ;
And when its owner dropt into the grave,
(But not till then) the giddy multitude
Enamour'd grew of that which erst they scorn'd,
And treated as a maniac's rhapsodies.
The reason's plain. Int'rest his soul ne'er sway'd ;
He neither truckled to the great, nor bent the knee
At Mammon's shrine ; gold he accounted dross ;
And spurn'd all laws save those by Virtue made.
He heeded not the scoffs and sneers of men :
Science his mind illum'd ; Hope cheer'd his path ;
And when I call'd him hence, his placid eye
"Was lighted up by an approving conscience,
That gave assurance of eternal bliss.
That was the cranium of a senseless dolt —
One of those barren spots on Nature's map,
Where mental tillage is a hopeless toil :
Yet while he liv'd, although his ev'ry act
Was folly, and stultiloquence his speech.
The world applauded him, — and flatt'rers round
His table throng'd, like drones about a hive :
And why? The dunce was rich, and lavish'd all
His wealth upon the fawning knaves who bow'd
Before this ' god of their idolatry.'
" See what a motley and incongruous heap.
In undistinguish'd fellowship, are here !
34 death's doings.
The head which once a proud tiara wore.
Unconscious, rests upon a ploughman's cheek ;
And that which, animate, promulged the law,
Serves as a pillow for a felon's skull.
Huge legs, that once with sinews strong were brac'd.
And arms gigantic, that, encas'd in steel.
Wielded the sword, or rais'd the massive shield,
Now rest in quiet with the stripling's limbs.
Or relics sad of beauty's fragile form.
And Where's the diff'rence now ? — What boots it, then.
To know the deeds or qualities of either?
Rank, honours, fortune, strength Herculean,
Fame, birthright, beauty, valour, or renown.
What trace is left of ye? What now denotes
Th' imperial ruler from the meanest boor —
The recreant coward from the hero brave? —
Here all contentions cease. The direst foes
Together meet — their feuds for ever past ;
No burnings of the heart, no envious sneers,
No covert malice here, or open brawls
Annoy. All strife is o'er. The creditor
His debtor no more sues ; for here all debts
Are paid, — save that great debt incurr'd by Sin,
Which, when the final day of reck'ning shall
Arrive, cancell'd will be, or paid in full !
Let, then, this solemn truth your minds impress —
In your hearts' core O let it be engraved—
death's sermon. 35
That, though the body in the silent tomb
Be laid— though greedy worms the flesh destroy,
And * dust to dust return' — the soul shall live
Eternal in the heav'ns, or dwell in realms
Where fell Despair and endless Terror reign.
Then — if the dazzling lustre of high birth
Shall fail to shield you from the woes of life ;
If grandeur be accompanied by care ;
If under glory's mask, or fame's disguise^
There lurk the latent seeds of deadly strife ;
If ills prolific fill the breast of pride.
And pomp external hide deep inward griefs ;
If jealousy on beauty's vitals prey,
Or envy give a jaundiced hue to eyes
Which else with genius' brightest rays would shine ;
In fine — if perfect happiness on earth
Exist but in the visionary's dream ; —
The first great object of your soul's concern.
Is — how t' obtain th' invaluable key
By which the gate of mercy is unlock'd,
And life and happiness eternal gain'd ?
" What ! do I read in your inquiring looks
That you would fain this sacred treasure find?
Go, then, and Virtue ask ; — she'll loud proclaim,
* The key to heaven is a conscience clear.'
Conscience! thou never-erring monitor;
D 2
36
DEATH S DOINGS.
Throughout life's pilgrimage the faithful guide ;
Conscience ! by whom the soul of man is warn'd
To shun the quicksands of a treach'rous world ;
How little art thou heeded ! — Yet Life's bark.
Though toss'd by storms of trouble and despair
Upon the billows of uncertainty,
Guided by Conscience, safely shall arrive
At that bless'd port of everlasting rest.
That haven of perpetual delight.
Whose waves pellucid lave Jehovah's throne."
Ha ! — see, the awful Preacher disappears !
His desk and book are gone— and once more all
Is still ! — Yet, there's the charnel-house ; and there
The auditors in wild amazement stand ! —
O let me homeward turn, and meditate
Upon the solemn scene.
S. M.
^m
37
THE LAST OF THE GRACES.*
{By the Author of " The Arabs.")
Let the chill Stoic look upon thy reign,
0 Beauty ! as a pageant, fleet and vain, —
Whate'er, through life, his varied course may be,
Man's pilgrim heart shall turn, sweet shrine, to thee.
Not thine the fault, if false allurements claim
The fool's blind homage in thy sacred name :
They are not fair who boast but outward grace —
The naught but beautiful of form or face ;
They are the lovely — they in whom unite
Earth's fleeting charms with Virtue's heavenly light;
Who, though they wither, yet, with faded bloom.
Bear not their all of sweetness to the tomb.
1 had a dream, which, in my waking hour,
Seemed less the work of Fancy's airy power
Than Reason's deep creation ; for the hue
Of life was o'er it : — life approves it true.
* Written as an Illustration of the Skeleton Trio in the Vignette
Title-page.
38 death's doings.
Methought that I was wandering in a room.
Whose air was naught but music and perfume ;
A thousand lights were flaming o'er my head ;
And all around me flitted feet, whose tread
Roused not the listening echoes, for each bound
Was but the mute response to softest sound.
Sweet eyes, whose looks were language, and bland
tongues,
Whose accents died into ^olian songs.
Were there the things of worship ; and man's sigh
The incense of his heart's idolatry.
High swelled each breast within that proud saloon ;
For midnight there was Fashion's sparkling noon :
The vain beheld a sun in every gem ; —
That room was all the universe to them.
But they were not the happy : — who can hide
Th' intranquil heart? — their looks their lips belied.
Stiff" in the gorgeous masquerade of state,
The miserably rich, the joyless great,
The beautiful, whose beauty was a care
More deep than wrinkles, sighed, yet would not share
E'en the dull calm which mere exhaustion throws
O'er silken couches — soft without repose.
Foremost, and most conspicuous of the dance,
I now beheld three glowing forms advance.
Who seemed the envy or the boast of all : —
For they were deemed the Graces of the ball.
THE LAST OF THE GRACES. , 89
The first, — in spangled vesture — as she came,
Shot from her eye keen Wit's electric flame.
Whose sparks, tho* playful, like the lightning's dart,
Fall on the cold, alike, and feeling heart.
The next had veiled beneath a dazzling dress
Of vain adornments her own loveliness.
Resembling but that elegant deceit.
The rose of Art — superb, without a sweet.
The last was gentlest ; but her soul — all love.
Unveiled as Venus in her Paphian grove —
Burned on her lips and quickly-heaving breast,
As they were things but purposed to be press'd.
With arms entwined, these Graces of a night, —
Wild Wit, False Taste, and Amorous Dkligh t.
Praised by the many, by the few admired.
Performed their part, then suddenly retired : —
The dance stood still — men watched the closing door !
Sighed — turned — and all went gaily as before.
Contemplating the scene, my sight grew dim ; —
The ceaseless whirling made my senses swim :
Quick o'er my frame there came a torpid chill ;
The tapers died ; and all was dark and still ;
All, save the glimmerings of a sullen lamp.
And the cold droppings of sepulchral damp.
Which, falling round me, through the lurid gloom.
Told that I trod the charnel of the tomb.
40 death's doings.
It was a mausoleum, vast and high.
Whose soil was reeking with mortality :
There, in the midst, O sight of horror ! stood
Three forms whose aspect chilled my vital blood :
Grouped on a grave's cold slab, like things that
breathed,
Three skeletons their fleshless arais enwreathed ;
But moveless — silent as the ponderous stone
Whereon they stood : — and I was all alone !
** O for the Ethiop's sable charms to hide
Those hideous vestiges of Beauty's pride !"
To this I heard a hollow voice reply,
** Behold the Graces ! — mortal, feast thine eye !"
But I did turn me, sickening with disgust ;
For I beheld them mouldering into dust.
" And is this all, O Beauty ! — this the close
Of thy brief transit? — this thy last repose?"
As thus I spake, a slow expanding ray
Broke through the gloomy mist, like opening day ;
Unfolding to my gaze a spacious scene
Of hill and valley, clothed in fadeless green.
On every side, a thousand varied flowers
Seemed dropping from the sun, in odorous showers :
And there were groves and avenues, all graced
With Temples and with monuments of Taste ;
THE LAST OF THE GRACES. 41
Where Sculpture, Painting — all that polished Art,
Combined with useful Science, could impart,
Blended harmonious ; whilst th' ethereal soul
Of Music poured its sweetness o'er the whole.
I looked around ; and, in the east there shone
Three stars of beauty, burning 'neath the sun.
E'en with increase of splendour ; for their rays
Were such as wooed the brightness of his blaze.
But tho' they seemed like spheres of heavenly birth.
Their path was not in heaven, but o'er the Earth ;
And they advanced towards me : — as they came.
Their orbs dilated into thinner flame ;
And, softly from the circumambient light.
Three Angel forms emerged upon my sight.
The first — if either first engaged mine eye-
Bore in her own the tear of sympathy :
Ne'er looked the sun upon a fairer cheek ;
Ne'er met his glance a glance more mild and meek.
The next had, in her delicate caress,
Far more of majesty than playfulness :
And tho' her eye was kind — 'twas chastely clear
As fountain-drops, beneath the moon's pale sphere.
The last— possessed of woman's sprightlier charm —
Bloomed like the blush-rose, pure, yet inly warm :
Pure as its leaves the thought her bosom bore —
Her generous heart as glowing as its core.
42 death's doings.
Linked hand in hand, I saw them onward move,
Until they faced the rosy bower of Love ;—
When, mingled with the music, breathing near.
These gladsome accents fell upon mine ear:
"Hail, Pity! Chastity! Benevolence!
Sweet is the calm your gentle smiles dispense !
Hail, Sister Graces, who adorn the Fair !
Fresh be your garlands — happy they who wear!"
And, thus proceeding, all on which they cast
Their radiant glances, brightened as they pass'd :
And I did follow them with eye and heart.
Until I saw their fading forms depart :
Again they slowly melted into light ;
Again like stars became distinctly bright ;
And, hovering o'er the dimmed horizon, shed
Soft rays like those which linger o'er the dead —
Those lovely halos which dispel the gloom
When Memory hangs o'er Virtue's early tomb.
Thus did I gaze until some flickering beam
Of fancy passed, and broke my fitful Dream.
H. A. D.
THE FOET.
43
THE POET.
Thou art vanish'd ! Like the blast
Bursting from the midnight cloud ;
Like the lightning thou art past, —
Earth has seen no nobler shroud !
Now is quencb'd the flashing eye,
Now is chiird the burning brow.
All the poet that can die ;
Homer's self is but as thou.
Thou hast drunk life's richest draught,
Glory, tempter of the soul !
Wild and deep thy spirit quaff'd.
There was poison in the bowl.
Then the haunting visions rose.
Spectres round thy bosom's throne.
Poet ! what shall paint thy woes,
But a pencil like thine own ?
4G death's doings.
But hail thee, Death ! thy bitterness
And fearful sting are past —
I feel but now the weariness
Of one whose lot was cast.
With curbless heart and reckless mind
To toil for what he scorns.
Upon a land where few e'en find
The rose amid its thorns.
Yet life has been to me the clue
Of an enchanted grove.
Where over paths of varied hue.
We track the bower of love.
I've seen upon this troublous earth
At times a heavenly gleam,
That warn'd the spirit of its birth,
As in a glorious dream.
I've felt, oh yes ! they knew not how
Who trod this earth with me—
How deep hath been the kindling glow.
The bosom's inward glee.
When thought hath borne itself along,
A pilgrim of delight.
And found, like its own realm of song,
A realm for ever bright.
DEATH AND THE POET. 47
My lot hath been a lonely one —
The loneliness of mind.
That makes us while the heart is young
Half scorners of our kind ;
The panting of the soul that yearns
For love it hath not known.
The stoic pride of soul that spurns
At love not like its own ;
These have, at times, it may be, shed
A gloom upon my path,
Hope — baffled hope — and passion fed.
The spirit — and its wrath —
But what my earlier wrongs have been,
It boots not now to think.
There was too clear a light within.
For holier hope to sink.
'Twas well — I have not felt in vain —
Life's weariness and woe.
The thoughts that wring the heart with pain.
None but itself can know.
Have better taught my soul to dare.
Its own high path of bliss,
Unmov'd — unbow'd — unchang'd — to bear.
Far darker pangs than this.
48 death's doings.
Oh Death ! thou com'st to me as when
Thy step was o'er the tide.
And thou unveild'st thy form to men.
Where He, th' Athenian, died ;
Or, gentler, when with vigils sweet.
Upon the midnight air.
Thou com'st where chasten'd souls repeat
Their last and cheeriest prayer.
I see the land where Hope hath made
Her everlasting rest.
And peace, that was long wont to fade.
Leaves not my soothed breast ;
The strains that o'er my slumbers hung,
The forms my pathway crost.
The lov'd in thought — each perish'd one.
The sear'd heart loved, and lost —
They are around me, bright'ning still.
From their ethereal clime.
Not clouded, as before, with ill.
With mortal woe or crime —
And far away with them I track.
Thy deep, unfathom'd sea —
Hail to the hour that calls us back !
Pale Vision, hail to thee !
H. S.
TJIE PILGISIM.
4J)
THE PILGRIM.
And Palmer, grey Palmer, by Galilee's wave.
Oh ! saw you Count Albert, the gentle and brave.
When the crescent waxed faint, and the red cross
rushed on,
Oh ! saw you him foremost on Mount Lebanon.
The ladye sat in her lonely tower, —
She woke not her lute, she touched not a flower ;
Though the lute wooed her hand with its silver string.
And the roses were rich with the wealth of spring :
But she thought not of them, for her heart was afar.
It was with her knight in the Holy war.
She lookM in the west ; — it was not to see
The crimson and gold of the sky and sea.
Lighted alike by the setting sun.
As rather that day than night were begun ;
E
50 death's doings.
But it was that a star was rising there.
Like a diamond set in the purple air.
The natal star of her own true knight —
No marvel the maiden watched its light :
At their parting hour they bade it be
Their watch and sign of fidelity.
Amid the rich and purple crowd
That throng the west, is a single cloud,
Difiering from all around, it sails.
The cradle of far other gales
Than the soft and southern airs, which bring
But the dew and the flower-sigh on their wing ;
Like some dark spirit's shadowy car.
It floats on and hides that lovely star,
While the rest of the sky is bright and clear,
The sole dark thing in the hemisphere.
But the maiden had turned from sea and sky.
To gaze on the winding path, where her eye
A pilgrim's distant form had scann'd :
He is surely one of the sacred band
Who seek their heavenly heritage
By prayer and toil and pilgrimage !
She staid not to braid her raven hair, —
Loose it flow'd on the summer air ;
THE §CROLL»
THE SCROLL. 61
She took no heed of her silvery veil, —
Her cheek might be kiss'd by the sun or the gale :
She saw but the scroll in the pilgrim's hand.
And the palm-branch that told of the Holy Land.
L. E. L.
THE SCROLL."
The maiden's cheek blush'd ruby bright.
And her heart beat quick with its own delight ;
Again she should dwell on those vows so dear.
Almost as if her lover were near.
Little deemed she that letter would tell
How that true lover fought and fell.
The maiden read till her cheek grew pale —
Yon drooping eye tells all the tale :
She sees her own knight's last fond prayer.
And she reads in that scroll her heart's despair.
Oh ! grave, how terrible art thou
To young hearts bound in one fond vow.
Oh ! human love, how vain is thy trust ;
Hope ! how soon art thou laid in dust.
b2
52
DEATH S DOINGS.
Thou fatal pilgrim, who art thon.
As thou fling'st the black veil from thy shadowy brow?
I know thee now, dark lord of the tomb.
By the pale maiden's withering bloom :
The light is gone from her glassy eye.
And her cheek is struck by mortality ;
From her parted lip there comes no breath.
For that scroll was fate — its bearer — Death.
L. E. L.
THE AlRTIST,,
53
THE ARTIST.
And what is genius ? — 'Tis a ray of Heaven,
Illuming dim mortality ; a gleam
That flashes on our gloominess by fits.
Like summer lightnings, which, in radiant lines,
Inwreath the midnight clouds with tints divine ;
It gilds Imagination's darkest scenes
With splendid glory, like those meteor gems
That spread their richness o'er the polar skies.
O, 'tis a straggling sunbeam, through the storm.
Flung on the cluster'd diamond, which reflects.
In burning brilliancy, the borrow'd blaze ;
It is the morning light, outpouring all
Its flood of splendour on the bloomy bovvers
Of God's own Paradise !
Though hapless oft
His fate, how bless'd the Artist who beholds.
With mind inspir'd and genius-brighten'd eye.
Those beauties which eternally shine forth.
54 death's doings.
Nature, in all thy works ! To him, high wrapp'd
In passion'd fancies, feelings so allied
To something heavenly, that to all on earth
They give their own rich tinting. What delight
The morning landscape yields ; when the young sun
Flings o'er the mountain his first bickering ray.
And tips with wavering gold the embattled tower;
When the first rosy gleam the waters catch,
Like smiling babe just waking from soft sleep
On its fond mother's bosom ; while the woods.
That ring with bird-notes sweet, are dimly wrapp'd
In mistiness and shade. What joy is his.
Amid the forest depths to wander on.
O'er flower-empurpled path, and list the tones
Of the deep waterfall, at silent noon.
Drowning the woodlark's song; and, then, to view
Its angry flood, headlong from rock to rock.
Leaping in thund'rous rush, with silvery arch, —
Melodiously sublime ! while o'er its mists.
That to the sun a mimic rainbow spread.
The guardian oaks bend lovingly their arms.
And drink the pearly moisture : in their shade
The lily blossoms on its mossy bank,
And through their boughs wildly the summer
breeze.
An ever- wandering harper, sings unheard.
THE ARTIST. 56
And, oh ! how sweet to him the sunset hour.
When, high amid the evening's glowing pomps
That light the west, the mountain lifts its head,-^-
A rich empurpled pillow for the God
Of Day to rest on, as he, like a king
In coronation splendour, gaily bids
His worshippers farewell, ere he retires
"With Ocean's potentates, his rosy wine
To quaff amid their gem-wrought banquet bowers ;
Then on the painter's ear the hymn of love
Falls in full harmony ; — the lake outspreads.
With all a brother artist's beauteous skill.
Another landscape to his ravish'd eye.
Gorgeous with radiant colouring ; deep the groves
Are cast into the shade, where flocks and herds
Are wandering homeward to the tinkling sound
Of their own tuneful bells, and pastoral reed
And song of milkmaid fill up every pause
In Nature's vesper anthem, while the spire
And sun-gilt tower glow with the day's last beam.
To him what grand sublimity appears
In the vast ocean, with its cloud-wreathed cliffs.
Rocks, shores, and isles, and vessels wind-caress'd.
Sheeted in glittering sunshine, or enwrapp'd
In all the tempest's dark magnificence !
56 death's doings.
And, oh ! to him, how sweet, when copying all
The coy bewitching charms of moonlight eve !
Then the rich woods voluptuously their gold
Fling loose t' th' wanton winds, whose amorous song
Is heard amid their inmost bowers, where rests
The love-talking nightingale, discoursing sweet
To her patroness, the radiant queen of Heaven.
Then, bathed in dew, the full-blown roses fling
Their odours all abroad, and jasmine flowers
And rich carnation buds their honey-cups
With nectar fill, and to the night-breeze yield.
Like virgin bride, their richest treasur'd sweets ;
While flow the streams in silver, and the towers
Of time-worn castles, and dismantled aisles
Of pillar'd abbeys, break the shadowy mass,
With beamy outline, of the deep obscure.
'Tis not the soft and beautiful alone
The youthful painter loves to imitate :
The strife of arms is his— the battle-field.
Where rings the stormy trumpet, is the scene
Where oft he pants to win immortal fame ;
Great as the hero who, with spear-riven arms.
Mows down with his red brand whole ranks of foes ;
While chariot-wheels and war-steed's iron hoof
Trample the dead and dying in the dust.
THE ARTIST. 57
Deeds, too, of holy history often fill
His waking dreams, till his wide canvass glows
With characters divine — with wond'rous acts.
Miraculous, of Him who lived and died
To save a guilty world.
But, oh ! what toils.
What studies, night and day, — what hopes, what
prayers.
What aspirations, what ecstatic thoughts.
And wild imaginings of fancy bright.
Are his, as up the weary steep he climbs
To win renown, — to win that glory which
Must only shine upon his early grave !
Oh ! he had hop'd to gain renown as great
As that which to Italia's sons belong ;
To blend his name with RafFaele, Angelo,
Parmeggiano, Titian, and Vandyke ;
Hop'd that the radiant tints would all be his
Of Rubens, — his that painter's grand effects,
Combin'd with every excellence that graced
Albano's sweetness and Correggio's taste.
Alas ! ill-fated artist, thy proud hopes
Were, like the bard's, to disappointment doomed !
Thy expectations all cut off — thyself
Left in thy prime to wither, like the bud,—
58 death's doings.
The flower-bud rich of promise, by the frost
Cut oflf untimely ! With thy beauteous tints
Thy tears were mingled oft ; the dart of Death
At length, in pity, smote thy burden'd heart.
And gave thee freedom : dying, thou didst think, —
Painfully think, of what thou mightst have been.
Had fortune on thy opening merit smil'd, —
Then slept to wake in bliss !
And now mankind.
In generous mockery, pay that tribute due
To thy transcendant talents, and the grave
That hides thy cold remains with laurels deck !
J. F. P.
59
DEATH AND THE ARTIST.
** The pale-faced artist plies his sickly trade/'
saith the poet. And what then ? The daring ge-
nius will not be appalled in his pursuit of glory ;
the enthusiastic painter would yet spread the pig-
ments on his palette, though the King of Terrors
were at his elbow, playing the part of levigator. A
fig for life, to gain a deathless fame !
Death, the everlasting bugbear to wights of com-
mon mould, hath no terror to the philosopher, whe-
ther he be poet, painter, sculptor, or other, bent on
those scientific pursuits that lefad to immortality.
Let sordid souls tremble at his name — these mental
heroes start not for worthless gold, but run the race
for glory.
The poet takes his flight above the region of ter-
restrial things ; and, though allied to earth, before
the time allotted to baser souls, ere he quits his
60 death's doings.
mortal tenement, he leaves, in imagination, earth be-
hind, and revels midst a world of spirits ; and, but
for the loud rapping of the dun, would not awaken
from his reverie, till Death, reminding him of life,
translates him to eternity.
So the sculptor chips the rude block, and labours
on, inspired, heedless of sublunary things, until the
cold marble breathes beneath his animating hand ;
and then that hand which gave it life is cold itself
as marble. Glorious end ! for, ere the enthusiast's
tongue is mute, or eye is dim, he smiles on Death,
and, dying, cries — Behold, I live for ever in that
wondrous statue !
So with the happy hero in this piece : wrapped in
his art, he heeds not him who is so close at hand,
regardless of that hole that is about to ope beneath
his feet, deep as eternity. He labours on serene,
and, having given the last finishing to Time, yields
to him who is Time's vassal, and calmly receives
that dart which finishes himself. Yet, as he sinks
beneath the blow, he points him at his handy-work
in exultation, and, with his last breath, taunts the
despot on his impotency, touching that living fame
which never dies !
DEATH AND THE ARTIST. 61
He is most wise who fears the despot least ; for,
grim sprite, all bones, as he was seen when Apelles
hight his picture drew, or as this hero of the grave
came forth of Phidias' chisel, some twenty centuries
ago, or as we see the said dread spectre. Death,
carved to the life, by Roubilliac, within the last
hundred years — Immortal still — he is the same — and
come he will, in his own time, when least expected :
and, when he comes, it is well for those who stare
him in the face, if face he has that flesh hath not,
and greet him as your men of science have been
wont to do, with — Well, ho ! thou art come at last ;
then welcome, king !
Death ! — What is he not ? Assuming far more
shapes than ever did Italian posture-master, — yea,
more forms than Proteus himself ! — So swift of foot,
that even Mercury, were he a mortal, for all his
winged feet, could not outstrip the speed of this pur-
suer; so sudden in his movements, too, that even
Argus, with his hundred eyes, might yet be pounced
upon, with all his vigilance !
The wily enemy waylays the alderman in the last
spoonful of turtle ; he makes the gamester his own
in a losing card; seizes the agile tumbler in the
midst of his somerset ; grasps the hand of the close-
62 death's doings.
fisted miser, as he opens the iron chest to add
another guinea to his hoard : he defrauds the gaoler
of his fee, by arresting the midnight burglar at the
mouth of a blunderbuss ; lays his never-erring hand
alike upon the careless and the wary, and holds
tight in his grasp the strong and the weak — the evil
and the good — the wise man and the fool — the poor
and the rich. Even gold cannot swerve this agent
of the grave from his duty ; for, though the chief of
universal corruption, he is impartial in his office,
and himself incorruptible.
Vain, indeed, were the attempt to elude this mo-
narch of the grave ; for who shall ken his hiding-
place ? The soldier is sent to seek him in that field
where murderous bullets fly in showers, as thick as
hail, but meets him not in war : yet, when least ex-
pected, finds him lurking between the sheets, in a
damp bed, beneath the roof of peace.
The sea-tossed mariner, with glaring eyes and hair
erect, — with mournful oaths in lieu of prayers, looks
for the spectre in each rolling wave, though thence
he Cometh not. Now safe on shore, all danger past,
as it should seem, he tempts him with the cheerful
bowl, and trips him up as he, with other jovial
wights, is reeling home, — and there's an end of him.
DEATH AND THE ARTIST. 63
Hogarth, who drew from the living that mortal
drama which immortalized his genius and his name,
having accomplished his great and multifarious
works, took up his palette and his other painting-
tools to make that last study, — finis, which, with
his usual fitness, being about to bid adieu to Life,
he dedicates to Death. Where will you name the
hero who met the mortal enemy like he ?
A few months before this genius was seized with
the malady which deprived society of one of its
greatest ornaments, he proposed to his matchless
pencil the work in question ; the first idea of which
is said to have been elicited in the midst of his
friends, whilst the convivial glass was circulating
round his own social board. " My next subject,"
said the moral painter, " shall be the end of all
THINGS."
" If that be your determination," said one, '* your
business will be finished ; for then will be the end of
the painter's self."
" Even so," returned the artist ; " therefore, the
sooner my work is done, so much the better." Ac-
cordingly, he began the next day, continuing his
design with all diligence, seemingly with an appre-
64 death's doings.
hension that he should not live to complete the com-
position. This, however, he did, and in the most
ingenious manner, by grouping every thing which
could denote the end of all things: a broken bottle —
an old broom worn to the stump— the butt-end of an
old musket — a cracked bell — a bow unstrung — a
crown tumbled in pieces — towers in ruins — the sign-
post of a tavern, called The World's End, tumbling —
the moon in her wane — the map of the globe burn- •
lug — a gibbet falling, the body gone, and the chain
which held it dropping down — Phoebus and his
horses dead in the clouds — a vessel wrecked — Time,
with his hour-glass and scythe broken, a tobacco-
pipe in his mouth, the last whiff of smoke going out
— a play-book opened, with exeunt omnes stamped
in the corner — an empty purse — and a statute of
bankruptcy taken out against nature. " So far, so
good," exclaimed Hogarth ; " nothing remains but
this," — taking his pencil in a sort of prophetic fury,
and dashing off the similitude of a painter's palette
broken, — " Finis," exclaimed the painter ; *' the
deed is done — all is over." It is remarkable, that he
died within a month after the completion of this tail-
piece. It is also well known, that he never again
took the pencil in hand.
Ephraim Hardcastle.
G5
THE PURSUITS OF ART.
The pursuits of art, like tliose of literature, have
their flowers, their fruits, and, it may be added, their
thorns. Like the spring', they are full of hope and
blossom : but, like the spring, they are subject to
blights and nipping frosts ; so that the summer fruits
fall short of the fair maturity which might have been
expected from the culture and toil bestowed upon
the plant of promise. And even when the fruits of
art are cherished and ripened by the sun of encou-
ragement or the hotbeds of patronage, there is a bit-
ter mixed up with their sweets, or a thorn springing
up with their growth.
But, to wave metaphor, nothing can be more de-
lightful than the pursuit of art ; for few things are
more productive of pleasure and advantage than the
cultivation of that knowledge which is essential to
the practice of it. The pleasure and advantage are
so obvious, that to point them out (at least to the
F
Gii death's doings.
intelligent) would almost be an insult to the under-
standing.
But there is a reverse to this picture. — The de-
voteduess with which tlie votaries of art cling to
their favourite study is liable to so many rude
shocks, is attended with so many privations, often
from the free air and common light of heaven, but
more generally from neglect and the various contin-
gencies attending the developement of talent, — that
it is not wonderful the frame should be shaken, and
the mind at length alienated or rendered incapable
of enjoying pleasures that dawned upon the first
efforts in art. Those who see nothing but the results
of the painter's skill, who hear nothing but the
praises (often exaggerated) that are bestowed upon
his works, catch only at the information given by
sight or hearsay, and imagine the path to be that of
pleasure, or, at least, one of enviable contentment.
Neglect, however, is sometimes overcome by perse-
verance, and opposition by toil and industry; but
the sorest evils of all are the remarks of the ignorant
and the sarcasms of the critic : —
Whate'er may be the painter's merit, —
Though Raphael's genius he inherit.
Though all the skill of all the tribe
To aid his pencil should subscribe,
THE PURSUITS OF ART. 67
He will not, in the critic's view.
Be any thing while he is new.
Alive ! his works are all a blunder ;
But dead — all join in praise and wonder:
His forms are melted into grace.
And none a blemish now can trace -,
His colours, though with time they're fled.
Leave fancied beauties in their stead ;
Death gives a sanction to his name,
And hands him o'er to future fame f
Imagination, too, can preach
Of something even out of reach, —
Can prate of miracles in art
That only in the fancy start.
The painter still must bear the lash,
E'en though the terms be " vile!" or " trash!"
And this, too, blurted in his face
By some pretender of the race
Of connoisseurs, who having found
Through fortune some advantage-gi-ound.
Some smattering of virtu or taste.
And, fearing it should run to waste,
Deals out his blunders by the dozens —
The wonder of his country cousins.
That these are some of the drawbacks on the pro-
fession will, I believe, be readily admitted by the
great majority of" its members : —
But yet there is in art the power
To give to life its sweetest hour ;
F 2
C8 death's doings.
To show the charms on Nature's face.
To fix the forms of truth and gi-ace.
And whether on Creation rude.
Or rock, or desert soUtude, —
O'er ocean, cloud, or tranquil sky,.
The painter throws a heedful eye ;
And not a shrub, a flower, a tree.
But holds some latent mystery.
To which the artist's skill alone
Can give substantial form and tone.
Yes ! and while the elasticity of his mind remains,
he can draw pleasure from stores ever at hand. His
imagination can range the wilds of his own creation,
and see no bounds to the power of his art. Seduced
by the delusive nature of his employment. Time
glides imperceptibly away, while he paints him at
rest ; and the insidious foe to life marks, in the ar-
dour of his pursuit and the intenseness of his appli-
cation, the seeds of destruction, and, in the flame
that lights up his genius, the consumer of his days.
R. D.
TME c]rick:etem»
69
THE GAME OF LIFE ;
4©r, Beati) among t^e ittiti^tter^.
When men are in a moralizing strain.
And gravely talk about the brittle stuff
Of which poor human life is made,
'Tis ten to one,
That, ere they've done,
They shake their heads, and make this sage reflection :
That Life is transitory, fleeting, vain —
A very bubble !
With pleasures few and brief — but as for pain.
And care, and trouble.
There's more than quantum suff. —
Nay, quite enough
To make the stoutest heart afraid.
And cloud the merriest visage with dejection !
And then, what dismal stories are invented
About this " vale of woe" —
Zounds ! 'twere enough to make one discontented.
Whether one would, or ?io !
70 death's doings.
Now Life, to me, has always seem'd a Game —
Not a mere game of chance, but one where skill
Will often throw the chances in our way —
Just like (my favourite sport) the Game of Cricket ;
Where, tho' the match be well contested, still
A steady Player, careful of his fame.
May have a good long Innings, with fair play.
Whoever bowls, or stops, or keeps the wicket.
Softly, my friend ! (methinks I hear Death cry)
Wlioever bowls ! you say ; — sure you forget
That in Life's feverish fitful game
Jam the Bowler, and friend Time keeps wicket: —
Well ! be it so, old boy, — is my reply ;
I know you do — but. Master Drybones, yet
My argument remains the same.
And I can prove Life's like the Game of Cricket !
Sometimes a Batsman's lull'd by Bowler Death,
Who throws him off his guard with easy halls ;
Till presently a rattler stops his breath —
He's out! Life's candle's snuff 'd — his wicket falls!
In goes another mate : Death bowls away —
And with such art each practis'd method tries.
That now the ball winds tortively along,
Now slowly rolls, and now like lightning flies.
THE GAME OF LIFE. 71
(Sad proof that Death's as subtle as he's strong!)
But this rare Batsman keeps a watchful eye
On every motion of the Bowler's hand,
And stops, or hits, as suits the varying play ;—
Though Death the ball may ground, or toss it high.
The steady Striker keeps his self-command,
And blocks with care, or makes it swiftly fly : —
Still bent on victory, Old Drybones plies
With patient skill — but every effort fails.
Till Time — \h^t precious Enemy — prevails.
O envious Time ! to spoil so good a game !
Fear'dst thou that Death at last had met his match.
And ne'er could bowl him out, or get a catch ?
Yea, verily. Old Time, thou seeniclst te doubt
The Bowler's skill — and so, to save his fame,
Didst watch the popping -crease with anxious eye.
Until the wish'd-for opportunity
Arriv'd, when thou couldst stump the Batsman out !
O^ what a Player ! how active, cheerful, gay !
His " Game of Life" how like a summer's day !
But yet, in vain 'gainst Death and Time he tries
To stand his ground — they bear away the prize —
And, foil'd at last, he yields his bat, and — dies!
Some are bowl'd out before they've got a notch.
But mates like these can helpmates scarce be
reckon'd ;
72 death's doings.
Some knock their wickets down — while others botch
And boggle so, that when they get a run,
It makes Time laugh ;— Death, too, enjoys the fan.
Shakes his spare ribs to see what they have done, —
Then out he bowls the bunglers in a second !
And yet, although old Messieurs Death and Time
Are sure to come off winners in the end,
There's something in this " Game of Life" that's
pleasant ;
For though " to die!" in verse may sound sublime —
{Blank verse I mean, of course — not doggrel rhyme).
Such is the love I bear for Life and Cricket,
Either at single or at double wicket,
I'd rather play a good long game, and spend
My time agreeably with some kind friend,
Than throw my bat and ball u^—just at present !
S. M.
*72
VERSES IN PRAISE OF CRICKET.*
BY THE REV. M. COTTON,
Assist all ye Muses, and join to rehearse
An old English sport, never prais'd yet in verse ;
'Tis Cricket T sing of, illustrious in fame, —
No nation e'er boasted so noble a game.
* Our thanks are due to Mr. T. W. Bower, Mathematical Master
in the School of Winchester College, for the MS. copy of this Song,
written more than half a century since, by the Rev. M. Cotton, who
at that time was the Master of Hyde Abbey School, in that city. Instead
of offering any excuse for giving it a place in " Death's Doings," we
think we may fairly urge the following as reasons why it ought not to
be withheld : — first, that it is eloquent in the praise of the game of
Cricket; secondly, that it not only commemorates the successful
prowess of the far-famed Hambledon Club, which at one time was the
pride of Hampshire and the envy of " all England," but affords us an
opportunity of introducing a biographical sketch of the last survivor of
the original members of that club ; and, thirdly, that its Author was the
Conductor of a School which has had the honour of enrolling in its
list of pupils many talented youths who, in after-life, have filled the
most distinguished stations — of which we may (without appearing in-
vidious to others) adduce a brilliant example in the person of the pre-
sent enlightened Secretary of State, the Right Hon. George Canning.
f5
DliATH S DOINGS.
Great Pindar has bragg'd of his heroes of old —
Some were swift in the race, some in battle were bold ;
The brows of the victors with olive were crown'd ;
Hark ! they shout, and Olympia returns the glad
sound !
What boasting of Castor, and Pollux, — his brother !
The one fam'd for riding, — for bruising the other !
Compar'd with our heroes they'll not shine at all ;
What were Castor and Pollux to Nyren and Small?*
* The whole of the Hanibledon Chib have now been bowled down
by Death; Mr. John Small, Sen. of Petersfield, Hants, who was the
last survivor of the original members, having terminated his mortal
career on the 31st of December, 1826, aged nearly ninety !
The great have their historians, and why should not the small ? —
nay, since every one in the present day exercises his right of publish-
ing his " reminiscences," if he can but find a bookseller who is bold
enough to venture on the speculation, we trust we shall stand excused
for preserving a few stray notices of this venerable Cricketer, whose ex-
ploits were once the theme of universal praise, and whose life was as
amiable as his station was humble.
John Small, sen. the celebrated Cricketer, was born at Empshott, on
the 19th of April, 1737, and went to Petersfield when about six years
of age, where he afterwards followed the trade of a shoemaker for
several years ; but being remarkably fond of Cricket, and excelling
most of his contemporaries in that manly amusement, he relinquished
his former trade, and practised the making of bats and balls, in the
art of which he became equally proficient as in the use of them ; and,
accordingly, we find that these articles of his manufacture were, in the
course of a short time, in request wherever the game of Cricket was
known.
Mr. Small was considered the surest balsman of his dav, and as a
VERStS IN PRAISE OF CRICKET.
Here's guarding-, and catching, and running, and
crossing.
And batting, and bowling, and throwing, and tossing;
Each mate must excel in some principal partj —
The Pantathlon of Greece never show'd so much art,
The parties are met, and array'd all in white ;
Fam'd Elis ne'er boasted so pleasing a sight ;
Each nymph looks askew at her favourite swain.
And views him, half stript, both with pleasure and
pain.
fieldsman he was decidedly without an equal. On one occasion, in a
match made either by the Duke of Dorset, or Sir Horace Mann (for we
cannot exactly call to mind which), England against the Hambledon
Club, Mr. Small was in three whole days, though opposed to some of
the best players in the kingdom j nor did he at last lose his wicket,
his ten mates having all had their wickets put down ! At another
time, in a five-of-a-side match, played in the Artillery-ground, he got
seventy-five runs at his first innings, and went in, the last mate, for
seven runs, which, it is hardly necessary to say, were soon scored.
On this occasion the Duke of Dorset, being desirous of compliment-
ing him for his skill, and knowing that Small was as passionately fond
of music as he was of Cricket, made him a present of a fine violin,
which he played upon many years, and which is now made use of by
his grandson. We shall not, however, enter into a detail of the numerous
proofs he gave of his- skill as a Cricketer, nor of the flattering testimo-
nies of approbation he at various times received from the patrons of
the game ; suffice it to state, that the first county match he played in
was in the year 1755, and that he continued playing in all the grand
matches till after he was seventy!
Mr. Small was also an excellent sportsman and capital shot. He
f6
death's doings.
The wickets are pitch'd now and measur'd the ground.
Then they form a large ring and stand gazing around ;
Since Ajax fought Hector in sight of all Troy,
No contest was seen with such fear and such joy.
Ye bowlers, take heed — to my precepts attend ;
On you the whole fate of the game must depend ;
Spare your vigour at first, nor exert all your strength.
Then measure each step, and be sure pitch a length.
held the deputation of the Manor of Greatham and Foley for many
years, as gamekeeper, under Madam Beckford, and retained it under
her son and successor, till the property was parted with, which did not
happen till Small was nearly seventy years of age ; yet such was his
strength and activity at that time of life, that, before he began his day's
amusement, he regularly took his tour of seven miles, frequently doing
execution with his gun which, to relate, would appear almost incredible.
We ought also to mention that, among other active exercises for
which Mr. Small was famed, was that of skating. Those who have
witnessed his evolutions on Petersfield Heath Pond (a fine sheet of
%vater, a mile in circumference), have no hesitation in pronouncing him
equal to any who have figured away on the Serpentine, how-much
soever they may have " astonished the natives."
But we turn from Mr. Small's athletic amusements, to notice his
taste for music ; and though we cannot say that his excellence as a mu-
sician was equal to his excellence as a Cricketer, still among his com-
peers he was pre-eminentt ; and we liave no doubt that to the sooth-
ing power of music he was not a little indebted for the equanimity
of temper he possessed, and the tranquil delight he felt in the company
of his friends ; — for those who knew him can conscientiously declare
that no man was more remarkable for playful wit, cheerfiil conversa-
tion, or inoffensive manners.
So early did he display his taste for music, that at fourteen years of
VERSES IN PRAISE OF CRICKET.
Ye fieldsmen, look sharp ! lest your pains ye beguile
Move close, like an array, in rank and in file ;
When the ball is returned, back it sure — for, I trow.
Whole states have been ruin'd by one overthrow.
And when the game's o'er, I O victory rings !
Echo doubles her chorus and Fame spreads her wings ;
Let's now hail our champions, all steady and true.
Such as Homer ne'er sung of, nor Pindar e'er knew.
age he played the bass in Petersfield Choir ; of which choir he con-
tinued a member about seventy-five years, having performed on the
tenor violin there within the last twelve months, and that, too, without
jhe aid of spectacles ! — After what has been said, it will not be a mat-
ter of surprise to hear that Mr. Small was highly respected by all the
gentlemen who patronized Cricket ; and, as they knew nothing could
gratify him more, they frequently joined in a concert with his musical
friends after Cricket was over for the day.
His two surviving sons, John and Eli, not only inherit his love for
the game, but the first-mentioned particularly excels in it, and both
are equally celebrated for their musical attainments j indeed, during
their father's life this musical trio ranked high among the performers
at all the amateur concerts in the neighbourhood.
O that our readers would but tolerate our " fond garrulity," for much
could we yet inform them concerning John Small ! We should de-
light in telling them that he was not merely a player on the violoncello
and violin, but that he was both a maker and a mender of them ! — with
pleasure should we descant on his mechanical, as well as his musical
skill, and show that his proficiency in each was the result of his own un-
tutored ingenuity, proving that he had a natural genius for fiddle-mak-
ing, as well as for bat and ball making— we should bring proof that he
once made a violoncello, aye, and a right good one too, which he sold
for two guineas — nay, we should further prove, that the old instru-
DEATH S DOINGS.
Birch,* Curry,* and Hogsflesh,* and Barber,* and
Brett,*
Whose swiftness in bowling was ne'er equall'd yet:
I had almost forgot — they deserve a large bumper.
Little George* the long-stop, and Tom Suetor* the
stumper.
Then why shouldwe fear either Sackville f or Mann,f
Or repine at the loss of Boyntou or Lann?
With such troops as these we'll be lords of the game.
Spite of Miller,t and Minchin,t and Lumpy,t and
Frame.f
ment which his son, the present John Small, plays on at church every
Sunday (made by Andria Weber, Genoa, 1713) was thoroughly re-
paired by him, and an entire new belly put thereto, and that since it
has been so repaired, an eminent professor has pronounced it to be
worth as many guineas as would reach from one end of it to the oUier
— we should but we have not forgotten the old pro-
verb which says " too much of a good thing is good for nothing j" and
we desist, fearing that too much may be said even of our old fiiend,
John Small. But, notwithstanding our deference to the proverb,
and our wish to be as taciturn as possible, there is one more musical
anecdote which we must be allowed to narrate, inasmuch as it not
only shows that our praises of his skill are by no means exaggerated,
but because it cannot fail to be regarded as a corroboration of a most
important fact — the influence of music upon the brute creation— or, to
speak in the language of the poet, an additional- proof that
" Music hath charms to soothe the savage heast /"
In his younger days Mr. Small was in the habit of attending balls
' ♦ Part of the Hambledon Club. f " All-England Men."
VERSES IN PRAISE OF CRICKET.
Then fill up your glasses ! he's best that drinks most ;
Here's the Hambledon Club ! Who refuses the toast?
Let us join in the praise of the bat and the wicket.
And sing in full chorus the patrons of Cricket.
When we've play'd our last game, and our fate shall
draw nigh,
(For the heroes of Cricket, like others, must die,)
Our bats we'll resign, neither troubled nor vext.
And give up our wickets to those that come next.
and concerts ; sometimes contributing to the delight of the gay vota-
ries of Terpsichore — at others, forming one of the instrumental band
which met for the gratification of himself and his amateur friends.
Returning one evening, with a musical companion, from a concert in
the neighbourhood, they were rather suddenly saluted, when in the
middle of a large field, by a hull, who in no very gentle mood gave
them reason to believe that, to insure their safety, they must either
hit upon some expedient to allay his rage, or make a hasty retreat.
Mr. Small's companion adopted the latter plan ; but our hero, like a
true believer in the miraculous power of Orpheus, and confiding in his
own ability to produce such tones as should charm the infuriate ani-
mal into lamb-like docility, boldly faced him, and began to play a
lively tune. Scarce had the catgut vibrated, when the bull suddenly
stopped, and listened with evident signs of pleasure and attention.
The skilful master of the bow felt a secret satisfaction on discovering
so unquestionable a proof of the influence of sweet sounds; and, con-
tinuing to play, while he gradually retreated towards the gate, quietly
followed by the bull, he there gave his quadruped auditor an example
of his agility by leaping over it, and unceremoniously left him to be-
wail the loss of so agreeable a concert.
Having thus given such memorabilia in the life of Mr. John Small as
death's doings.
we conceive ought to be handed down to posterity, and (with humi-
lity be it spoken!) hoping to obtain some distinction for ourselves in
this necrological, autobiographical, and reminiscent age, we shall close
our remarks by observing, that so great a degree of health and vigour
did Mr. Small uninterruptedly enjoy, that even during the last three or
four years he took the most active exercise as a sportsman, and fre-
quently followed the hovmds on foot !
Thus it will be seen that, by an attention to temperance and ex-
ercise, and by encouraging cheerfulness and equanimity of temper, a
man may still attain the age of a patriarch, enjoying, to the last, health
of body, peace of mind, and the rational amusements of life.
Were we to write his epitaph, it should be an unlaboured compo-
sition of quaint simplicity — just such a one as the parish-clerk him-
self would indite. Something, for example, after the following
fashion : —
Here lies, bowl'd out by Death's unerring ball,
A Cricketer renown'd, by name John Small;
But though his name was Small, yet great his fame,
For nobly did he play the " noble game."
His Life was like his Innings— \ox\% and good ;
Full ninety summers he had Death withstood ;
At length the ninetieth winter came — when (Fate
Not leaving him one solitary mate,)
This last oi Hamhledonians, old John Small,
Gave up his bat and ball — his leather, wax, and all.
S. M.
73
DEATH AND THE CRICKETER.
Hold, cricketer ! your game has now been long,
Your stops and battings, numerous and strong ;
But see ! Time takes the wicket, I the bowl —
'Tis vain to block — your innings are all full."
This allegorical representation of Time and Death
engaged at cricket, though of general application,
has a more especial reference to an individual,
whose skill at an advanced age gave rise to the
design, which was suggested by a friend and com-
panion. The following sketch of his character is
given by one who knew him long and well.
Poor T B ! little did I image to myself
in your boyish days of fifty, that I should have wit-
nessed the wreck of so much buoyant mirth and
spirits — that I should have seen a kindness of heart
bordering on childish weakness, sinking beneath
the pressure (not of misfortune, or the common ca-
lamities of life, but) of an ill-placed confidence,
74 death's doings.
and the " sharp-toothed unkindness of a trusted
friend." — But a truce to this — Death has not indeed
quite bowled thee out ; but Time has taken thy
wicket — and thou art now only a looker-on.
T B , like many other men, had his
hobby, — it was cricket; but then he had his hacks
for ordinary occasions. There was his pugilistic
hack, — his game of draughts, — his game, too, of
marbles — yes — insignificant as these playthings
may seem in the eyes of the sober, the learned, and
the scientific, it would have amazed them to see
the steadiness of his hand — the correctness of bis
eye — the certainty of his shot. Not the most skilful
billiard-player could pocket his ball under the most
adverse circumstances, better than could B
take his adversary's taw in the most difficult situa-
tion. It was like magic. The brain of a philoso-
pher might have been set to work by it in consider-
ing the wonderful connexion between the eye and
the hand, or an engineer might have taken a hint
from it for directing his operations in the art of
gunnery.
With what pride would our veteran of the bat
relate the notches that he made, and the bets that
DEATH AND THE CRICKETER. 75
were laid on his skill, — aye, and the odds that were
always taken in his favour, both at cricket and at
taw !
If you are not proud, reader, you may in ima-
gination accompany me to the sign of , at
Walworth, or to the ■ , at Battersea, or any
other sign in that neighbourhood that signifies the
presence of pipes, ale, and tobacco ; where you will
see a smooth piece of ground, on which is marked a
ring, filled with marbles. But this is not the grand
match, it is only the rehearsal ; yet are the players
no less in earnest; nor are the spectators less intent
on the play, or less sapient in remarking on the
various hits and misses that take place ; while every
one is evidently satisfied in his own mind that he
can tell how this or that player might have made
better shots.
But there is a silent observer, who appears to
take no particular interest in the sport, but who at
the end of the rehearsal approaches our hero, with
this question, — " Are you not, sir, to play a match
at ?"— " Yes,"was the reply.-" Then I'll not
play ; I'll pay the forfeit."
7(i death's doings.
This was one oi" the many triumphs poor B
obtained, in marbles and at cricket; in draughts, too,
equal success awaited his skill ; and it was his owti
powers that gained him his victories. It was not his
horse, or his dog, that gave him credit, as by proxy.
Is the man at Doncaster, York, or Newmarket, an
inch the taller, or a whit the better, that the strength
or speed of his mare or gelding wins the race?
Even his brethren of the turf think him not a skilful,
but a lucky dog. B 's good fortune was of a
different kind — it was the work of his own crea-
tion.
It may so happen that the possessor and the thing
possessed may have mutual relations, and reflect
credit the one on the other. The possessor of an
English house and grounds may be a man of taste ;
the collector of pictures, a man of judgment; that
of antiquities, a man of virtu ; and so on ; but to
suppose that any or all of these should obtain credit
from the mere possession, would be idle in the ex-
treme : we might just as well attribute to the vase
the sweetness of the flowers it contains, or praise the
pedestal that sustains the statue, or panegyrize the
frame that holds the picture.
DEATH AND THE CRICKETER. 77
But it is the game of cricket* that should occupy
the principal place in these remarks ; and though it
* " I doubt if there be any scene in the world more animating or
dehghtful than a cricket-match," says Miss Mitford, in the first volume
of " Our Village," where she describes — " not a set match at Lord's
Ground for money," but — " a real solid old-fashioned match between
neighbouring parishes, where each attacks the other for honour and a
supper, glory and half-a-crown a man." Indeed, so full of genuine
character — so expressive of rustic feelings — and, altogether, so admi-
rably well related, is her history of a country cricket-match, that we
are irresistibly led to quote a very considerable portion of it. Miss M.
writes, as will be seen, not only with all the ardour of a partisan, but
like one who well understands the subject.
" Thus ran our list: — William Grey, 1. — Samuel Long, 2. — James
Brown, 3. — George and John Simmons, one capital, the other so, so,
— an uncertain hitter, but a good fieldsman, 5. — Joel Brent, excellent,
6. — Ben Appleton — Here was a little pause — Ben's abilities at cricket
were not completely ascertained ; but then he was so good a fellow, so
full of fun and waggery ! no doing without Ben. So he figured in
the list, 7. — George Harris — a short halt there too ! Slowish — slow,
but sure. I think the proverb brought him in, 8. — Tom Coper — oh,
beyond the world, Tom Coper ! the red-headed gardening lad, whose
left-handed strokes send her (a cricket-ball, like that other moving
thing, a ship, is always of the feminine gender), send her spinning a
mile, 9. — ^Robert Willis, another blacksmith, 10.
" We had now ten of our eleven, but the choice of the last occa-
sioned some demur. Three young Martins, rich farmers in the neigh-
bourhood, successively presented themselves, and were all rejected by
our independent and impartial general for want of merit — crlcketal
merit. ' Not good enough,' was his pithy answer. Then our worthy
neighbour, the half-pay lieutenant, offered his services — he, too,
though with some hesitation and modesty, was refused — * Not quite
young enough,' was his sentence, John Strong, the exceedingly long
son of our dwarfish mason, was the next candidate, — a nice youth —
every body likes John Strong,^-and a willing, but so tall and so limp.
78 death's doings.
is not apparently so connected with Danger and
Death as war, or the hunting of wild animals, it is
bent in the middle — a Ihread-paper, six feet high ! We were all afraid
that, in spite of his name, his strength would never hold out. ' Wait
till next year, John,' quoth William Grey, with all the dignified se-
niority of twenty speaking to eighteen. ' Coper's a year yovmger,'
said John. ' Coper's a foot shorter,' replied William : so John re-
tired} and the eleventh man remained imchosen, almost till the
eleventh hour. The eve of the match arrived, and the post was still
vacant, when a little boy of fifteen, David Willis, brother to Robert,
admitted by accident to the last practice, saw eight of them out, and
was voted in by acclamation.
" That Sunday evening's practice (for Monday was the important
day) was a period of great anxiety, and, to say the truth, of great plea-
sure. There is something strangely delightful in the innocent spirit of
party. To be one of a numerous body, to be authorised to say we, to
have a rightful interest in triumph or defeat, is gratifying at once to
social feeling and to personal pride. There was not a ten-year old
urchin, or a septuagenary woman in the parish, who did not feel an
additional importance, a reflected consequence, in speaking of • our
side.' An election interests in the same way ; but that feeling is less
pure. Money is there, and hatred, and politics, and lies. Oh, to be a
voter, or a voter's wife, comes nothing near the genuine and hearty
sympathy of belonging to a parish, breathing the same air, looking on
the same trees, listening to the same nightingales ! Talk of a patriotic
elector ! — Give me a parochial patriot, a man who lo ves his parish I
Even we, the female partisans, may partake the common ardour. I am
sure I did. I never, though tolerably eager and enthusiastic at all
times, remember being in a more delicious state of excitation than on
the eve of that battle. Our hopes waxed stronger and stronger. Those
of our players, who were present, were excellent. William Grey got
forty notches off his own bat; and that briUiant hitter, Tom Coper,
gained eight from two successive balls. As the evening advanced, too,
we had encouragement of another sort. A spy, who had been
despatched to reconnoitre the enemy's quarters, returned from their
DEATH AND THE CRICKETER. 79
yet a service of danger, and has been fatal to many :
and T remember it is related by Wraxall, that his
practising ground, with a most consolatory report. ' Really,' said
Charles Grover, our intelligencer — a fine old- steady judge, one who
had played well in his day — ' they are no better than so many old wo-
men. Any five of ours would beat their eleven.' This sent us to bed
in high spirits.
" Morning dawned less favourably. The sky promised a series of
deluging showers, and kept its word, as English skies were wont to do
on such occasions ; and a lamentable message arrived at the head-
quarters from our trusty comrade, Joel Brent. His master, a great far-
mer, had begun the hay-harvest that very morning, and Joel, being as
eminent in one field as in another, could not be spared. Imagine
Joel's plight ! the most ardent of all our eleven ! a knight held back
from the tourney ! a soldier from the battle ! The poor swaBi was in-
consolable. At last, one who is always ready to do a good-natured
action, great or little, set forth to back his petition ; and, by dint of ap-
pealing to the public spirit of our worthy neighbour, and the state of
the barometer, talking alternately of the parish honour and thunder-
showei-s, of lost matches and sopped hay, he carried his point, and re-
turned triimiphantly with the delighted Joel.
" In the mean time we became sensible of another defalcation. On
calling over our roll. Brown was missing ; and the spy of the preced-
ing night, Charles Grover, — the universal scout and messenger of the
village, a man who will ran half a dozen miles for a pint of beer, who
does errands for the very love of the trade, who, if he had been a lord,
would have been an ambassador — was instantly despatched to siun-
mon the truant. His report spread general consternation. Brown had
set oflF at four o'clock in the morning to play in a cricket-match at M.,
a little town twelve miles off, which had been his last residence. Here
was desertion ! Here was treachery ! Here was treason against that
goodly state, our parish! To send James Brown to Coventry was
the immediate resolution ; but even that seemed too light a punish-
ment for such delinquency. Then how we cried him down ! At ten,
on Sunday night (for the rascal had actually practised with us, and
80 death's doings,
present Majesty's grandfather got his death (though
not immediately) by the blow of a cricket-ball: — to
never said a word of his intended disloyalty), he was our faithful mate,
and the best player (take him for all in all) of the eleven. At ten in
the morning he had run away, and we were well rid of him ; he was
no batter compared with William Grey or Tom Coper ; not fit to wipe
the shoes of Samuel Long, as a bowler : nothing of a scout to John
Simmons ; the boy David Willis was worth fifty of him —
* I trust we have within our realm
Five hundred good as he,'
was the universal sentiment. So we took tall John Strong, who, with
an incurable hankering after the honour of being admitted, had kept
constantly with the players, to take the chance of some such accident
— we took John for our pis-aller. I never saw any one prouder than
the good-humoured lad was of this not very flattering piece of prefer-
ment.
" John Strong was elected, and Brown sent to Coventry ; and, when
I first heard of his delinquency, I thought the pimishment only too
mild for the crime. But I have since learned the secret history of the
offence (if we could know the secret histories of all offences, how much
better the world would seem than it does now !) and really my wrath is
much abated. It was a piece of gallantry, of devotion to the sex, or
rather a chivalrous obedience to one chosen fair. I must tell my rea-
ders the story. Mary Allen, the prettiest girl of M., had, it seems, re-
venged upon our blacksmith the numberless inconstancies of which he
stood accused. He was in love over head and ears, but the nymph was
cruel. She said no, and no, and no ; and poor Brown, three times re-
jected, at last resolved to leave the place, partly in despair, and partly
in that hope which often mingles strangely with a lover's despair, the
hope that when he was gone he should be missed. He came home to
his brother's accordingly ; but for five weeks he heard nothing from or
of the inexorable Mary, and was glad to beguile his own ' vexing
thoughts,' by endeavouring to create in his mind an artificial and fac-
DEATH AND Tfl IC CRICKETER. 81
say nothing of the maay fractures and contusions in-
cident to this manly and skilful exercise.
titious interest in our cricket-match — all unimportant as such a trifle
must have seemed to a man in love. Poor James, however, is a social
and waim-hearted person, not likely to resist a contagious sympathy.
As the time for the play advanced, the interest which he had at first
affected became genuine and sincere : and he was really, when he had
left the ground on Sunday night, almost as enthusiastically absorbed
in the event of the next day as Joel Brent himself. He little foresaw
the new and delightful interest which awaited him at home, where, on
the moment of his arrival, his sister-in-law and confidante presented
him with a billet from the lady of his heart. It had, M'ith the usual de-
lay of letters sent by private hands, in that rank of life, loitered on the
road in a degree inconceivable to those who are accustomed to the
punctual speed of the post, and had taken ten days for its twelve-miles'
journey. Have my readers any wish to see this billet-doiLv ? I can
show them (but in strict confidence) a literal copy. It was addressed,
' For mistur jem browne
* blaxmith by
'S.'
*' The inside ran thus : — ' Mistur browne this is to Inform yew that
oure parish playes bramley next monday is a week, i think we shall
lose without yew. from your humbell servant to command
' Marv Allen.'
" Was there ever a prettier relenting ? a summons more flattering,
more delicate, more irresistible ? The precious epistle was undated ;
but, having ascertained who brought it, and found, by cross-examining
the messenger, that the Monday in question was the very next day, "we
were not surprised to find that Mistui- browne forgot his engagement to
us, forgot all but Mary and Mary's letter, and set off at four o'clock
next morning to walk twelve miles, and play for her parish and in her
sight. Really we must not send James Brown to Coventry — must we ?
Though if, as his sister-in-law tells our damsel Harriet he hopes to do,
he should bring the fair Mary home as his bride, he will not greatly
82 death's doings.
Nothing is known of the origin or history of this
game but that it is purely English ; and it perhaps
deserves as many encomiums as Roger Aschara
care how little we say to him. But he must not be sent to Coventry
— True-love forbid!
" At last we were all assembled, and marched down to H. common,
the appointed ground, which, though in our dominions according to
the map, was the constant practising place of our opponents, and terra
incognita to us. We found our adversaries on the ground, as we ex-
pected, for our various delays had hindered us from taking the field so
early as we wished ; and, as soon as we had settled all preliminaries,
the match began.
'* But, alas ! I have been so long settling my preliminaries that I
have left myself no room for the detail of our victory, and must squeeze
the account of our grand achievements into as little compass as Cow-
ley, when he crammed the names of eleven of his mistresses into the
narrow space of four eight-syllable lines. They began the warfare —
these boastful men of B. And what think you, gentle reader, was the
amount of their innings ? These challengers — the famous eleven — how-
many did they get ? Think ! imagine ! guess ! — You cannot ? — Well !
— ^they got twenty-two, or rather they got twenty ; for two of theirs
were short notches, and would never have been allowed, only that,
seeing what they were made of, we and our umpire were not particular.
— They should have had twenty more if they had chosen to claim
them. Oh, how well we fielded ! and how well we bowled ! our good
play had quite as much to do with their miserable failure as their bad.
Samuel Long is a slow bowler, George Simmons a fast one, and the
change from Long's lobbing to Simmons's fast balls posed them com-
pletely. Poor simpletons ! they were always wrong, expecting the
slow for the quick, and the quick for the slow. Well, we went in.
And what were our innings ? Guess again ! — guess! A hundred and
sixty-nine ! In spite of soaking showers, and wretched ground, where
the ball would not run a yard, we headed them by a hundred and
forty-seven ; and then they gave in, as well they might, William
Grey pressed them much to try another innings. * There was so much
chance,' as he cautiously observed, ' in cricket, that, advantageous as our
DEATH AND TflE CRICKETER. 83
bestows on his favourite archery, or Isaac Walton
pours forth when descanting on the art of angling.
What Dr. Johnson has so judiciously and so ele-
gantly applied in a dedication to Payne's Treatise
on the Game of Draughts, might equally be said of
the game of cricket, or even of that of marbles.*
'* Triflers," observers the profound critic, " may
find or make any thing a trifle ; but since it is the
characteristic of a wise man to see events in their
causes, to obviate consequences, and to ascertain
contingencies, your lordship will think nothing a
trifle by which the mind is inured to caution, fore-
sight, and circumspection. The same skill, and
often the same degree of skill, is exerted in great and
in little things.
position seemed, we might, very possibly, be overtaken. The B. men
had better try.' But they were beaten sulky, and would not move
— to my great disappointment ; I wanted to prolong the pleasure of
success. What a glorious sensation it is to be for five hours together
winning — winning — winning! always feeling what a whist-player
feels when he takes up four honours, seven trumps ! Who would
think that a little bit of leather, and two pieces of wood, had such a
delightful and delighting power?"
* This dedication, under the name of Payne, is "To the Right
Honourable William Heru-y, Earl of Rochford, &c."
g2
84 death's doings.
It may also be observed that in drawing a parallel
between the game of life and that of cricket, there
is more aptness of allusion than may at first strike
the reader ; for in the former, as in the latter game,
there is much to do, and much to guard against;
and if any runs are made, in the way of speculation,
whether of pleasure or of gain, they must be made
with caution, skill, and vigour ; or the presumptu-
ous adventurer, through some adverse event, will
inevitably be bowled out !
Barnard Batwell.
THE TAFTIVE.
85
DEATH AND THE CAPTIVE.
Liberty ! Liberty !* thou hast heard
My weary prayer at length.
But the plumeless wing of the captive bird
Is shorn of its buoyant strength ;
I am too weary now to roam
Through sun-light and the air.
To bear me to my mountain home.
Or joy if I were there.
Liberty ! Liberty ! thou hast been
The prayer of my burning heart.
Till the silent thoughts that were within
Into life and form would start ;
And, oh ! the glorious dreams that roll'd.
Like scenes of things that be.
And voices of the night that told —
*' The captive and the earth are free !"
* The author, in order, as it would appear, to avoid the almost
inevitable monotony of the subject, has represented the Captive as at
first mistaking the Vision of the King of Terrors for that of Liberty —
the burning passionate hope of the heart, cherished through years of
gloom, may well, indeed, be imagined to have this effect in the fever-
ish excitement of struggling nature.— Editor.
86 death's doings.
Liberty ! Liberty ! I have prayed
To see thy form again,
And borne, with spirit undecayed.
The dungeon and the chain ;
But darkling art thou come to me.
In silence and in dread.
And round thee many a form I see
Of thine own tombless dead.
Oh ! altered is that glorious mien.
That burning brow of pride,
That shone before me in the scene
Where patriot thousands died ;
Oh ! changed since when I bore the brand
In glory and in youth.
And saw my leagued brothers stand
For Freedom and the truth.
Long years of woe have chill'd my breast.
And faint my spirit grows, —
Here now my drooping head might rest.
And here could find repose ;
But darkly as thy shadow gleams
Before my weary gaze.
Thou hast brought back the blessed dreams
Of youth's unclouded days.
DEATH AND THE CAPTIVE. 87
Oh ! lead me forth where'er thy reign.
Where'er thy dwelling be ;
I would bear all I've borne again.
To feel one moment free ;
To feel my soul no longer press'd
By this dim night of woe, —
To know, where'er this heart may rest.
The living light shall flow.
Frown not ! I once could brave for thee
The dagger at my side, —
And I have borne the misery
That few could bear beside.
There were who loved me, — where are they ?
Friends, country, home, and name, —
They have passed like a dream away,
But left my heart the same.
I've bartered all to see thee smile
Upon my native shore ;
Nor change I, though my rest the while
Be on a dungeon-floor.
The love of woman, or man's praise,
I sigh not now for them, —
It is enough that distant days
Shall wear thy diadem.
88 death's doings.
Yet leave me not again to lie
Through untold years of gloom,
I would once more behold the sky
And earth's unwasted bloom ;
Not yet hath hung the chilly air
So murky in my cell, —
The heavy darkness seems to glare.
The dreary night-gales swell.
And art thou she — the holy one !
Whose banner o'er the world.
Before their destined race was run.
Chiefs, prophets, saints, unfurled ;
Art thou the starry form that bowed
Beside the patriot's shield.
When, with clos'd lips and bosom proud.
They bore him from the field ?
Thou art not she, — I know thee now !
The glorious dream is past, —
There is a fever on my brow.
And life is ebbing fast.
Unmoved I bow me to thy power.
Stern friend of human kind !
Thou canst not make the spirit cower,
A dungeon could not bind.
H. S.
so
THE CAPTIVE.
Co IBeatt).
Who treads my dungeon, wild and pale ?
Or do my weary eyeballs fail ?
And art thou of the shapes that swim
Across my midnight, sad and dim.
Where in one deep confusion blend
The forms of enemy and friend ?
Shut out by mountain and by wave.
Or slumbering in the ancient grave.
Ha ! fearful Thing ! —I know thee now,
Thy hollow eye, thy bony brow,—
I feel thy chill, sepulchral breath ;
Spare me,— dark King ! pale Terror ! Death !
Still let me, on this bed of stone.
Pour to the night the captive's groan ;
Still wither in the captive's chain, —
Still struggle, hope, in vain— in vain ;
Still live the slave of other's will,—
But let me live, grim Spectre, still !
90
death's doings.
I faint ; thy touch is on me now—
I feel no sting, no fiery throe :
My fetters fall beneath thy hand !
I see thee now before me stand.
No shape of fear ! My fading eyes
Behold thee. Servant of the Skies !
Crowns thy bright brow the immortal wreath.
Celestial odours round thee breathe.
Spreads on the air thy splendid plume, —
Welcome, thou angel of the tomb!
Alfred.
THIE GAMESTER,
91
THE GAMESTER.
{By the Author of '• Dartmoor")
Loud howl'd the winter storm, — athwart the sky
Rush'd the big clouds, — the midnight gale was high ;
O'er the proud city sprang th' avenging flash.
And tower and temple trembled to the crash
Of the great thunder-peal. Again the light
Swift tore the dark veil from the brow of night ; —
And, ere the far-chas'd darkness, closing round
As the flame vanish'd, fell still more profound.
Again the near-heard tempest, wild and dread.
Spake in a voice that might awake the dead !
Yet while the lightning burn'd — the thunder roar'd—
And even Virtue trembled — and ador'd —
Alone was heard within the gamester's hell
The gamester's curse — the oath — the frantic yell I
Fix'd to one spot — intense — the burning eye
Mark'd not the flash — saw but the changeful die ! —
And, deaf to heaven's high peal, — one demon vice
Possess'd their souls — triumphant avarice !
92 death's doings.
Loud howl'd the winter storm : — night wore away
Too slow, and thousands watch'd, and wish'd for day ;-
And there was one poor, lonely, lovely thing.
Who sat and shudder'd as the wild gale's wing
Rush'd by — all mournfully. Her children slept
As the poor mourner gaz'd — and sigh'd — and wept !
Why sits that anguish on her faded brow ?
Why droops her eye ? — Ah, Florio, where art thou ?
Flown are thy hours of dear domestic bliss —
The fond embrace — the husband's — father's — kiss —
Bless'd tranquil hours to Love and Virtue given,
Delicious joys that made thy home— a heaven !
Flown — and for ever; — love — fame— virtue — sold
For lucre—for the sordid thirst of gold ;—
The craving, burning wish that will not rest.
The vulture-passion of the human breast —
The thirst for that which— granted or denied —
Still leaves— still leaves — the soul unsatisfied.
Just as the wave of Tantalus flows by.
Cheating the lip and mocking the fond eye !
Yet oft array'd in all their genuine truth.
Rose the sweet visions of his early youth ;—
More bright — more beautiful those visions rise.
As cares increase, on our regretful eyes ;
And when the storms of life infuriate roll.
Unnerve the arm, and shake th' impassive soul, '
THE GAMESTER. 93
Then Memory, always garrulous, will tell
The glowing story of our youth too well ;
And scenes will rise upon the pensive view,
AVhich Memory's pencil will pourtray too true !
Thus when Repentance warm'd his aching breast.
He turn'd him, tearful, to those scenes so bless'd.
And fresh they came, — a dear, departed throng.
Of joys that wrung the heart, by contrast strong ; —
Lost, lov'd delights that forc'd the frequent sigh.
And chill'd the life-blood while they charm'd the eye !
Could he forget when first — O thrilling hour !
He wooed his Julia in her native bower ?
Forget ? — the tender walk — the gate — the cot —
The impassion'd vow, — ah, could they be forgot?
Sweet noons — sweet eves — when all — below — above.
Was rapture — and the hours were wing'd by love '•
But chief one dear remembrance — one more bright
Than all, though cherish'd, rush'd upon his sight —
The mom that, blushing in her virgin charms.
Gave the wrong'd Julia to his eager arms ! —
Ah, wrong'd, — for though Remorse full deeply stung
His bosom, to the damning vice he clung ;
And she, poor victim, had not power to stay
The wanderer on his wild and desperate way ; —
While round her, ever, sternly — fiercely — sweep
Views of the future, — gloomy — dark — and deep !
94 death's doings.
Prophetic glances ! — he has left again
His sacred home, to seek the gamester's den ! —
Ah, aptly term'd a hell, for oft Despair
And Suicide, twin brothers, revel there !
Awake, infatuate youth, for Death is nigh.
Guides the dread card, and shakes the fateful die !
Awake, ere yet the monster lay thee low.
All that thou lovest perish in that blow !
The strong temptation — firmly — nobly — spurn :
Home — children — wife — may yet be thine ; — return
To virtue and be happy;— but, 'tis o'er —
Stripp'd of his all — he may return no more !
Ruin'd he stands, — the tempter plies his part —
As the head reels, and sinks the bursting heart !
With fell Despair his glaring eyeballs roll.
And all the demon fires his madden'd soul ;
The bullet speeds — upon the blood-stain'd floor
He lies — and play has one pale victim more !
N. T. C.
95
GAMING.
" The wife of a gamester came with Death in her looks to seek her
husband where he had been playing for two days. — ' Leave me,' he
said, ♦! shall see you again, perhaps.' — He did indeed come to her;
she was in bed with his last child at her breast, — ' Rise,' said he ; * the
bed on which you lie is no longer yours.' "
M. de Saulx on the Passion of Gaming.
The passion for gaming is as universal as it is
pernicious : avarice is its origin, and as all human
hearts are more or less avaricious, a propensity to
gambling is confined to no peculiar country. The
savage and the sons of refinement, the scientific
and the ignorant, alike admit it within their bo-
soms. There appears to be a delicious allurement
connected with the anticipation of winning, that
counteracts all qualmy doubts, and for awhile de-
prives the soul of its genial sympathies by enslaving
it to oblivious selfishness. Some writers have
endeavoured to confine the prevalence of gambling
to those climes where the frigid sternness of the at-
mosphere occasions a mental torpor, which is to be
relieved only by the perturbations of the heart.
But existing facts are a confutation to this limi-
tation ; for whether we cast our eye over the fertile
96 death's doings.
provinces of China, or turn to the uncultivated
islands in the Pacific Ocean, we find man yielding
himself up to the same destructive passion, and en-
tailing on himself consequences equally appalling.*
A more heart-sickening spectacle cannot well be
* The Siamese, Sumatraiis, and Malayans are warmly addicted to
gambling ; and the former will sell themselves and families to dis-
charge their gambling debts. The Chinese play by night and day j
and when ruinously unsuccessful, hang themselves. The Japanese
have secured themselves from yielding to their innate fondness for
gambling, by edicting a law, ** That whoever ventures his money at
play, shall be put to death." Speaking of a running-match performed
by the inhabitants of some islands in the Pacific Ocean, Cooke remarks,
" We saw a man beating his breast, and tearing his hair in the vio-
lence of rage, for having lost three hatchets at one of these mces, and
which he had purchased with nearly half his property." The ancients
too, were gamblers. The Persians, Grecians, Romans, Goths, and
Vandals, may be adduced as examples. To the wasteful partiality of
the Romans for gambling, Juvenal strongly alludes in his Sat. I. : —
" Neque enim loculis comitantibus itur,
Ad casum tabulae, posita sed luditur area"
Among the modern nations, the French and English are mournful
instances of the horrors and depravities arising from gaming. The
annals of every family abound with their sad mementos. Gamester
and cheater were synonymous terms in the days of Ben Jonson and
Shakspeare: — ^late facts will warrant a continuation of the synonyms.
Formerly, gambling-houses were established on a more systematic and
official plan than the hells of the present times. The following is but
a partial list of the officers then in attendance : — A commissioner, a
director, an operator, two croiipers (who gathered the money for the
bank), two puff's, a clerk, a sguib, a flasher, adtmner, a captain, a JNew-
gate solicitor, an iisher, with linkboys, coachmen, &c, &c.
GAMING. 97
imagined than a room replete with regular gam-
bling parties, each engaged at their particular
game : — take, for instance, one of the metropolitan
hells. An iinvitiated stranger, on his first entrance
there, may learn a lesson that will remain indelible
while the soul is capable of remembering former
sympathies. The mantling glimmer of the various
lights, the hushful silence of the room, — rarely dis
turbed but by the passive footfalls of waiters, and
dismal sighs escaping from sorrowed hearts, — the
mournful associations that wait on every unhallowed
spot, and the deepening consciousness that misery is
busied in pensive revels — all commingling, sink on
the visitant's soul with appalling reality. Though
untainted himself, his tenderest pity and most me-
lancholy presentiments must be awakened for the
deluded victims of a selfish passion. While stand-
ing by and gazing at one of the attentive gamesters,
what room for moralizing compassion ! Observe his
glittering eye, that rolls so wildly under its fretful
lid, the alternate wrinkling and relaxing of his
moistened brow, his baking lips, and their frequent
despairing mutter of convulsive anguish ! His coun-
tenance is the faithful mirror of his soul : its inter-
nal passions may be seen working there. Now, a
trepid gleam of joy illumes his sunken cheek, —
H
98 death's doings.
again the smile dissolves, and the gloomy sallenness
of disappointment sheds there its monotony of shade.
His visage may be compared to a lake on a breezy
spring-day, where dizzy sunbeams mellow for a
while its placid surface, to be succeeded by patter-
ing rain-drops, and the rippling play of ruffled
water. Thus pleasure awhile lights up the game-
ster's face, the features glow as it passes over them,
and then relapse into the emotions of deep-rooted
melancholy! Miserable feelings are not only be-
trayed in the countenance : they are perceived in
each movement of the hand, the peevish grasp of
the dice-box, or the dubious selection of a card, in
the arrangement of the tricks and disposition of the
counters : the whole air of his denotes a mental
struggle. Suppose he be the momentary winner : —
even then his delight is but a mockery of felicity,
while the losing adversary awes down its demon-
stration by the livid contortions of his visage, and
the patient sternness of avarice writhing for speedy
retaliation.
He who endures the pangs of unmerited woe, may
have a hapless lot; but the very consciousness of
its being undeserved, is a source of a fitful consola-
tion. Like the day-god, which, amid the dark thunder-
GAMING. 99
Clouds that overshade his empyreal radiance, will
sometimes gleam through the cleft gloom, so is the
heart ofthe guiltless mourner occasionally shone upon,
by that sweet beckoner, Hope. But what source of
consolation has the gamester? What relieving balm
when tortured by his wretchedness ? His soul is
then a volcano of rioting passions and remorseless
fires. The past is a scene that yields no retro-
spective calm ; the present is but its faithful com-
mentator. Suppose, as it frequently happens, that
during his gambling course he has risen on the ruins
of a fallen victim ; and the wrecks of decayed youth
and blasted genius : what then are the phantoms of
misery that hover round his reflections? To have
ruined one's self is a doleful consummation ; but add
the remembered distraction of those we have tra-
duced, and there is nothing equivalent to the recol-
lection of the circumstances. I can easily imagine
such a one before me — picture him attempting to
repose within the curtained loneliness of his cham-
ber. There is but little slumber to visit his eyelids !
He is haunted, like the murderer, by the shadowy
resemblances of the murdered. The blossoming
hopes he blighted, the promise of years that he
wrecked, and the once light bosom he burdened with
affliction now felt by his own, — all throw a ghastly
h2
100 death's doings.
hue on his imagination, and wake up the phrensies of
his brain. Perhaps he was the elder, and once
would have shuddered at the idea of tempting to
destruction the counselled associate of his early
days. He may have beheld the mother's sainted
fondness for her son, and the father's united cares
for the welfare of their offspring, — what are the hor-
rors of his recollections! Who was it, that dead-
ened by despair to the sympathies of honour and
friendship, allured him from his principles, and
charmed away the bashful regret on his first appear-
ance at the haunt of the gamblers? — Himself: — and
can he forget the dreariness of aspect, the wildness
of his stare, and the convulsions of his person, when
he last rushed, like a maniac, from his presence, —
stripped of honour, virtue, and happiness ? Con-
victing conscience condemns him as the traducer of
the inexperienced, and answerable for all the un-
known woes of his after-life. Then, as for himself, —
what is he? — The perpetrator of his own destruc-
tion,— a reduced, degraded wreck of guilt and
crime that seem too deep for penitence to absolve.
It is probable, too, he may be the destroyer of do-
mestic felicity, that depended on his welfare for its
continuance. He may look round and meet the
gaze of a heart-broken wife, — observe the clinging
GAMING. 101
children whose beggary he has earned, — a parent
whose hoary fondness claimed his most pious soli-
citudes. Methinks I can see the remorseful victim
with the cold sweat of anguish on his brow, and hear
his whispered groans as he turns restlessly on his
bed!— There is nothing overdrawn here: many are
his resemblances in the metropolis at this hour.
And what can the successful gamester possess to
create his happiness ? If happiness, as we are told,
arise from the mind, the gamester's is too inhuman to
be of a mental nature. Suppose him a swindler, —
will not the dread of detection harrow his bpsom and
corrode his soul ? Will the griping clutch of hun-
dreds from a defrauded novice, repay him for his
moments of uncommunicated torture? The transi-
tory flush of joy for fortunate guile, is succeeded by
the vengeance of conscience, that elicits tortures
even amid his struggles of fancied delight. Then,
what dreamy shadows of remorse are ever floating
before his imagination ! Miserable indeed is peni-
tence wrestling with fondness for crime. If virtue
be pursued, the haunts of guilt must be deserted ;
the dice-box and long-accustomed fellowships are to
be relinquished, and the stinging jeers of insulting
folly must be endured: nor is this all. Tears must
be the precursors of resolutions, and his plundered
102 death's doings.
victims must be repaid, or peace resides not in his
breast. But where are the thousands which ho-
nour and justice are to restore? — lavished in dissipa-
tion or rendered the purveyors of criminal delight.
The gambler therefore feels it is easier to practise
than to forsake crime ; and thus his heart, after
hovering, like the descending eagle, between remorse
and love for vice, returns to its dreadful propensi-
ties.
The idea of one human being extracting enjoy-
ment from another's misery, is dreadful even for
consideration. High play is but savageness re-
fined. The barbarian can pierce his victims with
venomed arrows, or deliver them to the devourment
of his native beasts ; but in this case, death spee-
dily closes his agonies. He that deliberately seats
himself down with the ardent hope of rising on his
adversary's downfall, is, in principle, far more cruel
than the barbarian. True, he plunges no weapon
into the flesh ; but how deep and cureless are the
vulnerations of the loser's mind, while he leaves him
enraptured at his conquest and splendid from the
completed ruin ? It may be objected, that both are
equally in fault ; since they endeavour for mutual
spoliation ; — and, consequently, cruelty is too harsh
an application. But does the reciprocity of the deed
GAMING. 103
remove its attendant fierceness ? On the contrary,
it only renders it more lamentably observable. It
should be remembered, too, that the finished game-
ster seldom combats with his peer, but seeks a no-
vice for his plunder. The truth is, gambling is
an inexcusable disgrace to this country ; and an
attempt to connect it with innocent amusement is
only a wretched perversion of the term. A social
game of cards is, perhaps, not culpable, where, we
suppose, pleasure will not degenerate into excess,
or benevolence into selfishness. But the routine of
the regular gambler, one who makes it his profes-
sion, and braves all consequences, deserves no epi-
thet but greedy and merciless. There seems to be
a living paradox in the present age : charity is the
colloquial subject of the drawing-room, sympathy
and tenderest sentiments drop glowing from ready
tongues, and yet dinner-parties retire from the
feast for reciprocal endeavours of plunder! The
host will frequently invite his guest, and repay the
hospitality of the table by sending him purseless to
his abode ! It is a notorious and sickening fact,
that many of the metropolitan resorts of amusement
often contain the daughters and mother quadrilling
in the ball-room, while the father is ruining himself
and their fortunes at the card-table. This speaks
volumes on the' moral degeneracy of the times.
104 death's doings.
Even women now, — they, whose bosoms should be
the stainless sanctuaries of none but soothing pas-
sions, are becoming gamblers. What a repulsive
spectacle, to observe a female face expressing all the
feelings of a thorough blackleg ! to observe eyes that
were made for beaming fondness, darting glances
of inward spleen and resentment ; — lips whence
delicate tones should only be breathed, curled up
in anger and masculine sternness ! Once more, and
we will leave this topic. May we not expect that
future years will increase the prevalence of feminine
gamesters ? Women, whose weight of years should
be supported by matronly dignity and reverential
aspect, are now employed from midnight to morn at
the gambling-table, and betray all its concomitant
vices in the presence of their youthful offspring.
What must be the state of society when fashionable
mothers thus wantonly forget their character, and
permit their children to witness their depravity— in
after-times to represent it !
Theodore was the son of a country gentleman,
equally blessed in the affection of father and mo-
ther : the days of his childhood were attended with
those cares and prudent indulgences so necessary to
mould the future man for active life and virtuous
consistency. Early initiated into the duties of self-
GAMING. 105
cultivation, and taught properly to estimate the good
qualities of the heart, at nineteen he was such a son
that a father might be proud to recognise. Each va-
cation found his studies greatly advanced, and his
capacity enlarged for the enjoyments of taste and
intellectual pursuits. His versed acquaintance with
the bards of Greece and Rome, together with the de-
licious ones of his own country, had engendered a
love for the muse ; which, though unexpressed in
words, was embalmed in the heart. He examined
Nature with the eye of a poet, and drew an inde-
scribable inspiration from her varied scenery. The
grouping clouds of an evening sky folding round the
sun, as if in homage for the light of day, were to
him not merely beautiful — something beyond this —
a spectacle that awoke visions which were shadowed
forth in fancy and pensive ecstasies. The stars of
night,— the verdant spread of the distant meadow,
— the peering mountain and the sleeping vale,
— all were looked on by him with a mental de-
light. Those who, at this period of his life, be-
held him accomplished, gentle, and amiable — one
who would have trembled at wilful vice — could
scarcely have imagined that he would ever be the
victim of vicious folly; but such the conclusion of
this brief sketch will show him. These traits of
Theodore's youthful character are mentioned, in
106 death's doings.
order to illustrate the force of corruption, even on a
refined soul and cultivated imagination.
At the decease of his father, Theodore arrived in
the metropolis, to pursue the usual course of his
chosen profession. Dr. Johnson has remarked, *' to
a man whose pleasure is intellectual, London is the
place." Theodore felt this ; and had he been blessed
with as much firmness as refinement of soul, he
would have realized all his fancy had pictured. He
entered on the busy arena of the metropolis with
sanguine hopes, and resolutions which, he thought,
would never be broken. His mother, aware of the
many perilous temptations in London, fondly and
earnestly alluded to them on their farewell evening.
She did not expect he would be imprudent, but she
had known others, similarly situated, to fall ; and,
therefore, her parting tear was not an omen of her
son's misfortune, but the fond betrayer of internal
anxiousness for his welfare. A tear from his mo-
ther's eye was ever followed by another from Theo-
dore's with instantaneous sympathy, and, as he
sealed his last kiss on her lips, the language of his
heart was, — " Can I ever deceive, or pain such a mo-
ther— never !"
Theodore had not resided long in London, ere his
GAMING. 107
father's grave was opened to receive his mother.
But alas ! a few years had deteriorated his princi-
ples and debased his heart. Tlie death of a mother
for awhile carried him back to the hours of child-
hood,— he thought of what he was, and what he had
been. It was true his letters had deceived her, and
that she left the world with the conviction of his fu-
ture prosperity ; still conscience was not yet suffi-
ciently stifled not to upbraid him. But he was
leagued too closely with his ruin to escape it ! It
would be tedious to trace his career, from the mo-
ment of his arrival in London, to the morning on
which he was informed of his mother's death. It
will be enough to account for the conclusion, to
state that his profession had introduced him to the
acquaintance of some dissipated young men ; his
natural goodness of heart for awhile foiled each
temptation; but as long as this was the case, he was
too companionless to be happy. He did not con-
tinue his resistance ; one visit to a gambling-house
was speedily followed by others. At first, fortune
attended him, and he returned for several evenings
with increased property. But it was this very luck
that occasioned his ruin : he now hazarded to play
high, and at one game lost all his former gains. By
various means he had contrived to dispose of his
property to supply his exigencies, and was now
108 death's doings.
about to risk his last sum. Many were the palpi-
tations of his heart throughout the day. Sometimes
he determined to retire for ever from the scene of his
ruin ;— but then the remembrance of his losses, and
the hope that this last risk would recover them, in-
terrupted the half-formed resolution, and allured him
to the trial. The hour came at last, and with a
thrilling bosom did Theodore take his accustomed
seat at the gambling-table. He knew that his all
was risked, and this fatal truth chilled every limb,
and woke up the cautiousness of terror and hope.
If he rose a winner, he should then be free to re-
nounce his present mode of life, and return to that
of peace and virtue ; if not, there was nothing but
despair to refer to, and its dictates to follow ! He
sat tremblingly opposite his adversary, and com-
menced the game. The first two throws of the dice
were equal on both sides, — it now depended on the
last one for the termination of the contest. Theo-
dore threw — the number was low, though not so low
but his adversary's might be more so. He watched
with breathless anxiousness the raising of his arm,
— heard the dice rattle, — too plainly saw the icy
sternness of his adversary's features, — murmured a
tone of anguish, the dice were thrown by Death !
R. M.
TSE SEIRE^TADE.
109
THE SERENADE.
'Tis midnight, and there is a world of stars
Hanging in the blue heaven, bright and clear.
And shining, as if they were only made
To sparkle in the mirror of the lake.
And light up flower-gardens and green groves.
By yonder lattice, where the thick vine-leaves
Are canopy and curtain, set with gems
Eich in the autumn's gift of ruby grapes,
A maiden leans : — it is a lovely night.
But, lovely as it is, the hour is late
For beauty's vigil, and to that pale cheek
Sleep might give back the roses watching steals.
Slumber, and happy slumber, such as waits
On youth, and hope, and innocence, was made
To close those soft blue eyes. What can they know
Of this world's sorrow, strife, and anxiousness?
What can Wealth be to the young mind that has
A mine of treasure in its own fresh feelings ?
And Fame, oh woman ! has no part in it ; and Hate,
Those sweet lips cannot know it ; and Remorse,
That waits on guilt, — and Guilt has set no sign
110 death's doings.
On that pure brow : 'tis none of these that keep
Her head from its down pillow, but there is
A visitant in that pale maiden's breast
Restless as Avarice, anxious as Fame, —
Cruel as Hate, and pining as Remorse, —
Secret as Guilt ; a passion and a power
That has from every sorrow taken a sting, —
A flower from every pleasure, and distilled
An essence where is blent delight and pain;
And deep has she drained the bewildering cup.
For Isadore watches and wakes with Love.
Hence is it that of the fair scene below
She sees one only spot ; in vain the lake
Spreads like a liquid sky, o'er which the swans
Wander, fleece-clouds around the one small isle.
Where lilies glance like a white marble floor.
In the tent made by pink acacia boughs ;
In vain the garden spreads, with its gay banks
Of flowers, o'er which the summer has just pass'd.
The bride-like rose, — the rich anemone, —
The treasurer of June's gold ; the hyacinth,
A turret of sweet colours ; and, o'er all.
The silver fountains playing : — but in vain !
Isadorc's eye rests on that cypress grove :
A bright warm crimson is upon her cheek,
And her red lip is opened as to catch
THE SERENADE. Ill
The air that brought the sound upon the gale.
There is a sweet low tone of voice and lute.
And, oh! Love's eyes are lightening, — she has caught
A shadow, and the wave of a white plume
Amid those trees, and, with her hair flung back.
She listens to the song : —
Lady sweet, this is the hour
Time's loveliest to me ;
For now my lute may breathe of love.
And it may breathe to thee.
All day I sought some trace of thine.
But never likeness found ;
But still to be where thou hast been
Is treading fairy ground.
I watched the blushing evening fling
Her crimson o'er the skies, —
I saw it gradual fade, and saw.
At length, the young moon rise.
And very long it seemed to me
Before her zenith hour.
When sleep and shade conspire to hide
My passage to thy bower.
112 death's doings.
I will not say — wake not, dear love, —
I know thou wilt not sleep ;
Wilt thou not from thy casement lean.
And one Ipne vigil keep ?
Ah ! only thus to see thee, love.
And watch thy bright hair play
Like gold around thine ivory arm.
Is worth a world of day.
Gradual he had drawn nearer and more near.
And now he stood so that his graceful shape
Was visible, and his flashing eyes were raised
With all the eloquence of love to her's :
She took an azure flower from her hair.
And flung it to him. — Flowers are funeral gifts, —
And, ere his hand could place upon his heart
The fragile leaves, another hand was there —
The hand of Death.
Alas for her proud kinsmen \
'Tis their work ! the gallant and the young -
Lies with the dagger in his faithful breast, —
The destiny of love.
L. E. L.
TME TOILET,
113
DEATH AT THE TOILET.
{By the Author of" The Lollards," " Witchjinder ," Sfc. Sfc.)
It seems that every bard, or clown, or lord,
Finds Death a striking subject to talk o'er.
He who counts syllables, in each long word.
With rhyme, his hapless relatives to bore.
And he who strikes the highest-bounding chord.
Who with immortal eloquence can soar ;
Yet nothing make of Death, with all this fuss.
But, that he nothing means to make of us.
And some appear intolerably grieved.
While dolefully lamenting earthly woes.
To think that they must one day be relieved :
And gain through him, a season of repose.
But I, thank Heaven ! have never yet perceived
That I am likely to be one of those :
For, gratefully admiring Nature's plan.
Death seems to me the comforter of man.
I
114 death's doings.
From this folks may presume that I am heir
To some old gentleman of property.
Or ancient dame, who to assuage my care
Has been sufficiently polite to die ;
Or else a widower, whose black despair
Has after six long mourning weeks gone by.
But I, though Death is certainly my pet,
Have to acknowledge no such favours yet.
I like him for the lesson he gives pride.
And those we " groundlings" call of " high degree."
The heartless rich, by him laid side by side.
Are fairly levelled with poor rogues like me.
Thus feeling, sometimes I have almost cried.
Death's circumstances so reduced to see;
For vaccination — stomach-pumps — and peace,
I thought would make mortality decrease.
" Great king of terrors ! I commiserate
Thy lot severe, for deeply thou must feel.
Through peace, the long postponement of the fate
Of thousands, whom the grave would else conceal.
No longer used for stocking thy estate
Are powder, conflagration, lead, and steel ;
Whilst undertakers in the general joy
Turn suicides, their workmen to employ !"
DEATH AT THE TOILET. 115
Thus I exclaimed, when lo ! before me stood
Grim Death himself. I must confess this hurt
My feelings rather, but his civil mood
Restored composure, nay, I soon grew pert.
Though to my blushing face, up rushed the blood.
At being thus with one who wore no shirt ;
With one indeed, it may be said, who owns
Not even a skin to hide his naked bones.
Yet skeletons I like to view, because
No veil there screens a mean perfidious heart ;
No vertebrae inclines, to feign applause
Where scorn is felt, but finished life's brief part
The limbs with seeming dignity can pause.
Nor shake with terror nor with fury start ;
And Death as seen by me, was I must own
A very gentlemanly skeleton.
We spoke of various matters — of Life's ills —
Of sportive subjects now, and now of grave ;
I, (thinking of my aunt's and grannam's wills)
Lamented cooking Kitchener should save.
Or Abernethy with his d — ns and pills.
So many, whom of right Death ought to have;
And still, to give discourse a friendly turn.
On his account expressed sincere concern.
i2
116 death's doings.
" Your love I thank," said he, and grinn'd a smile ;
" I will explain, but must be brief and free,
For I to-night shall journey many a mile.
And you would hardly wish to go with me.
Rightly you have imagined that my toil
Makes life a little like what it should be.
Few, very few, would care on earth to stay.
Were I for one whole century away.
'* For how terrific were the tyrant's rod,
Had he no dread that Death might be at hand !
And how relentlessly would Avarice plod.
How domineering would be all the grand,
If me they could forget, as they do God,
And hope to live for ever in the land !
I make proud affluence the poor befriend.
Or bring its sordid projects to an end.
" This, my vocation, sternly I pursue.
In peace or war, submission I compel.
The latter, 'twill sound wonderful to you.
My lists, perceptibly, could never swell ;
Nay, joined with steam, balloons, safe coaches too.
Ne'er furnished out a half per-centage knell.
My blows are most repeated, are most sure —
Where wealth and comfort whisper ' all's secure.'
DEATH AT THE TOILET. 117
" I choose not for my arms, the beggar's meals.
His tatters, or his lodging on the ground ;
No ; but magnificence my arrow feels,
Where pomp presides and luxuries abound :
In dainty viands, to life's source it steals ;
And costly wines, my instruments are found.
These — these to Death far richer harvest yield.
Than all the slaughter of the battle-field.
" More would you learn, to Beauty's toilet go
And see my weapons, in the fair array
"Which all around her careful hand may throw.
To decorate her for the festive day.
There, in her gauzes, nets, and muslins know.
My formidable host in ambush stay.
But hast thou seen a nymph, both young, and fair.
For conquest, and for revelry prepare V
" Yes," I replied, and transport at the thought
Prompted unwonted energy of speech,
" But yesterday, a blissful glimpse I caught
Of that which mortal excellence may reach ;
And this idea to my mind it brought.
However eloquently churchmen preach,
Though with it strange extravagance breaks loose,
Yet love's idolatry claims some excuse.
118 death's doings.
" I gaz'd on all that's fragrant, gay, and bright.
In Heaven above, on earth, or in the sea.
Celestial blue in Chloe's orbs of sight.
And starry lustre there enchanted me.
The blushing rose, and lily, now delight
With pearl and coral, in soft unity.
It was a picture, radiant ! — glorious ! — rare !
Divine epitome of all that's fair !
** Superb embellisher of human life !
How dear the joy thy influence can impart !
Blest recompense for scenes of care and strife !
Loved tyrant of the subjugated heart !
Beauty ! resistless still in maid or wife !
Through being's course — but here you almost start
Afraid that I shall covet when I die,
O Mahomet ! thy sweetly peopled sky !
'* Source of our bliss ! but fountain of our sighs !
The poor for beauty pant — the rich adore ;
The madman's vows, the homage of the wise.
In every age are thine, on every shore.
Thy smile inspires our noblest energies.
The warrior's prowess, and the poet's lore ;
And our sublimest deeds confess thy sway.
As flowers and fruits date from the sun of May !"
DEATH A r THE TOILET. 119
** But saw'st thou," Death inquired, " although so fair
And almost more than mortal to behold,
How Chloe, dressing, to her aid called there
Wreaths, toys, and gewgaws, more than can be told ?"
*' I did, and marvelled at the fruitless care.
Thus whitening snow, or gilding purest gold.
And still, when all as I thought had been tried.
Her milliner, new finery supplied."
" And while you leisurely could this descry,"
Said Death, " who waited on her did you ask ?
Know the attendant you beheld — was I !
'Twas I who wore the officious servant's mask !
The fair was destined in life's bloom to die ;
To hand the fatal trappings was my task :
Wholly superfluous I deemed open force.
And let the thoughtless beauty take her course.
" 'Tis thus that Death accomplishes his aim :
Most human beings sigh for what destroys ;
Mirth, Vanity, and Pleasure, play my game.
And crush life's hopes beneath deluding joys.
More perish from caprice, and Fashion's whim.
Than by the cannon, battle's rage employs —
But I must hence, — another glass is out,
And I am going to my lady's rout/'
120
LUCY; OR, THE MASKED BALL,
A TALE.
Who, wandering at early hour.
While devvdrops hang on every flower.
And twinkle, in the slanting rays.
Like stars with irridescent blaze ;
While birds, from copse and limber spray.
Welcome with song the infant day : —
Who, wandering then, can coldly view
The smiling Daisy bathed in dew ;
The Violet, from her leafy bed.
The sweetest colours round her spread ;
And blushing, as her buds disclose
Her all-unrivalled charms, the Rose,
Lovely with Nature's simple grace !
And ever wish to change their place ?
The Daisy in the rich parterre
Would, cheerless, smile unnoticed ; there.
Vainly, the Violet dispense.
Her perfume on the pamper'd sense,
Which scarce can rouse from apathy
The scents of Ind and Araby ;
LUCY ; OR, THE MASKED BALL. , 121
And, but contemned her native grace.
Droop the wild Rose in such a place.
Like these young Lucy blossomed, ere
Her bosom knew the pangs of care :
A floweret meet for peaceful vale.
Green glen, or still sequestered dale ;
A village maid, in simple dress.
All meek retiring loveliness :
Her joys so pure and innocent.
She scarcely knew that Discontent,
Corroding Envy, Hate, and Care,
Inhabitants terrestrial were :
For, in the hamlet where she dwelt.
Their pestilence had not been felt ; —
Her world, within whose narrow bound
Those gentle sympathies were found.
Which harmonize frail human kind
As earth and heaven were conjoin'd.
But, where from earth is Grief exil'd ?
Young Lucy was affliction's child !
Her sire had for his country bled
And died, on Honour's gory bed ;
And, far from towns, his widow sped ;
Hoping, in this sweet solitude.
She might the scorn of Pride elude ;
122 . death's doings.
For well she knew, that the world's eye
Falls cold upon adversity.
In a green glen, embowered' in trees.
Yet open to the western breeze.
Lay the small village, where she chose
To seek for shelter and repose.
Few were its habitants, and these
Nature's rude sons ; yet, if they knew
But little, vice was absent too.
The only solace that beguiled
Her melancholy, was her child.
Whose smile of love and fond caress
Oft cheer'd her spirit's loneliness ;
And as she hung with pure delight
Upon her neck, in colours bright,
Hope would the future paint, and through
Her grief-cloud ope a spot of blue ;
A fitful gleam, which passed ; and, then.
Gloom settled over all again.
Time wings his flight, the rosebud blows ;
The child to lovely woman grows ;
The beauty of the infant face
Is heightened by maiden grace ;
Lucy is artless Lucy still.
But, in her swelling bosom, thrill
LUCY ; OR, THE MASKED BALL. 123
Feelings and thoughts, which all declare
The infant is no longer there.
The archness of her blooming face
To modesty hath yielded place ;
Her cheek glows with a fainter red.
Save when quick kindling blushes spread
Their damask flush, and tint the snows
Of her bosom's lilies with the rose :
Her eye, a sparkling diamond set
Within the lustre-softening jet
Of the fringed lid, no more repays
Responsive every passing gaze ;
The parted lip, the dimple's wile.
Only betray the chastened smile ;
While, beaming with expression sweet.
For angel woman truly meet.
Each feature bears the stamp of mind.
By culture moulded and refined.
For her sole parent strove to store
Her opening mind with useful lore ;
Spread Nature's volume to her eye.
Pure fount of true philosophy.
Source whence the streams of knowledge flow.
And of the flowers that round them blow.
And, save her sacrifice to heaven.
To Lucy all her hours were given ;
124 death's doings.
For Lucy all her bosom's care.
Her morning hymn, her evening prayer.
Oft has the mother's eye survey'd
The change Time in her child had made.
And onward glanced, although a tear
Would now, and now a smile appear.
As Fear and Hope, alternate, threw
Their clouds and sunshine on the view.
Yet, in the future, would she see
The promise of felicity.
As when autumnal morning breaks.
And earth from her soft slumber wakes.
While the first rays scarce pierce the clouds
That wrap the vale in hazy shrouds.
Above the sea of mist, is seen
Some tufted knoll, like islet green.
Or summit of gigantic oak.
Or hidden cot's blue rising smoke ;
Till, as if dream of phantasy.
The orb of day, uprising high.
Flings back the vapoury veil, and lo !
The landscape glitters bright below.
But, ah ! ere noontide hour, is gone
The splendour which we gazed upon !
LUCY; OR, THE MASKED BALL. 125
And who hath found, who shall e'er find
Fortune immutable and kind ?
The purest flake of fallen snow
Is crushed the peasant's foot below ;
The brightest stream of mountain spring
Runs troubled in its wandering ;
And Lucy's life, through sun and shower.
Was chequered to its closing hour.
And, now, across the stubbled field
The fowler stalked, and, harshly, peal'd
The gun's hoarse note. The timid hare
Cowers closer in her sheltering lair ;
And, as her brood she gathers round.
Scared by the death-denouncing sound.
Whose boomings, borne upon the gale.
Startle the silence of the vale.
The partridge feels her little breast
With all a mother's cares opprest.
'Twas in that season — the last beam
Of Even shed a golden gleam.
When Lucy stood beside the rill
Which turned the hamlet's little mill.
And, chaffering its pebbles white.
Glittered beneath the parting light ;
126 death's doings.
Half lost in thought, half listening
To its sweet chidings, when the spring
Of a dog startled her : — amazed —
She turned — a youth upon her gazed.
Whose garb and bearing, form and face
Bespoke him of a gentle race.
As the doe starts, when the loud horn
Bursts on her ear at early morn,
And forward springs with winged bound.
Then stops and listens, glancing round
Quick panting, yet delays to fly ;
So Lucy meets the stranger's eye.
All perturbation : and, as turn
Homeward her trembling feet, and burn
Her cheeks with blushes, as impell'd
By some strong power, while onward held
Her trembling limbs, each step she flies.
Turn backward her inquiring eyes ;
While the fond youth, her cause of care.
Stands moveless as he marble were.
" Such matchless beauty! such a mien !
Is she a mortal I have seen ?
Do dreams on waking sense obtrude ?
Or, in this earthly solitude.
Exiled awhile from heaven's bourne.
Is sent an angel to sojourn ?"
lucy; or, the masked ball. 127
So mused the youth. — O'er Lucy stole
A pensive listlessness of soul :
In sleep, her dreams, — awake, her thought
The rill before her ever brought ;
And, when eve came, she wist not why.
Turned there her steps unconsciously.
Need we describe the lover's eyes
Encountering in Love's emprise ?
How oft they met, and gazed, and strove
To give an utterance to love ;
Yet, silent gaz'd, as if afraid
The air would whisper what they said ?
For thus, since love on earth has dwelt.
Have looked his votaries and felt.
At length, a tongue each bosom found.
And vows were pledged, and hearts were bound ;
And holy rites and blessings o'er,
Lucy and Edmund part no more.
The moon hung in the vault of sky,
A thousand bright stars twinkling nigh :
Dancing beneath her silver sheen
The ripples of the rill were seen ;
But, as if soothed their chaflferings.
They babbled in low murmurings.
The soft light spread a soothing gleam
On bank and brae, on cot and stream ;
128 death's doings.
And, straggling through the leafy grove.
Chequered the path of whispering love :
While the breeze scarcely breathed a sigh
As it kissed the flowers in passing by.
Stealing the odours of their breath
For incense to the sleeping earth :
For Nature lay in balmy rest
Soft as babe's on a mother's breast ;
And all on earth, in air, in sky.
Seemed tuned to perfect harmony.
Such was the night when Lucy took
A last and melancholy look
Of her loved vale. Can words impart
The conflict of the bursting heart.
When to the spot our childhood knew
And loved, we bid a first adieu ?
Where path, and bank, and stile, and tree
Have witnessed our felicity.
And seem as friends, who still should share
Our bosom's pleasures and its care ?
'Tis vain ! — Say we that Lucy's mind.
Yet scarcely to her fate resign 'd.
That deep affliction keenly felt
As on the past it fondly dwelt.
Her arms were round her husband flung.
And, weeping, on his neck she hung.
LUCY; OR, THE MASXED BALL. 129
The past was all a fairy dream,
A joyous hour, a sunny gleam :
While Doubt upon the future flings
His dark, foreboding shadovvings.
But tears, in lovers' bridal hour.
Are droppings of a summer shower.
Soon spent : and. if to man be given
A foretaste of the bliss of heaven,
It is, when, at Affection's shrine.
Two faithful hearts their fates conjoin.
Alas ! that all so short should be
Their dream of young felicity !
Like scene, depicted by the eye
Of Fancy, on an evening sky ;
Scarce formed, before it fades from sight
Behind the curtain of the night.
For since, in Paradise, began
The influence of Love on man.
The hour of rapture still hath been
Short as the twilight's closing scene.
Now changed the daisied mead, the hill,
The vine-clad cot, the grove, the rill.
Nature and all her green retreats
For squares, and palaces, and streets :
K
130 death's doings.
And Lucy, simple village maid,
As Fashion's votary arrayed.
Gracing with beauty Rank and Pride,
Is hailed as wealthy Edmund's bride.
But true to Nature, for a while
Lucy saw only splendid toil
In fashion, and oft sighing, cast
A wistful look upon the past :
But Edmund still was kind ; and he
Declaimed of wealth's felicity ;
And she believed ; and quickly shone
Of Fashion's stars the brightest one.
Her mother wept the change, in vain.
And sought her solitude again:
While midnight hours, routs, concerts, balls,
The feverish sleep till noon, the calls
Of heartless visitors, the ride
For morning air at eventide ;
Meeting old dowagers in shops,
The gossip of intruding fops.
Scandal, the fulsome flattery
Of those who prey on vanity.
Dress, news, the opera, the play,
Fill'd Lucy's hours from day to day.
LUCY ; OR, THE MASKED BALL. 131
But, ah ! no more the blushing rose
Of health upon her soft cheek glows ;
For Death, beneath whose blasting lower
Already drooped the fragile flower.
Had glared on her. The toilet nigh
Tended he oft assiduously ;
And whispering soft, as Bridget dare.
What slight habiliments to wear,
What rouge the faded cheek could dye
In mock of Nature's mastery.
On her fair bosom breathed : — the air.
Envenomed, chilled the current there
Of life's warm flood, and its fell load
Left in that bosom to corrode.
Poor Lucy ! weetless of thy fate,
Like bird by serpent fascinate.
Pleasure allures thy careless heart.
But rankles there the poison's smart !
Why that commotion ? wherefore all
Those ornaments in room and hall ?
Upon the walls are festoons hung.
With roses and with lilies strung ;
While ivy wreaths the columns bind,
By nicest .skill of art de.sign'd ;
And, carved in purest gold, the vine
Their lofty capitals entwine.
k2
132 death's doings.
Pictured upon the floor, is seen
The story of Cytherea's queen
Just risen from the waves, while nigh
Cupids on wanton pinions fly.
From sculptured urns, fresh flowers distil
Their sweetest scents the air to fill ;
And, Art with Nature striving, seem
All realized which poets dream ;
And Edmund's house a temple smiles
For Pleasure's ever-witching wiles.
The cards are sent, the night draws nigh
For the masked ball's festivity :
And, with the toilet's tasteful cares,
Lucy to meet her guests prepares.
Her graceful ringlets, trained to throw
Soft shadows on the bosom's snow.
Are bound with wreath, where rubies made
The flowers, on leaves of diamond laid.
Strings of pale, orient pearls lie
On that fair bosom's ivory.
Whose heaving charms the kerchief's gauze
Scarce from the wandering eye withdraws ;
While, on the cheek, is lightly spread
The rouge's softly blended red.
For the live rose that blossomed there
Withered in Fashion's atmosphere.
LUCY; OR, THE MASKED BALL. 133
Circling her slender waist, the zone
Was clasped with a large onyx stone.
On which was carved, all disarray'd.
Of beauteous form, a stooping maid
Laving her feet with crystal wave
That issued from a gelid cave.
But, vainly, dress and jewels try
Her native charms to amplify ;
And, vainer still, to stay the dart
Death levels at her youthful heart.
He, grisly tyrant ! silently
In the pearly lustre of her eye.
Marking how slow his poison wrought.
Impatient, for an instant, thought
To strike the blow : but paused, and o'er
Her bosom breathed as before.
Like northern sleety blast it fell
And froze life's current to its well ;
Shook her whole frame, through limb and arm.
And all was horror and alarm :
But, soon revived, Lucy is found
The gayest of the festive round.
What needs it that gay scene describe.
The dazzling lights, the masked tribe.
134 death's doings.
The music's melody, the feet
That, glancing to its measures beat ;
What needs it say, how were display'd
The characters in masquerade ?
The matron, in the maid's attire.
Cloaking with modesty desire ;
The sober squire of seventy
Tottering in guise of chivalry ;
The widow, in her second weeds.
As nun devout with cross and beads ;
The faithless wife aa vestal pure ;
The rake in clericals demure ;
The clown, the king, the saint, the thief.
Lawyers who never saw a brief.
Priests, soldiers, madmen, England, France,
Love, Folly, Death, all mingled in the dance.
What youth is he, whom Lucy's eye
Still follows so assiduously ?
Who ever tracks, from place to place.
That nymph in habit of a Grace,
Whose interchange of amorous glance
Bespeaks the future dalliance?
Oh ! hapless moment ! — weight of woes !
'Tis Edmund, and him Lucy knows.
Can words the wounded feelings speak
That flushed with ire her angel cheek !
LUCY ; OR, THE MASKED BALL. , 135
Can language paint the deep distress
Whicii changed that flush to pallidness ?
Now swims the room before her eyes ;
Quenched seem the lights, the music dies ;
She feels a horror o'er her creep ;
She sobs, but tries, in vain, to weep ;
But, uttering shrieks of wild dismay,
Sinks to the ground and swoons away.
Is there a sight more full of woe
lu the wide range of ills below,
Than youthful loveliness, when laid.
Bereft of sympathetic aid.
On couch of sickness ? — and is nigh
No breast, on which the head may lie.
No hand, to wipe away a tear.
No voice, to whisper in the ear
Sweet words of Hope:— but her last moan
The suflcrer must breathe alone ?
Ah ! none : — yet such was Lucy's fate,
Though crowds of menials on her wait.
When Death's fell breathings tainted all.
Even the cup medicinal.
Still, wildly, her delirious eye
Would roll, her mother to descry ;
And, '' mother," that endearing name.
Her tongue a thousand times exclaim.
136
DEATH S DOINGS.
Ah, Lucy ! when it was too late.
Thy mother, and thy faithless mate.
Both wept beside thee. — Woke to shame,
A humbled penitent he came
And pardon craved. — She turned her eye.
Like a pure angel from the sky
Smiling in peace, and mildly said —
" Edmund, 'tis given," — then droop'd her head.
'Tvvas o'er — but, yet, the smile remain'd :—
'Twas all of Lucy Death had gained.
A. T. T.
TIHEE MOTHEH.
137
TO THE MOTHER.
Nay ! youthful Mother, do not fly,
Though pleasure lure, and flatt'ry court thee,
Soothe thy sick infant's moaning cry,
And wake the smile that must transport thee.
Life has no charm so deep, so dear.
As that soft tie thou blindly leavest —
No love so constant and sincere.
As that which fills the heart thou grievest.
In all the bloom of beauty's pride.
In all ambition's vainest splendour,
Ne'er was thy woman's heart supplied
With bliss so pure, with joy so tender.
Canst thou forsake that joy so soon ?
Canst thou forget the lips that bless'd thee,
When, bending o'er this precious boon.
The Father wept whilst he caress'd thee ?
138 death's doings.
Is it for gauds of dress, and dance,
Thou canst renounce a claim so holy.
To win the warm, insulting glance,
And woo the praise of idle folly ?
Then go ! — a fair, but fragile flower,
A dazzling, heartless, careless beauty.
To risk thy fame — to lose thy power —
That power which dwells alone with duty.
Go! — and thy bosom's lord offend.
Consign thy suff'ring babe to sorrow —
Death, the kind nurse, its woes will end —
Thy boy shall grace his arms to-morrow.
B. H.
139
TO THE MEMORY
OF
MY INFANT NIECE.
[Ob. Feb. 6, 1826— iEx. 2.]
For ever gone? — sweet bud of .spring !
Yes ; — from its parent stem 'tis riven !
Scarce had it drank the morning dew.
Or oped its petals to our view.
Ere destined 'twas, aside to fling
Its earthly form, and bloom in Heaven !
Yes — thou art gone ! — nor pray'rs, nor sighs
Can aught avail ! — 'twas Death who sought thee !
Those cherub smiles, that lisping tongue,
Those arms which round thy Mother clung.
Had mark'd thee for the Tyrant's prize, —
And in his cold embrace he's caught thee !
140 death's doings.
How oft, when lulling thee to sleep,
I've seen thy Mother fondly press thee!
How often, kiss away thy tears,
And. hush thy cries, and calm thy fears, —
And when thou still would st sob and weep.
With what affection she'd caress thee !
For, as she watch'd thy opening bloom.
Predicting future days of pleasure.
She little thought misfortune's blight
So soon would wither her delight ; —
She dreamt not that an early tomb
Would close upon her infant treasure !
Great were her hopes ! — yet, doubtless, fears
With all her cheering hopes were blended ;
For, haply, none like parents feel
The hopes and fears they'd fain conceal, —
Increasing with increasing years,
Till Life and all its cares are ended.
Yet, who could view thy dimpled cheek.
And look for aught but years of gladness ;
Or see thy laughing dark-blue eye.
MY INFANT NIECE. 141
And think that sorrow was so nigh ; —
Or hear thee first essay to speak.
And then forebode this scene of sadness ?
But, ah ! our prospects — oh, how vain !
Our anxious cares — oh, how requited !
A Mother's love — a Father's pride —
How near to misery allied !
Their joy, how soon exchanged for pain !
Their every hope, how quickly blighted !
And is it weakness, then, to mourn.
When thus our dearest hopes are thwarted ? —
When in the arms of icy Death
A spotless babe resigns its breath I
To see it from its kindred torn !
A Mother from her Infant parted !
Oh, no ! — it weakness ne'er can be.
When woe-begone, to show our feeling ! —
To shed the sympathetic tear
In mournful silence o'er the bier
Of one so lov'd in infancy ! —
Such grief, alas, there's no concealing !
142
DEATH .S DOINGS.
But since the fatal die is cast.
And unavailing now is sorrow, —
O grant, kind Heav'n ! that future joy
And bliss serene, without alloy.
Exchanged may be for troubles past.
And skies unclouded gild the morrow !
S. M.
143
THE BALL.
" Even if I were not prevented by this unlooked-
for engagement from accompanying you to the ball
to-night, my love," said the Honourable Alfred
Seymour to his beautiful young wife, " you must
nevertheless have declined it, for the child is evi-
dently unwell ; look how the pulses throb in this
little throat, Sophia !" — " So they always do, I be-
lieve. I really wish you were less of a croaker
and caudle-maker, my dear; however, to make you
easy, I will send for Doctor Davis immediately:
as to the ball, as I am expected, and have gone
to the trouble and expense of a new dress, and have
not been out for such a long, long time, really I
think I ought to go."
" You would not leave my boy. Lady Sophia, if"
— *' Not if there is the least danger, certainly ; nor
if the doctor should pronounce it ill ; but I do not
believe it is so —I see nothing particular about the
child, for my part."
144 death's doings.
As the young mother said this, she cast her eyes
on the child, and saw in its little heavy eyes some-
thing which she felt assured was particular — she
saw, moreover, more strikingly than ever, the like-
ness it bore to a justly beloved husband, and in a
tone of self-correction added, " Poor little fellow, I
do think you are not quite the thing, and should it
prove so, mamma will not leave you for the world."
The countenance of the father brightened, and he
departed assured that the claims of nature would
soon fully triumph over any little lingering love of
dissipation struggling for accustomed indulgence ;
and as he bade her good by, he did not wonder that
a star so brilliant desired to exhibit its rays in the
hemisphere alluded to, which was one in the highest
circle of fashion. Nevertheless, as he could not be
present himself, he thought it on the whole better
that she should be absent. A young nobleman, who
had been his rival and wore the willow some time
after their marriage, had lately paid marked atten-
tion to a young beauty every way likely to console
him ; and Mr. Seymour thought it would be a great
pity if his lady, whom he had not seen for some
months, should by appearing before him in the full
blaze of beauty (unaccompanied by that person
THE BALL. 145
whose appearance would instantly recall the sense
of her engagement) indispose his heart for that happy
connexion to which he had shown this predilection.
Unfortunately, the fond husband gave indication
of his admiration alike in looks and words ; and as
the fair young mother turned from him to her mirror,
she felt for a moment displeased that her liege lord
should be less solicitous than herself to " witch the
world" with her beauty ; and whilst in this humour
she called her maid to show her the turban and dress
" in which she intended to appear."
" Lauk, my lady ! why sure you intends it yet —
did ever any body hear of such a thing as going for
to stay at home when you are all prepared. Why,
you've been out of sight ever so long because you
was not fit to be seen, as one may say ; but now
that you are more beautifuller than ever, by the
same rule you should go ten times as much — do
pray, my lady, begin directly — ah ! I knows what I
know. Miss Somerville may look twice ere she
catches my lord, if so be he sees you in this here
plume ; cold broth is soon warm, they say."
Could it be that this vulgar nonsense — the sense-
L
146 death's doings.
less tirade of low flattery and thoughtless stimula-
tion to error — could affect the mind of the high-born
and highly educated Lady Sophia? Alas! yes — a
slight spark will ignite dormant vanity, and the love
of momentary triumph surpass the more generous
wish of giving happiness to others in a sphere dis-
tinct from our own.
The new dress was tried on ; its effects extolled
by the maid, and admitted by the lady, who remem-
bered to have read or heard of some beauty whose
charms were always most striking when she first ap-
peared after a temporary confinement. The car-
riage was announced, and she was actually descend-
ing when the low wail of the baby broke on her ear,
and she recollected that in the confusion of her mind
during the time devoted to dress and anticipated tri-
umph, she had forgotten to send for the medical
friend of the family.
Angry with herself, in the first moment of repent-
ance she determined to remain at home, but unfortu-
nately reconsidered, and went before the arrival of
the doctor ; — 'tis true she left messages and various
orders, and so far fulfilled a mother's duties, but
she yet closed her eyes to the evident weakness of
THE BALL. 147
her boy, and contented herself with determining to
return as soon as it was possible.
But who could return while they found themselves
the admired of all, and when at least the adoration
of eyes saluted her from him whom she well knew it
was cruelty or sin to attract. The observation
forced upon her of Miss Somerville's melancholy
looks told her this, and compelled her to recollect
that she was without her husband, and therefore
criticallj'^ situated ; and as '* in the midst of life we
are in death," so she proved that in the midst of tri-
umph we may be humbled — in the midst of pleasure
be pained ; and she resolved to fly from the scene of
gaiety more quickly than she had come.
But numerous delays arose, each of which har-
rassed her spirits not less than they retarded her
movements, and she became at length so annoyed,
as to lose all her bloom and hear herself as much
condoled with on her looks as she had a few hours
before been congratulated ;— she felt ill, and was
aware that she merited to be ill, and had a right to
expect reproaches from her husband, not less on ac-
count of herself than her child ; and whilst in this
state of perplexity was summoned to her carriage by
l2
148 death's doings.
her servants, who, in the confusion occasioned by
messengers from home as well as from herself, had
increased her distress.
The young mother arrived in time to see the face
of her dying child distorted by convulsions, and to
meet from her husband anger, reproach, and con-
tempt. She was astonished, even terrified, by wit-
nessing the death of the innocent being she had for-
saken in a moment so critical ; and bitter was the
sorrow and remorse which arose from offending him
who had hitherto loved her so fondly and esteemed
her so highly. These emotions combining with other
causes, rendered her soon the inhabitant of a sick-
bed, and converted a house so lately the abode of
happiness and hope, into a scene of sorrow, anxiety,
and death. Lady Sophia, after much suffering, re-
covered her health ; but when she left her chamber
she became sensible that although pity and kindness
were shown to her situation, esteem and confidence
were withdrawn. She had no child to divert the me-
lancholy of her solitary hours, and, what was of more
consequence, no husband who could condole with
her on its loss — silence of the past was the utmost
act of tenderness to which Mr. Seymour could bring
himself on this subject, which recurred to him with
THE BALL. 149
renewed paiii when his anxiety was removed for the
life of one still dear, though no longer invaluable.
And all this misery, the fearful prospect of a long
life embittered by self-reproach, useless regret, and
lost affection, was purchased by a new dress and an
ignorant waiting-maid — a risk so full of danger and
so fatal in effect was incurred, to strike a man al-
ready refused, and wound a woman who never in-
jured her. Such are the despicable efforts of vanity
for temporary distinction, and such the deplorable
consequences of quitting the tender offices of affec-
tion and transgressing the requisitions of duty.
B. H.
150
HYPOCHONDRIANA.
THE LAMENT.
Op all the ills foredoomed by Fate,
That haunt and vex this mortal state.
None holds such firm and dismal sway.
Augmenting- night, and darkening day, —
As the foul pest — accurst, unholy.
Sad-eyed, soul-sinking melancholy !
The fears that come without a call.
The shade that, like a thrice-heaped pall.
Drops o'er the shuddering, unstrung sense.
In wide and drear omnipotence !
The aimless blank, the sightless stare.
The nerve, with all its fibres bare ;
The shapes grotesque that start to view.
And, as their victim shrinks, pursue;
The sickening languor, " last not least,"
That spreads o'er all the damp chill breast.
Unnerves the will, and racks the head.
And brings the tears into their bed ;
THE HYPOCIIOKDKIA'C.
HYPOCHONDRIANA.
These are amongst the horrors, thou,
Dread Demon, heapest on my brow.
Reader ! these are no fancied woes.
For could I to thy view disclose
The visions that torment my sight;
Each grinning elf, each grisly sprite,—
However strong thy neves may be.
Thou wouldst not mock, but pity me.
* * * *
* * * *
Ah ! see you not that monstrous birth
Engender'd by yon teeming hearth ?
Mark that fantastic shapeless frame.
All head and legs, with eyes of flame !
My vision reels * *
* * * *
*■ * * *
Maddening, I to my window crawl,—
Alas, alas, discomfort all !
Rain, rain, eternal rain descending.
My weather-glass no change portending ;-
The black wet mass of yesterday
In loosening torrents drowns the May!
Oh, happy climate ! beauteous Spring !
Last Winter was the self-same thing.
151
152 death's doings.
Why not at once give all the slip ? —
Yon sleepy potion tempts my lip :
The waning hour-glass seems to say,
*' Thy sand, like mine, has drained away ;"
And by the Death's head on the ground
Again my straining sight is bound. —
One glass suffices — shall I try.
And shift this clinging agony ? —
Shall I * * *
Here the desponding MS. from whicli these Hnes are copied
abruptly breaks off; and we are left in doubt whether the wise sug-
gestion of the foul fiend Flibbertigibbet was adopted by the writer
or not.
J. o.
153
S P L E E IN
Canker of Life ! beneath whose baneful sway
The kind affections wither and decay.
Whose torpid influence and whose dark control
Can " freeze the genial current of the soul ;"
With self-inflicted fears the bosom's lord
In every dreaded semblance finds accord.
Shaping a horrid chaos on the brain,
To forms and colours of the darkest stain. —
Ah, wherefore had the tyrant-monster birth.
To blot the fairest prospects of the earth !
Veiling the richest treasures of the skies, —
Damping the sounds of pleasure as they rise, —
Stamping its horrid coinage on the thought.
Where the base image into visions 's brought !
'Tis like a substance — that we cannot hold ;
Speaks like a legend — that may not be told :
Whose import's felt — imparted without breath —
Shades to the sight, — but every shade a Death.
Edward.
154
THE HYPOCHONDRIAC.
A TALE.
BY AN EYE-WITNESS.
Tom Wunderlich was the son of Jacob Wun-
derlich, an honest sugar-baker, on Fish-Street Hill,
who, having acquired an ample fortune in trade, was
anxious to elevate his descendants, above the hum-
ble German stock from which he sprung, by marrying
into some patrician family of his adopted country,
to whom his wealth and interest in the city would
make him acceptable. He fixed his choice upon the
eldest daughter of Sir Roger Penny, a Baronet, of
an ancient family, with much pride, two sons, eleven
daughters, and twelve hundred a-year ; but the
match was not concluded without the stipulation
that he would get himself previously knighted, a
matter which, although at variance with his sugar-
baking ideas, yet, he was convinced, was consistent
with the object of his marriage ; and, having accom-
plished it, he quickly transformed Miss Penny into
Lady Wunderlich.
THE HYPOCHONDRIAC. 155
My lady gained some long-anticipated points by
her marriage. She had acquired the same title as
her mother, and, although the rank of her husband
was inferior to that of her father, yet, his fortune
turned the scale greatly in her favour. She had
much at her command ; and by her power of occa-
sionally obliging the old lady in pecuniary matters,
she obtained an ascendancy over her mamma which
consoled her for deficiency of rank . Poor AVunder-
lich, on the contrary, found that he had spread his
bed with nettles. His sugar-baking concern he wil-
lingly relinquished, as his fortune was ample; but
to quit Lloyd's ; his old cronies and city habits ; to
be forced to enter into the beau-monde ; to pay and
receive forenoon calls with ray lady ; attend evening
parties, give at homes, balls, and suppers ; and, to
use his own expressions, '* to have his house turned
inside out," without daring to exclaim, " My Got,
meine ladie ! this will not do"— was too much for
the worthy knight; whose chagrin, having brought
on an attack of confirmed jaundice, terminated his
disappointment and his life, a few months after the
birth of our hero. Previous to his death, however.
Sir Jacob had made a will, leaving a very moderate
jointure only to Lady Wunderlich ; and the rever-
sion of his property to his son ; failing whom it was
156 death's doings.
to devolve upon a nephew who had succeeded him
in the sugar-baking concern. This deed blasted the
hopes of any second alliance, in the mind of Lady
Wunderlich, and obliged her to devote her life to the
superintendence of the health and education of her
son, on whom all her expectations now rested.
" I recollect Tom" (says the writer of this narra-
tive,) " at school ; a fine spirited boy ; a little
wilful, perhaps, and too timid in the play-ground, if
a shower threatened, or the wind blew from the
north-east. But then, although all the boys quizzed
him, yet, they pitied him ; for his mamma sent every
morning to inquire after his health. Mr. Bolus, the
apothecary, saw him regularly twice a week, when
he was well, and twice a day if labouring under the
slightest symptoms of indisposition ; and, frequently,
when the boys, on a half-holy day, were at cricket on
the common, a servant would ride over from the Pa-
vilion, to see whether Tom had cast his jacket ; or,
if the air happened to be chilly, whether his neck
were encompassed with one of the numerous ban-
danas her ladyship had sent for that purpose in his
trunk. Tom was not devoid of ability, but Doctor
Bumpem was ordered not to overstrain his mind ; for
being a delicate boy, an only child, and the heir to a
THE HYPOCHONDRIAC. 167
large fortune, learning was quite a secondary con-
cern ; health was every thing, and to secure that all
other considerations were to yield. Tom was, never-
theless, a mild, good-natured, friendly boy; and,
although he was frequently laughed at, as much on
account of his mother's weakness as his own, yet,
he was universally liked. But, as he did little in
the way of classical literature, he quitted Bumpem's
with the character of being a good-natured, idle,
soft-headed boy ; whom the doctor said it would be
useless to send to Eaton or to Harrow ; and, there-
fore, in order to fit him for Oxford, in which univer-
sity his fortune, in her ladyship's opinion, rendered
it necessary he should sojourn, he was placed under
the care of a clergyman, near Cheltenham. This
arrangement was formed by Lady Wunderlich, in
order that Tom, w^hilst his head was stored with
classics by his tutor, should have the health of his
body confirmed by the constant use of the waters ;
to superintend which, her ladyship took a house in
that modern Sinope.*
* The original name of Sinuessa, a town in Campania, celebrated
for its hot-baths and mineral watei-s, was Sinope. — Ovid, Met. 15,
V. 715.— Mela. 2, c. 4.— Strab. 5.— Liv. 22, c. 13.— Mart. 6, ep. 42,
1. 11, ep. 8.
158 death's doings.
From this time I lost sight of Tom for nearly ten
years, during three of which I have been informed
he had lived in Exeter College, Oxford, where he
kept a couple of horses and a servant; that, four
years after leaving the University, he had travelled
to Italy, attended by Dr. Bolus ; for the quondam
apothecary had procured an Aberdeen diploma, at
her ladyship's request, in order to confer dignity on
himself, and to add to that of his patron, in the eyes
of foreigners. The doctor was chosen for this im-
portant office, because he had been acquainted with
Tom's constitution from his infancy ; and not less on
account of his knowledge of that of her ladyship,
who was to be the companion of her son and the
doctor ; for the latter of whom, it was scandalously
reported, she had a more than ordinary attachment.
How Tom passed through this journey, and what
harvest of knowledge he reaped from travel, I could
never learn ; although I have heard him declaim
against the continent generally for its want of com-
fort and of medical talent ; and once descant feel-
ingly on the insupportable heat of Naples and the
infernal scorching sirocco which he felt at Nice.
Tom, however, having become of age when on his
travels, her ladyship and the doctor contrived to
THE HYPOCHONDRIAC. 159
wheedle him out of twenty thousand pounds ; and,
having united their destinies, Mr. and Mrs. Bolus
remained behind at Naples ; whilst their son returned
to England with a young Scotch physician, who was
glad of an opportunity of being franked home. Tom
had arrived ten days only, when I happened to meet
him in Hyde Park.
It was towards the middle of May : the wincj was
blowing rather sharply from the north-east, when
looking in at the window of a chariot, which formed
one of the line of vehicles that moved slowly along
on each side of me as I walked my horse up the
drive, I perceived a gentleman, whom I thought I
ought to recognise, seated in the corner of the car-
riage, muffled up in a fur cloak. He seemed also
to be actuated by the same feeling, for, as if by a
simultaneous impulse, his fingers were tapping at
the glass at the moment I was turning my horse's
head to beckon him to let down the window. I soon
perceived he was my old schoolfellow, and waited
for a minute expecting the carriage-window to be
opened ; but finding that, from the shake of his head
and his signs, he wished me to go round to the lee-
ward side of the carriage ; which, with some diffi-
culty, I was enabled to efi"ect ; in a few minutes I
160 death's doings.
was convinced, from the shake of his hand, that my
friend Wunderlich carried in his bosom the same
heart, as a man, which had beaten so warmly in it
as a boy. " Hah ! Dick, my worthy fellow !" said
he, " how happy I am to meet you. Let me see ! it
is ten years since we parted at old Bumpem's : —
how is the old boy 1 — Ten years ! i'faith time has al-
tered both of us, Dick ; I have been over half of
Europe since we parted, and it is only ten days since
I arrived from Italy. But," continued he, holding a
handkerchief to his mouth, " this cursed, variable
climate will kill me. Indeed, my dear friend ! you
must excuse me from talking more at present : but
come to me this evening. I have lodgings at the
bookseller's, in Holies Street : — went there to be
near my doctor : — good bye, Dick ! don't fail to
come, good bye ! adieu !" and drawing up the win-
dow, he beckoned to the coachman to drive on. I
had returned my friend's salutation with all the
warmth in my nature'; but after the first " how d'ye"
— could not wedge in a single sentence ; and re-
mained, as it were, rivetted to the spot, for a few
minutes after his carriage drove on, uncertain whe-
ther the whole was not a delusion. " If it be not
so," thought I, " the poor fellow must be either on
the verge of insanity, if not already insane : but I
THE HYPOCHONDRIAC. KJl
will determine the point this evening, by calling at
his lodgings ;" and, turning my horse, I rode home
to dinner, revolving in my mind the oddness of our
meeting, after so long an absence.
It was nine o'clock in the evening, when I entered
Tom's lodgings. He was seated before a large fire,
in an elbow-chair, rolled in a chintz dressing-gown,
with his nightcap on, and his feet pushed into a
pair of red-morocco slippers lined with fur. On a
small table near him, lay his watch, six apothecary's
phials, full of medicine, one of which, by the label,
was to be taken every fourth hour, and a pill-box
containing half a dozen pills. On the same table,
also, was a pair of scales, in which I perceived he
had been weighing two ounces of biscuit; and a gra-
duated pint measure, which contained one ounce
and a half of distilled water. Tom rose and shook
me warmly by the hand as I entered the room; but
his eye had lost the animation it displayed when we
first recognised one another in the park ; and he was
more emaciated than I had anticipated I should find
him. " I am truly grieved to see you in this plight,
my dear friend !" said I, glancing my eye upon the
garniture of the little table ; *' what are your com-
plaints ?" " Ah \" replied he, forcing a faint smile,
M
162 death's doings.
" there's the rub ! — Were my complaints but known,
there would be no difficulty in curing them. At
least, so says Dr. Frogsfoot, who, however, assures
me that it is a gastric affection ; and that the uneasy
state of my head is merely symptomatic, depending
on the connexion between the par vagrum, the symp-
tomatic nerve, and the great semilunar ganglion."
I saw I had hit upon a wrong key. " My learning,
my dear Tom !" said I, " does not enable me to fol-
low you into the depths of physic which these terms
imply." — " I know nothing of them either," replied
he, " I only give you the doctor's words." He,
however, with the greatest politeness changed the
matter of our discourse, which gradually became ex-
tremely animated ; and taking me kindly by the
hand, as I rose to depart, he acknowledged that my
visit had done him an essential service ; that the
pain in his eye, which he was apprehensive was an
incipient cataract, had completely left him ; and he
earnestly begged that I would repeat my visits every
evening, whilst I remained in town. My hand was
upon the handle of the room-door, and he had rung
the bell for his servant to attend me to the street-
door, when I turned round, recollecting that I had
not inquired after his mother ; and merely asked
** how and where she was ?" He started up and ap-
THE HYPOCHONDRIAC. 163
proached me — " You must," said he, *' sit down,
only for ten minutes, to hear that part of my story."
I sat down accordingly. " You know that d d
fellow Bolus ? — but, I am forgetting," looking at his
watch, " it is time to take my pill and draught."
He instantly placed one of the pills upon his tongue,
and washed it down with a draught, which he emp-
tied into his mouth from the phial, without evincing
the least reluctance to it, in any feature of his face ;
and, having sat down, again began his narrative.
'* You know that fellow Bolus? He became a
physician and attended me on my travels, in which
my mother also formed a party. He quite mistook
my case, and treated me improperly from the begin-
ning; but, at length, he formed a design upon my
poor mother; and, as his suit advanced with her, he
became more and more negligent of his patient, until
he had the impudence to tell me, that my complaints
were all imaginary ; although the rascal knew that
my liver was in the most torpid state, and the secre-
tions consequently vitiated ; that my stomach had
lost its digestive functions ; that the bowels were in
such a sluggish condition as to require the constant
aid of art ; all which had so shaken my nerves that
M 2
164 death's doings.
life was a burden to me, and I would have given a
thousand pounds to any wretched bravo, to have
blown my brains out." Here my poor friend sunk
back in his chair, and seemed almost affected to
tears with the recollection of what he regarded as
the height of inhumanity in Dr. Bolus. It was in
vain for me to interfere. I said nothing, and he
soon recovered his self-possession. " I really be-
lieve," continued he, *' that the fellow would have
poisoned me if I had remained longer his patient."
I soon convinced him, that the Doctor could have
no interest in his death, as his fortune would pass to
his cousin, and not to his mother, with the detail of
whose marriage with Bolus he had concluded his
story. He appeared struck that he should have for-
gotten this fact ; and then, as if he thought I also
doubted the validity of his complaints, beseeched me
to meet Dr. Frogsfoot on the following day ; and
concluded by assuring me, that he believed he had
water on his brain, for that, " this morning, two
drops of as clear fluid as ever distilled from a rock,
dropped from his nose whilst he was at breakfast."
I promised to be present at Dr. Frogsfoot's next
visit, and hurried out of the house, happy again to
get into the world of reality ; fearful that my own
THE HYPOCHONDRIAC. 165
imagination might become infected, were I to remain
long in the imaginary atmosphere of evils which sur-
rounded my unhappy friend.
I entered Tom's apartment, on the following day,
at one o'clock, and in less than two minutes the
Doctor was announced. He was a tall, spare man,
of much gravity of demeanor, rather advanced in
years, with a thin sharp visage, an ample forehead,
deeply sunk eyes, hollow cheeks, and a hanging of
the nether lip, as Shakspeare would express himself,
which gave a marked peculiarity of expression to
his countenance. He made a slight inclination with
his head as he entered the room, and, having seated
himself close to my friend, inquired, in a soft under-
tone of voice, how he felt himself; whilst, at the
same time, he took out his watch, and placed his
fingers upon the pulse of his patient. Tom said no-
thing until this ceremony was over, after which he
put out his tongue, then drew a deep inspiration,
and immediately commenced a voluble detail of all
his symptoms and feelings since the doctor's last
visit, not forgetting an exact account of the ingesta,
and the quality and aspect, to the nicest shade of
colour, of the egesta. He had had pains in his legs,
arms, head, and heart ; he was certain his complaint
16G death's doings.
was retrocedent Gout ; he was alarmed this morning
with straitness in the swallow, indicative of Dyspha-
gia ; his perspirations were sometimes so great, that
he conceived he must be the first victim to a return
of the Sudor Anglicus ; and concluded by seriously
inquiring, whether Phlegmasia dolens ever attacked
the arm, as his right arm was so much swelled in
the morning, that he was certain it could not have
entered the sleeve of his coat, if the swelling had not
greatly fallen. I heard, with amazement, Tom's
knowledge of diseases, and their names ; the doctor
listened to him with patience ; and, at the end of
each sentence, ejaculated the word—" Aye !" He
then made a few remarks ; told him that he must be
galvanized again, on the following day; wrote on a
sheet of paper, " Pergat in vsu medicamentorum,"
took his fee, said, " Good day," in his soft, low
voice, with a gentle smile on his features ; and,
again gently inclining his head, left the room.
" This is really too much," said Tom as the door
closed upon Frogsfoot ; " that is the tenth fee which
I have given the Doctor, without receiving any more
satisfaction than you have heard to-day, or one new
prescription. As for his galvanism — my skin is ex-
coriated with the heat of it where the brushes are
THE HYPOCHONDRIAC. 167
placed ; and I am certain, that if that hot stream is
passed through my spine and liver much longer, I
shall be burnt to a cinder. I will write him, this in-
stant, to discontinue his attendance ; and procure
some other advice. Do you know any good physi-
cian, my dear Dick?" As I was convinced that
this hasty determination of poor Wunderlich aflForded
me an excellent opportunity to try the effects of
change of air, scene, and social intercourse, in di-
verting his mind from his corporeal ailments, in
which I could not help thinking that fancy had a
considerable share, I told him that I knew an ex-
cellent physician, who lived near me in the country,
and who I was satisfied could cure him. He caught
at the information. " But," continued 1, ''you must
go with me into Worcestershire ; the air of the Mal-
vern hills, the pure water, the skill of the doctor, and
my own good nursing, will do wonders for you. I
shall be here, to-morrow, with my travelling-car-
riage, at twelve: so have every thing in readiness —
I will take no refusal." He looked seriously at me,
for a few seconds; and then said, " I thank you
greatly ; but I cannot stand the fatigue of such a
journey." — "Nonsense, Tom! trust that to me. Be
ready at twelve :" and I abruptly left the house be-
fore he had time to utter a negative. ''A pretty
1G8 death's doings.
scrape I have got into," thought I, as I walked down
Regent Street : " to volunteer myself as the keeper
of an hypochondriac on the verge of insanity ! — yet
— he is my friend ; and I am rescuing a drowning
man, which is the duty of every passenger who sees
his danger, be he friend or foe."
I had ordered the carriage to be in Holies Street at
twelve precisely ; and, anxious to secure my friend,
walked to his lodging immediately after breakfast.
I was surprised to find the knocker of the door
muffled ; but only supposing from it that his land-
lady was in the straw, I inquired hastily of his
servant if his master was packing ? " Lord, Sir !"
said John, '* he is in bed." The look of John told
me something was wrong, but I was not willing to
take the hint ; and, stepping into the drawing-room,
said, carelessly, " Tell your master I am here."
Whilst I waited the return of the servant, I took up
several books, which were all upon medical sub-
jects : for instance, the Gazette and the Oracle of
Health: — Paris on Diet and Digestion: — Aberne-
thy's Works: — Thomson's London Dispensatory: —
and Good's Study of Medicine. — " Alas ! poor Tom !
if this be your course of reading, my efforts to wean
you from your malady will prove fruitless," said I,
THE HYPOCHONDRIAC. 169
soliloquizing aloud, as John entered the room to
conduct me to his master.
I found my friend in bed, in a deplorable state.
He informed me that he had been attacked with
spasms in the night, and could not have survived
but for the skilful aid of Doctor Palm, whom he had
sent for, and who he, momentarily, expected would
repeat his visit. He had scarcely uttered his name,
when the bed-room door opened, and the doctor was
announced. I had no time to make my physiogno-
mical observations, before the learned gentleman
was at the bed-side, which he approached with a
light springy step, on tiptoe; and seizing my friend's
hand between both of his hands, and leaning for-
wards, inquired with all the apparent warmth and
anxiety of an old associate, into the state of his
present feelings. " I trust, my dear Sir!" said he,
" that the medicines which I prescribed speedily re-
lieved those frightful spasms ?" And, without wait-
ing for a reply, turning to me, with the sweetest
smile, voice, and manner imaginable, " I found Mr.
Wunderlich in a very critical state." He then seated
himself, still holding the hand of his patient, and re-
commenced his professional queries. I had now an
opportunity of observing the doctor. He was be-
low the ordinary stature, and of a meagre form ;
170 death's doings.
plainly, I should almost say shabbily, attired ; but
his head might have been selected by an artist as the
finest model for that of a philosopher. It was
partly bald ; the forehead beautiful, broad, and ele-
vated ; the eyes small and shaded ; the cheek bones
rather high; the nose straight and projecting, and
the mouth large and compressed. The forehead
was, indeed, the finest I had ever seen ; and al-
though he could not be called good-looking, yet
his countenance bore the impression of superior in-
tellect, great gentleness, and an anxious desire to
please. When he had finished his inquiries and
written his prescription, he politely addressed him-
self to me; — spoke of the news of the town; in-
quired if I had read the last Edinburgh Review,
made many just and critical remarks upon its merits,
and those of its rival, the Quarterly ; and entering a
little into the characters of some of the leading mem-
bers of both parties in Parliament, displayed powers
for conversation truly enviable. As he rose to take
his leave, he again pressed his patient's hand be-
tween both of his hands ; promised to see him in the
evening, and left the room with the same light
springy step, with which he had entered it.
" Ah ! my dear Dick !" said Tom, looking after
the doctor, " if I had met with that worthy man two
THE HYPOCHONDRIAC. 17X
years ago, how much misery I should have escaped.
Would you believe it, I had, besides Bolus, three
different physicians at Naples, five at Rome, two
at Geneva, three at Paris, my young Scotch tra-
velling companion and Dr. Frogsfoot since my re-
turn; and not one of them understood my case.
Now I feel that I shall get well; and be able to
visit you, in comfort, in Worcestershire. Did you
not admire the tact with which Dr. Palm conducted
his inquiries ? He is the man." I nodded an as-
sent; and, telling my poor friend that I expected,
on my return to town, in eight or ten days, to find
him quite recovered, I took my leave, pondering
on the delusions which tyrannize over reason, in
certain states of our habit ; and raising a thousand
metaphysical conjectures on the nature of the con-
nexion between body and mind.
Having been detained longer in the country
than I expected, twelve days had elapsed before
I had an opportunity of again calling in Holies
Street. On answering my knock, John received
me with a significant smile as he made his usual
bow. " We are still here," said he; " and master
in the old way. The doctor is with him just now ;
but you, — I am sure you may walk up. My mas-
ter is in the drawing-room.'^ I followed John;
172 death's doings.
and was kindlj' received by my poor friend. I ex-
pected to have seen, also, my late acquaintance.
Dr. Palm; but the individual who now supplied
his place, was the antipode, both in form and
manner, of that fascinating disciple of Hippo-
crates. He was a little, portly figure, with a
round, fresh-coloured, pleasant face; and his head,
which was rather large, covered with a profu-
sion of white hair, dressed in the fashion of the
close of the last century. Indeed, his entire figure
and dress were those of a substantial citizen of
1790. He did not rise when I entered ; but merely
made a slight inclination of his head, and waved
his left hand, which held his hat, raising it from
his knee on which it rested. He then fixed his
eyes steadfastly upon me, whilst I addressed my
friend. After a few minutes, turning suddenly round
to his patient, he abruptly inquired, " Have you
any thing more to say ?" Tom assured him that
he had not ; that he fully understood his orders ;
" But the pain" — " Stop!" — ejaculated the little
man, — " I know what you are going to say; it is
all fudge. If you know my orders, follow them."
Notwithstanding this specimen of his abrupt man-
ner, I ventured to address the doctor ; and stated,
as my opinion, that my friend would benefit greatly
by a change of air and scene. He again eyed me.
THE HYPOCHONDRIAC. ITS
for a few seconds, and demanded, " Are you a
physician. Sir?" — " No." — " Are you a surgeon?"
— " No." — Then, Sir, what right have you to form
an opinion on the subject?" — and, without waiting
for a reply, rose from his seat and left the room.
" Your new doctor is the pink of politeness, my
dear Wunderlich !" said I, as he shut the room door
with a bang. " He is a character ;" replied my
friend. " You must have heard of him : Mr. My-
book, the eminent surgeon ; a man of great learn-
ing, consummate skill in his profession ; and, al-
though apparently rough and abrupt in his manners,
yet, I am informed, possessed of the kindest and
most benevolent disposition." He, at this moment,
again opened the door; and having peeped in and
said " Friday," shut it, this time, in a more gentle
manner. ** What a pity," said I, " that the dia-
mond has not passed through the hand of the lapi-
dary ! But what has become of my favourite. Doc-
tor Palm ?" Here Tom informed me, that he and
the doctor had gone on very well together for a
week; but at length, coming to a stand still, he
thought he would try Mr. My book, whose work he
had perused, and under whom, although he had
been only four days, he really thought he was im-
proved. " He relies little upon medicine," said
174 death's doings.
Tom, '' of which he says, I have taken too much,
but greatly upon diet and regimen. I ride out twice
a day, dine at an early hour, and eat a certain
quantity only of food at each meal ; after which I
lie down on the carpet for an hour, and then crawl,
on my belly, to the corner of the room for my tum-
bler of water, which is all the liquid he allows me.
— You smile, Dick ! but, trust me, all this is done
upon principles, which experience has verified." I
smiled at the gravity with which my friend had
gone through these details : telling him, at the same
time, that I approved much of that part of his plan
which referred to horse exercise ; on which account
the country was the best place for him ; and that
I had come, on purpose, to take him into Worces-
tershire. He thanked me, but said he could not
accept my offer : that he was in the search of health,
and must be near advice. I perceived it was a
hopeless case; and shaking ray poor friend by the
hand, with a melancholy foreboding departed.
It was not until the end of August, whilst I was
busied in preparing for the shooting season, that
I again heard of Tom Wunderlich. I was thinking,
one morning at breakfast, how much I was to blame
for having neglected so long to inquire after him,
and wondering whether he was now well enough to
THR HYPOCHONDRIAC. 175
bring down a partridge, when a letter from the poor
fellow was put into my hands. It entreated me,
earnestly, to come and see him, in the vicinity of
Dorking, where he had taken a cottage ; and, as his
health was worse than ever, he hoped nothing would
prevent me from forthwith seeing him. The epis-
tle, indeed, was written in a strain which left me
one mode only of decision : and, therefore, ordering
my tilbury, I drove over to Gloucester; threw my-
self into the mail ; and on the afternoon of the fol-
lowing day, found myself seated in the little par-
lour of my friend's cottage. He could not at that
moment be disturbed ; but John informed me, that
he feared his master was now ill in good earnest;
that he had retained nothing on his stomach for four
days ; was delirious, and reduced to ** an atomy."
I inquired what he had been doing. ** Ah! Sir, said
John, '' you know how fond he is of new doctors :
he has had twenty since you saw him ; and has taken
a waggon-load of physic. Lord, Sir ! I have turned
many a good penny on the empty phials ; but it
wont do. I really fear that the poor gentleman is
dying." In a few minutes my friend was ready to
see me, and I entered his bed-room.
Alas! what a change ! a young man, not twenty-
six, metamorphosed to an old, infirm invalid of
176 death's doings.
seventy ; his skin yellow and shrivelled, his cheeks
sunk, and his wan eyes almost lost within their
bony sockets. He could not rise to welcome me ;
but stretched out his skinny hand, and with a hoarse
yet scarcely audible voice, said : " God bless you,
my dear Dick ! This is indeed a visit of true friend-
ship." I took hold of his hand and sat down by
him, for my heart was too full to speak. He per-
ceived the state of my feelings ; and as he feebly re-
turned the pressure of my hand, a hectic smile
passed over his countenance, to check a tear which
stood in the corner of his eye. ** Ah ! Dick !" said
he, " this is a severe trial. After finding that all
the regular faculty had mistaken my case, and hav-
ing at length found a remedy for it, to be unable to
avail myself of the blessing." Here he paused to
fetch his breath, for the least effort exhausted him ;
and although be was up, yet he had scarcely strength
to support himself in the chair. I ventured to in-
quire of what remedy he spoke. " It is," said he,
shuddering as he uttered the words, '' a live spider ;
and I have the most implicit faith in the prescrip-
tion : but I cannot overcome my aversion to the in-
sect. I see a spider in every article of food I swal-
low; and it, consequently, does not remain a mo-
ment on my stomach. Two nights ago I dreamt
that I saw a spider, with a body the size and exact
THE HYPOCHONDRIAC. 177
resemblance of a humau skull, and legs like those of
a skeleton. It crawled up to my mouth, which it
was about to enter; and — " Here he was again
forced to pause to draw breath : a cold sweat stood
upon his forehead, and his fleshless hand was be-
dewed with an icy moisture. He heaved a deep
sigh, and looked me full in the face ; and, then, as
if recollecting himself, he continued his detail.
*' This spider haunts me day and night, so con-
stantly, that I am perfectly conscious of its exist-
ence ; and I am also aware that it is the identical
one which 1 must swallow." At this idea h^ became
so much convulsed, that I called aloud for John,
and ordered him instantly to fetch a doctor. My
poor friend seemed insensible to the sound of my
voice and the order I had given. I felt that he was
making an ineffectual effort to push back his chair,
and I saw that his eye was following, as it were,
something on the ground. " Do you not see there,"
said he, pointing with the finger of his right hand,
which he could scarcely raise from his knee —
" there !" " I see nothing, my dear Wunderlich ! —
it is your imagination which is thus distorted by
your disease." He drew himself up with horror:
*' No ! no !" he feebly exclaimed, '' it is not fancy :
— see, it has crawled up my leg : there — there— it is
N
178
DEATH S DOINGS.
on my heart — I feel it ;" and he sunk into his chair.
I thought he had fainted ; but in a few seconds, he
gave a convulsive sob; which was succeeded by
another at an equal distance of time : these were
then followed by a hissing, expiratory sound ; his
limbs became powerless, and he would have fallen
on the floor, if I had not supported him in the chair.
The doctor entered the room : but it was only to con-
firm my apprehensions. The force of the delusion
had overwhelmed his nervous system; and, in this
doing. Death, in his triumph over mortality, had de-
monstrated that life may be expelled from her for-
tress by a phantom of the imagination.
LIFER'S ASSriRAXCE.
179
LIFE'S ASSURANCE.
'TwAS a wild dream! — I had grown old —
Dim was my aching sight — and cold
The blood that crept, in languid course.
Through each dried vein. Tired Nature's force
Was spent ; yet, yet I longed to live —
To mingle in earth's crowd — to give
Another sigh, another tear.
To those who were by kindred dear —
To those my heart best loved. I wept.
In the dark thought that Time had swept.
Remorseless many a blooming flower.
The sunshine of my spirit's hour
Of happiness, away!— Alone
I wandered forth : no soothing tone —
No blessing breathed, in accents dear —
No " Speed thee, Heaven !" to charm and cheer-
Was mine. I came — and went ; a sigh
Hailed me with its sad minstrelsy ;
n2
180 death's doings.
Shrieks of despair the rude gale swelled.
And demons of the night-storm yelled.
At my departure. — Could it be —
She, the beloved one ! — where was she?
Ha ! 'twas a sudden flash ! that spire,
Seen through the lightning's lurid fire.
Had met my gaze before ! Deep, deep.
In Memory's page, awake, asleep.
It dwelt in sacred vividness.
Through weal, through woe, my soul to blesSo
Mahy ! — My vows ! — The bright, bright ray
That shone upon our favoured day —
The joyous peal that on our ear
Rang its glad changes, full and clear —
The words that, 'neath that sacred shrine.
Proclaimed thee mme—for ever mine !—
Yet sweetly haunted me, — when, lo !
A change came o'er my dream of woe !
It was a rapid, sudden change.
To darkness — mist— moonlight — a range
Of mountains in the distance; then,
A desert heath, from press of men
Removed ; and then, a fitful sky
Of battling clouds — of anarchy —
life's assurance. 181
From which the moon, with sullen ray.
Looked down on mortal man's decay.
The place of tombs was frowning there :
Beneath that beam, so coldly fair.
The bones of beauty, youth, and age.
Were bleaching. Winter's fiercest rage.
And summer's gale — the breeze, the blast —
O'er that lone scene unheeded passed,
Nor waked the sleepers.
Midnight dews —
Damp graves — and night's pale flowers, diffuse
A chilling sadness. — Hark ! What sound
Is that from yonder humble mound
Of ungrassed earth? — Poor Fido here?
Man's fond unfailing friend, whose fear.
Whose hope, joy, sorrow, peace, and love.
Dwell in his master's eye ! Above
The world's cold Janus-smile I greet
Thy honest welcome at my feet !
What means that look — that piteous moan ?
Ah, 'tis a recent grave ! The stone —
Sad land-mark, reared by hands of earth
O'er the last home of buried worth—
182 death's doings.
The name— the story — may reveal.
Of him who now has ceased to feel
The thrill of bliss — the throb of woe —
The pang young minds are doomed to know.
When Disappointment's withering glance
Dissolves the spell of fond romance
That on her heart's proud beatings hung.
And songs of hope and gladness sung—
Pagans that told of future fame —
The heaven-born lay — the deathless name !
I read : — " Mary, the honoured wife" —
Mary ! — my w orshipped love ! the life
Of life ! My Mary — art thou gone ?
*****
Another change. — Lo, now there shone
A glorious sun in Heaven ;— and yet
The yew-tree's sable pall was wet
With tears of night; — and yet the mound —
Not grassless now, but osier-bound —
Was there ; — and still the moaning gale
Sighed o'er that stone — that tribute frail.
But time had dimmed its freshness — moss
Crept o'er the words that spoke the loss
My widowed soul had known. — Beneath
A rank and deadly nightshade wreath
life's assurance. 183
These broken lines I read : — " Here sleeps
Her husband" — " Life's Assurance" — " weeps" —
" In anguish weeps."
The vision fled —
I was no more amongst the dead —
The world's swift stream — the rushing throng-
Carried me with its tide along.
Like a seared leaf that yet lives on.
When all its kindred leaves are gone. —
Strange, that amidst the ceaseless strife.
Though joy was dead, I longed for life !
Those words — those words — that vision still
Haunted my heart and brain. The will.
Without the power to live, was mine !
O, for some voice — some voice divine —
To whisper to my secret ear,
" Life —Life's Assurance — waits thee Here !"
That instant, smiling through the storm.
My mental glance descried a form.
Attired in robes of dazzling white.
With lip of rose, and eye of light.
That lip — that eye — had blessed my gaze
In other, brighter, happier days —
When love was warm, when life was new,
And years like minutes swiftly flew !
184 death's doings.
In her white hand a cup she bore —
The cup I quafl'ed in days of yore.
'Twas Hope — and thus she spake : — " O, drink !
And though upon the gloomy brink
Of the dark grave, yet thou shalt live —
The draught shall Life's Assurance give !"
Life ! Life !—0, magic words, whose power
Wrought on my heart in that wild hour
Of visioned woe ! — I drained the bowl —
That nectar of a fainting soul !
Would gracious Heaven my days prolong ?
Yes ! for methought my limbs grew strong ;
My breast no longer owned despair,
For Hope — the syren Hope — was there!
I gazed around — what words were those ?
What mansion that so stately rose ?
Ha ! " Life's Assurance !"— Breathe I yet !
I rushed within the gate — I met
The fleshless form — the orbless eye—
The breast without a heart— a sigh —
That man's worst foe declared ! Around —
Huge folios — bags of gold — embrowned
With dust of time :— Was gold the price
Of earth's still longed-for Paradise ?
life's assurance. 185
" Ah ! give me years of vigour — health—
And take, O, take my sordid wealth !"
The spectre grimly smiled, and said :
" Thou fool — go, rest thee with the dead !
Behold yon feeble withered crone —
Like thee, she'd breathe, a thriftless drone —
Like thee, she'd live o'er life again.
Through years of feverish grief and pain.
To-morrow, she must meet her doom —
To-morrow, rest within the tomb !
" Thy days are numbered, too. Away !
Thy mother earth now chides thy stay !
Go — and, within her silent home.
Await the life — the life to come !"
With gaunt and outstretched arm he gave
A scroll — my passport to the grave.
I shrank, and read with gasping breath —
" Thy Life's Assurance is alone through Death !"
T. H.
186
THE ASSURANCE OFFICE.
" I'll make assurance doubly sure,
And take a bond of fate." — S/iakspeare.
To persons ignorant of commercial and financial
mysteries, the notion of insuring life seems a strange
one. How a house or a ship may be insured is
easily comprehended; for the first may probably
never be burnt, nor the second wrecked. But man
must, at some time or other, die ; and yet, against
death, not only the young and vigorous, but the aged
and valetudinary, find no difficulty in obtaining, on
various conditions, what is technically called a po-
licy of insurance. Is it not rather a sentence of ex-
ecution, the term of which is not precisely defined ?
Slanderers of human nature deny that there is
such a thing as friendship. Even the less misan-
thropic consider themselves remarkably fortunate if
they possess one true friend. Shall I inform you
how you may make yourself certain of having at
least eight staunch hearty friends, who will feel the
THE ASSURANCE OFFICE. 187
greatest interest in you during the whole course of
your existence? Go, and insure your life, for a
good round sum, at the office of one of the assurance
companies. From the very moment of your doing
so, the directors of that company will become your
warm and sincere friends; friends, whom no neglect
of yours, except neglecting to pay your annual pre-
mium, can alienate. The " how d'ye do?" of other
people is merely the conventional phrase by which
conversation is commenced, but with the gentlemen
to whom I allude it is a bond-fide inquiry. To them
your health is an object of constant solicitude.
They watch with anxious sympathy the expression
of your countenance ; exult when your eye sparkles
with vivacity, and are depressed when your cheek is
invaded by " the pale cast" of sickness. And when
at length the awful moment shall arrive, —
" For come it will, the day decreed by fate," —
that is to terminate your earthly career, their grief at
your loss will be unmingled with the slightest hy-
pocrisy. Why ? The event which puts your near-
est connexions in possession of twenty thousand
pounds, takes exactly the same sum out of the
pockets of these gentlemen. Yes, ray dear madam ;
notwithstanding what you hasten to tell me about
188 death's doings.
*' the emotions of conjugal affection," and *' the
tears of filial sensibility," I maintain that the most
inconsolable mourners over a man's grave are the di-
rectors of the company by whom his life has been
insured.
There is no rule, however, without an exception.
Among the conditions on which a policy of life as-
surance is granted, is generally one, which it is diffi-
cult to describe in terms of sufficient delicacy. The
benefits of the policy are withheld from that particu-
lar casualty to which a want of due regard for the
lives and property of others may unhappily subject
any man. In plain English, the insurance com-
pany declare that if the person insured should be
hanged, they will be hanged if they pay a farthing to
his heirs, executors, administrators, and assigns.
He and the policy drop together. It is clear there-
fore that this unamiable reservation is likely to pro-
duce a little deviation from the otherwise uniformly
warm tone of friendship to which I have been ad-
verting. In fact, it must create an anomaly of feel-
ing rather curious. " My dear sir, I have the high-
est regard for you, and put up daily prayers for your
health and prosperity ; I am delighted at the ruddi-
ness of your complexion, and the firmness of your
THE ASSURANCE OFFICE. 189
step ; — but it would give me infinite pleasure to hear
of your making an exhibition, about eight o'clock
one of these fine mornings, before the Debtors'
Door, Newgate." — Such is not exactly the address
one would wish from one's friends.
It has puzzled me for the last half-hour, and if
yon, my gentle reader, are not clearer-headed than I
am, it will puzzle you for the next, to determine
whether this awkward proviso be or be not advan-
tageous to the interests of morality. They say,
" and I believe the tale," that the love of money is a
great temptation to crime. But here the love of
money is a great temptation to abstinence from
crime. We may be tolerably certain that a person
of any nous, who has insured his life at a life-insu-
rance office, will take care not to be easily betrayed
into the commission of burglary or murder ; were it
only that he would be ashamed of showing himself
so deficient in worldly knowledge. — On the other
hand, is that altogether fair towards the insurance
company ? Ought a humane and honourable man
to check his evil propensities, because their indul-
gence would be beneficial to a certain portion of his
fellow-creatures ? Is it honest on his part to do all
he can by his good conduct to disappoint calcula-
190 death's doings.
tions and expectations founded on a just view of
the degravity of human nature ? These ate ques-
tions which I strongly recommend for discussion at
the Westminster debating-club.
After all, and notwithstanding my nice scruples,
I believe it must be conceded that the institution of
these societies has been productive of great good.
By a return which was laid on the table of the House
of Commons during the last session of Parliament,
it appears that the number of stamps issued for po-
licies of life assurance, has more than doubled during
the last ten years. After making every proper al-
lowance for the increase of population, this fact is a
strong proof of the growth of kind and moral habits.
That man cannot be a very worthless member of the
community, whose natural affection induces him to
deny himself all, or many of the luxuries of life, and
in some cases even to abridge what the self-indul-
gent consider its absolute necessaries, in order that,
when he is cold in the grave, his wife, or his
children, may be placed in circumstances of ease
and independence.
W. H. W.
THE AHTIQUAIOr^
191
THE ANTIQUARY.
There's a lean fellow beats all conquerors."
Decker's Old Fortwtatus.
The Antiquary, wrapt in busy dreams
Of old world things, the dead alive he seems, —
The living record of the time gone by, —
The chronicle of the first century :
His eye faint glimmering 'neath o'erhanging brow.
Bespeaks entire forgetfulness of " now :"
To modern lore he makes but small pretence.
And drops the present for the preterite tense.
Ask of his garb ? — He wears the same cut coat
Dry den might wear when Dry den lived and wrote.
His politics ? — To state and country true ;
Beyond, he knows nor cares no more than you.
His mansion's chequered walls attract the eye.
And round his roof ancestral ravens fly.
Within — but none save he that now may know
The wealth of that prodigious raree-show ;
There in his day-dreams, blest, he musing sits.
And roams o'er every by-gone age by fits ;
192 death's doings.
Pores o'er the forms heraldic labours tend.
Or pens a prosing letter to a friend :
For Anno Domini writes A. U. C,
Or heads his letter with a kind S. D.
In fancy o'er the Via Sacra walks,
Or with a Pliny or a Strabo talks ;
At Horace' Villa culls his early beans.
Or in Etruscan kettles boils his greens.
With rising pride he views his swelling store
Of wonders never mortal owned before ;
Strange relics of all tribes that spoke or speak —
Assyrian, Turkish, Jewish, Roman, Greek.
Busts, statues, images, involved in dust.
Swords, helmets, javelins, precious in their rust ;
Black-letter books, some grass from Trojan's park.
An ephod, and a piece of Noah's ark.
Whatever useless rarity you name
Of ancient date, look here, you find the same :
These he collects, these gathers night and day, —
For these, pounds, shillings, pence, he flings away ;
And though reputed in his senses sound.
He for a Roman penny gives a pound.
But say — what prize, what treasure meets his sight
Unseen before — what promise of delight?
THE ANTIQUARY. 193
A shield of price ! with rust corrosive traced.
The true cerugo of an antique taste.
" And whence/' he cries, " the gift ? What gen'-
rous friend
Has fate propitious tempted this to send ?
Say, say from whom ?'' his rapture stays his breath ;
Brief the reply — " From me it comes," quoth Death.
He starts — he sees upon the shield his name.
And feels a tremour stealing through his frame ;
Beholds the grinning messenger with fear.
And grieves to find Antiquity too near;
He drops the shield with fearful import rife,
And quits at once his treasures and his life.
Cheviot Tichburn.
194
ANTIQUARIAN RESEARCHES.
A plague," says Time to Thomas Hearae,
Whatever I forget you learn."
Our poetical contributor has taken a view of the
Antiquary under the idea of what Doctor Johnson
calls ** Curiosity in Excess," where straws and trifles
occupy that time which might be more seriously or
advantageously employed. But this spirit of ima-
gination may be pardoned in a stranger to the plea-
sures of virtu, when one of its most ardent votaries
indulged in the ridicule of a profession he both fol-
lowed and admired. But Grose, while caricaturing
pretensions to connoisseurship, did not consider that
a handle might be made of this satire to draw down
the contempt of some, ignorant of the pleasure and
advantage of antiquarian research ; in which there
is more than is dreamt of, in the philosophy of many,
who wonder that men should be found to puzzle
themselves about the past, when there is so much to
be done with the present.*
* Under the head Miscellanea Critica in Blackwood's Maga-
ziiie for September, 1826, is an article which prominently introduces
ANTIQUARIAN RESEARCHES. 195
The labours of the Antiquary serve to trace things
up to their source,— to throw light upon the old for
the improvement of the new, — to show the advance
the subject we are now attempting to illustrate, and from which we beg
to be allowed to glean a few sentences. It thus begins : — " One use
of Poetry is to nurse in us the feeling of the Beautiful. Another,
among many others, to cherish, or produce, the love o/" Antiquity."
After showing how " essentially poetical" are the manners and trans-
actions of past ages, and what a high-wrought interest the Poet feels in
the " remembrance of long-buried generations of our kind," the writer
thus proceeds : —
" If there be in the Past, as such, the natural aptitude here supposed
for affecting the Imagination, the affectio7i will be enhanced by inter-
tercourse with that Art, which not only especially awakens this Fa-
culty,— but greatly delights to lay open, and draw forth, these particu-
lar sources of its pleasure." And how this is effected. Me learn from
the following sensible observations : — " In the extension of our sym-
pathy with human kind, taking in that portion which may least require
it, indeed, the dead — but, further, those living, in whom the old times
imaged, live yet: — In the wider field put under the dominion of
thought ; since that which we learn to love we then first understand : —
In the solemnity added to our meditations on man's nature : — In lof-
tier, calmer, juster views of human affairs: — In increased love of our
country, itself ancient : — Lastly — among a high-cultivated people a
consideration of no slight importance — In the ampler materials placed
under the hand of those inventive, beautiful Arts, which are much of
the brightness, and give much of the happiness, of distinguished civili-
zation : — if it may not seem too much arguing in a circle, to h:ay that
Poetry is useful, by enlarging its own powers. — What is this Love of
Antiquity ? Not the coldly-curious taste, sometimes seen, of re-
search into parts of knowledge from most minds hid by rareness, or
separated by want of evident, common, compelling interest, — but a
feeling placed half in imagination, half in our social nature, by which
we accept our union of brotherhood with our kind, take concern in
them, most distantly divided from us by time, and confess a title to
o2
196 death's doings.
in some, and the failure of others towards that per-
fection, which is the ultimate aim of art, science,
and literature.
There is, besides what belongs to the useful and
important in antiquarian researches, an innocent
pleasure and a harmless gratification, that perhaps
more exclusively belong to the collector of antiqui-
ties than to most other pursuits.
By the aid of his treasures, he can call up past
ages, and as it were make them refund the riches
they had secreted. His minerals, his fossils, and
his gems, discover in part the organization of the
material world ; his coins and medals connect many
links in the chain of history that would otherwise be
lost. His ambition raises no armies to disturb the
peace or destroy the happiness of mankind ; his tri-
umphs are not sprinkled with blood, nor is his path
to fame washed with the tears of the widow or the
orphan : a more perfect tome, a more rare example
affect us, in their memory, by whatever shapes of matter it may be
borne.
" Men, for the most part, love the Present. The joy given them in
the consciousness of their living being, is of the hour, the moment :
which it fills with animating, sparkling, fires. But the urn of the
Past they can believe to contain only extinct and cold ashes, — misjudg-
ing,— nor aware how * even in our ashes live their wonted fires.' "
ANTIQUARIAN RESEARCHES. 197
of virtu than has yet been acquired fills him with
delight ; the flame of his ambition is fed on the
hopes of obtaining some antique lamp or other curi-
osity ; and while the thoughts of the greater part of
mankind are bent on the pursuit of honours or
wealth, his may be more quietly engaged in admiring
the beauties of an Etruscan vase, or commenting on
the form and use of a lachrymatory :
" Behold I have put thy tears in my bottle."
Here a passage of scripture is explained, — there
a mine of inquiry is sprung, and the ore of the intel-
ligent and useful revealed.
Antiquarian researches are like vessels of disco-
very,— sometimes fraught with the marvellous, at
other times laden with cargoes of the richest mate-
rials, the produce of every clime and of every shore ;
or if these fail, there is matter at hand which, though
not of so costly a quality, may by an alchymy (well
known to the initiated) be converted into a sub-
stance more valuable than intrinsically belonged to
it. Such are the legendary tales of the olden time,
with their quaint language or grotesque ornaments ;
beneath whose homely features and rude address are
often concealed some important lesson, some stroke
of satire or shrewd research ; where, if the laugh is
198 death's doings.
raised, it is at the expense of vice or folly ; or if the
bells are jingled, it is for the purpose of obtaining
attention to some moral instruction.
It is true, conjecture and fancy will mix them-
selves up with the solid materials, or in some in-
stances become substitutes for the true meaning;
but then they are often so ingenious and inventive,
that the resemblance is readily admitted, as in the
case of the Scotch novels, where history and fiction
so imperceptibly unite, that they cannot easily be
separated; though what may be lost by the absence
of the one, is gained by the skill displayed and the
amusement found in the other.
Our design goes simply to show that the Anti-
quary may be surprised by Death in the midst of his
treasured relics ; and that, while recording the won-
ders of antiquity, a monumental record may be pre-
paring for himself. Not that it would have been
impossible to introduce Death as a consequence of
antiquarian researches. He might inoculate him-
self with the canker by licking a coin, or be poisoned
in tasting the liquors used in the preserving of cer-
tain bodies ; he might die of chagrin, when missing
the purchase of a unique or a non-descript. There
are other instances in which, like Jonathan Oldbiick,
ANTIQUARIAN RESEARCHES. 199
the Antiquary's temper and frame, even, might re-
ceive a shock, when told that his antique of 400
years had by some awkward discovery been deprived
of an 0. But Antiquaries do not die of chagrin, —
whether there is any " cause in nature," or in the
study of virtu, that fortifies the heart and keeps the
brain cool, in the disappointed views, the accidents,
or mistakes that attend these pursuits, is not per-
haps known or has not become an object of inquiry.
True it is, there are men of such phlegm, or of such
philosophy, as to bear up against mortifications that
would annihilate persons of more morbid sensibili-
ties ; nor are there wanting instances in which the
most fatal efi'ects have followed the destruction, ei-
ther designed or accidental, of a favourite plan.
Madame Sevign6 relates a melancholy instance of
this keen and desperate sensibility, as it may be
called, where the maitre-d'hote of a French noble-
man fell upon his sword and expired, because the
roti was ill served or ill cooked. After all, may it
not be the number and variety of his resources which
give to the Antiquary's mind a nerve, or elasticity,
that shall cause him to recover from a blow or a
fall by which another man would be stunned or
killed outright. Indeed, had it been possible for an
Antiquary to have died of chagrin, it must have oc-
200 death's doings.
curred in the case below cited,* which we have ex-
tracted from the European Magazine for March, 1790,
* Archaeological Anecdote, 1789. — " We hear, that a valua-
ble morsel of antiquity, containing a Saxon inscription, commemorative
of particulars attending the death of Hardi/knute, has been discovered
among the foundations of his Palace in Kennington Lane. This me-
morial is in Saxon characters, sculptured on white marble, which,
though discoloured by damps, is still in high and excellent preser-
vation.
" The curiosity before us, but for an accident, might have returned
to its former obscurity. An able and intelligent draughtsman luckily
saw it in a window at a cutler's shop on the Surrey side of Blackfriars
Bridge. It was subsequently examined and authenticated by the
learned Director of the Antiquary Society j and by him, or his
order, was copied and sent (no beautiful detrition, conciliating freckle,
or picturesque fissure, omitted) to the Reverend and very acute Mr.
Samuel Pegge. He expeditiously furnished an ample comment upon
it, which was lately read, to the general improvement of its auditors, in
Somerset Place, when formal thanks were unanimously voted for so
erudite a communication. Such, indeed, was the effect of this dis-
course, that the personages present at its recital (as Lydgate observes
of the fortunate Trojans who beheld the carbuncle that illuminated the
Hall of King Priamus)
' mervayled ech one,
Soche lyghte ysprang out of thylk stone.'
" The inscription aforesaid is expressed with that simple but majestic
brevity which marks the performances of ancient times. It states, in
unaffected terms, that Hardijknute, after drenching himself with a horn
of wine, stared about him, and died. Our language, however, will not
do complete justice to those harmonious and significant words, ymbsta-
rud (or, as it should rather have been written — starude) and swelt. —
The sculpture of the fatal horn itself, decorated with the Danish raven,
affords sufficient room for belief that the imitative arts, even at (hat
early period [1042], were not unsuccessfully cultivated in England. —
The public is now waiting, with every mark of impatience, for a plate
ANTIQUARIAN RESEARCHES. 201
where a learned professor is described as having
been betrayed by a hoax into a situation the most
representing this precious marble, as well for a perusal of Mr. Pegge's
illustration of it, in the next volume of the Society's ArchEeological
Collections.
" But, notwithstanding this venerable relic has passed the ordeal of
such well-instructed and microscopic eyes, a set of ridiculous and shal-
low critics are to be met with, who either ignorantly or maliciously pro-
noimce the whole inscription, &c. to be the forgery of some modern
wag. They say, that it was designedly left with the cutler, as a trap for
a certain antiquary, who deliberately and obligingly walked into it : —
that its exhibition was accompanied with a specious request from its
clandestine owner, that he might be assisted by the learned, in ascer-
taining the quality of the stone, and the true import of the mystic cha-
racters upon it ; though he perfectly knew that the substance contain-
ing these letters, &c. was no other than a bit of broken chimney-piece,
Saxonified by himself in the year one thousand seven hundred and
eighty-nine, — The same malignant junto likewise disseminate a report,
that the capitals in question are not engraved, but corroded by aqua-
fortis, a chymical invention posterior to the reign of Hardi/knute.
Nay, to such extremes do real or affected prejudices against a genuine
piece of Saxon literature transport these scoffers, that they venture to as-
sert that all the captivating discolourations on its surface are the mere
effects of repeated urinary sprinkles, which, by degrees, induced a mel-
low cast of antiquity over the whole tablet. — They moreover declare,
that ipse dolifab7-icator contrived to procure admission for some of his
associates, on the very evening when the dissertation of Mr. Pegge was
read by a Pro-Secretary ; and that these accomplices are every where
describing it as a production intentionally jocular; and add, that it was
as unsuspectuagly listened to by the Society, as was the perfonnance of
a Dutch translation of Fielding's Tom Thumb, which the Burgomasters
of Amsterdam received, from first to last, with that profound and silent
attention which becomes an enlightened audience at a deep tragedy.
— Lastly, they would wantonly persuade their hearers, that the senior
Secretary (if experiments were thought needful on the occasion) most
zealously offered to drain a horn of equal dimensions with that of Har-
dy knute, provided it were first replenished with ancient and sound
202
DEATH S DOINGS.
mortifying and trying to the temper that can be ima-
gined. As, from the distance of time, and the
scarcity of the work, some of the particulars may
not be unacceptable to the reader, and, as it may
also serve as a beacon or warning voice to the tyro
in virtu, we hope to be excused for having made so
long an extract. R. D.
port, such as he, the said Secretarj', had often quaifed (though with
strict moderation, and merely to wash down the cobwebs of Archaeo-
logy) on Thursday evenings, at the Somerset Cotfee-house, in the
Strand.
" How much is the impertinent levity of this age to be deplored f
Pity it is, that the poems of Roxvley and* the record of Hardy kiiute's
death were destined to emerge during such an era of laughter, scepti-
cism, and incredulity."
The tail-piece here subjoined is accurately copied from a print in the
European Magazine for March, 1790, where it is given as a correct re-
presentation ol the " venerable relic."
r — ^^7
TME CMAMFIOH.
203
DEATH IN ' THE RING.'*
Well ! so I've * floor'd' these ' fancy' fighting-cocks.
And * finish'd' them in style ! Presumptuous fel-
lows !
They * chafi"'d' of Science — and, forsooth, would box
With one whose ' hits' are sure to touch the * bel-
lows !'
Conceited mortals ! thus to * spar' with Death,
Whose fame's almost as old as the Creation ! —
For knock-down blows, which take away the breath,
I've ever had a first-rate reputation :
* Although honourable mention has been made of this poetical
trifle by several Reviewers, in their notice of the first edition of
* Death's Doings,' yet some few there are who have, in sober seri-
ousness, lamented that the writer should have lent his aid in giving
currency tojiash ! We certainly thought that the ironical language of
the concluding note sufficiently disclosed the author's real opinion of
the subject; but since critics have mistaken the writer's meaning, it is
incumbent on us to state, that our Contributor is a very antipugnacious
character, who neither visits the Fives' Court, nor admires the jargon of
the ' prize ring,' but who, notwithstanding, kindly consented to fur-
nish the artist with something in the nature of a characteristic illus-
tration of his plate of* The Champion.'
204 death's doings.
And yet these heroes of the science fistic, —
Poor stupid drones ! —
Thinking I couldn't ' come it pugilistic,'
Threw up their ' castors,' stak'd the ' ready bustle,'
' Peel'd,' and prepar'd with Death to have a tussle —
As though their flesh, and blood, and muscle.
Were proof against my bones!
They talk of championship ! — what next, I wonder !
Did they imagine Death would e'er ' knock under?'
Could they, in fact, suppose
/ car'd about their blows ?
I! who can * draw the claret' when I please —
* Fib,' or ' cross-buttock' 'em, or close their
* peepers V
I! who can * double up' the ' swells' with ease.
And make 'em senseless as the seven sleepers!*
* Whether Death here alludes to the seven giants, who, lying
down to sleep on Salisbury Plain, slept *' to wake no more," as an old
west-country nursery legend so truly tells j or, whether the simile has
reference to some seven animals (the doiTnouse, &c.) whose torpid ex-
istence during the winter months has given them the appellation of
the " seven sleepers," jye pretend not to determine. That there should,
however, be a degree of mystery attached to the metaphor will by no
means be considered a poetical defect j and as it may probably induce
certain learned commentators to discuss the question, and to favour the
world with many a curious hypothesis in eliciting the truth, we are
right glad, for the sake of mankind in general, that Death was not
more communicative on the subject.
Shortly after the appearance of the first edition, a correspondent, for
DEATH IN ' THE RING.' 206
Not I, indeed ; — and, so it seems, they found,
For there they all lie sprawling on the ground :
They'll never ' come to time' again — no, never —
At least, not here —
For, 'twill appear,
When I their business do, 'tis done for ever !
whose opinions we have no slight respect, intimated that the west-
country nursery legend above mentioned might, in all probability,
date its origin from the * seven giant sleepers' who, in the time of Dio-
clesian, were laid asleep, but, according to the infallible testunony of
the Romish Calendar, where a festival in honour of the event may be
found, awoke again after the lapse of 300 years. This miracle, he
adds, is devoutly believed in by all ' good' Catholics, and the festival
still commemorated by them.
Another correspondent compliments us on the * lucky hit' we made
in naming SaUsbury Plain as the place where the ' giant sleepers' re-
posed in the arms of Death, and refers us to an article on • Stone-
HENGE,' written by Mr. J. F. Pennie (one of our valued Contribu-
tors), and inserted in the Literary Chronicle of January 6, 1827, where
not only are divers proofs given of the existence of giants in days of
yore, but the most substantial evidence of, at least, one giant's bones and
weapons having been dug up on Salisbury Plain. The subject is dis-
cussed by Mr. Pennie with much ingenuity, and we shall take leave
to extract that portion of the article which more particularly relates to
the gigantic remains of the human form which have been found in
this country: —
' Why may not, I would ask, the Phoenician giants (for such, if we
may credit the historical parts of the Bible, actually did exist at the time
of the invasion of Canaan, by Joshuah, and emigrated into far distant
countries about that period, as is evident firom inscriptions found at
Tangiers, and other places) j why may not they, or some of their race,
have erected this astonishing temple at Stonehenge ? That giants of
206 death's doings.
The greatest champions that the world e'er saw.
By turns have bow'd obedient to my law.
Look back at History's page,
In every clime and age,
vast stature once dwelt in this island, is no lying fable of Geoffry of
Monmouth, and other still more ancient authors. We have indisput-
able evidence of their real existence, in the late exhumation of an im-
mense human skeleton, at Weston Super Mare, a small island, some
time since purchased by Mr. How, of Bristol, for the purpose of con-
structing on it hot and cold baths.
* Also, in the church-yard of Walton, about five miles from Dork-
ing, in Surrey, was dug up, in the reign of Charles IT,, a skeleton,
which measured nine feet three inches in length !
* At Doward Hills, in the parish of Whitchurch, not far from
Rosse, in Herefordshire, some men who were digging, found a cavity,
which seenaed to have been arched over, and in it a human skeleton,
which appeared to have been more than double the stature of the tallest
man now^ known. The bones were, not many years ago, in the pos-
session of a surgeon at Bristol.
* At Corbridge, near Hexham, in Northumberland, some human
bones were found about the close of the last century, of so prodigious a
size, that the skeleton to which they belonged must have been seven
yards high, the thigh bone measuring two yards! and at Ailmouth, in
the same county, there have been found human bones of so prodigious
a size as those at Corbridge.
' Camden, speaking of Godmanchester, on the Ouse, says, •* that the
bones of divers men dug up there, proved them to have been of far
greater stature than is credible to be spoken of in these days."
* But to come nearer home, in point of locality to this very temple, I
shall give the following account by Leland, from the Bibliotheca Eliotae :
— " About thirty years past, I myself beynge with my father, Syr Ry-
charde Elyot,'at a monisterye of the regular chanons, called Ivy Churche,
two miles from the city of Saresbyri, [Salisiuri/'] behelde the bones
DEATH IN 'THE RING.' 207
You'll find I ' mill'd' the mightiest of them all ;
No matter how they sparr'd.
My blows were sure and hard,
And when I threw them, fatal was their fall.
From Alexander down to Emperor Nap,
Whene'er I chose to give the rogues a slap.
Not one could parry oflf a single rap ; —
of a dead man very depe in the ground, where they digged stone,
which beynge held together, were, in length, fourteen feel ten inches,
whereof one of the teethe my father had, which was of the quantitee of
a great walnutte. This have I written, because some men will believe
nothing that is out of the compasse of their own knowledge. And
yet some of them presume to have knowledge above any other, con-
temnying of all men but themselves, and such as they favour."
' Giraldus Cambrensis says, that the British writers called this tem-
ple Corea Gigantum, and said, that it was brought from the remotest
parts of Africa. "Now," says Aylett Sammes, "to find out an an-
cient tradition wrapt up in ignorant and idle tales, why may not those
giants, so often mentioned, be the Phoenicians, and the art of erecting
those stones, instead of the stones themselves, be brought from the
fathermost parts of Africa, the known habitations of the Phoenicians ?"
'Again, in the Universal History, vol. 19, it 's asserted, that in one
of the barrows on Salisbury plain, " was found a weapon like a pole-
axe, which weighed twenty pounds, and given to Colonel Wyndham."
Now this huge instrument could not possibly have been wielded in
battle but by the hand of a giant, possessed of amazing strength.'
Thus it will appear we were quite right when we hazarded an opi-
nion that Death's allusion to the Seven Sleepers would lead to a discus-
sion of the question, and elicit facts which the great Champion him-
self had probably quite forgotten.
208 death's doings.
No, no !— nor had they each a thousand lives.
Could they have stood against my rattling * bunch of
fives !' *
S. M.
* Death has not merely the authority of Pierce Egan, Lexicogra-
pher and Chronicler to ' The Fancy,' for vising the scientific terms
here introduced, and specially marked for the benefit of the uninitiated,
but he is also sanctioned by the classic Blackwood, in whose pages may
be found some high encomiums on the transcendant merits of that elo-
quent style of cotnposition vulgarly called Jlask ! .' And is not its
use also sanctioned by the sweetest of all sweet poets — the • bard of
Erin V — What better precedents would the Critics have I
209
THE FANCY.
With a disposition little inclined to the violent,
either in exercise or in amusement, I am sometimes
prevailed on to mix with the multitude, and am then
generally carried along with the impulse of feeling
and curiosity excited by the occasion. I have an
aversion to all brutal sports (as they are called), yet
I nevertheless make a distinction between those
which are voluntary, and those which are inflicted :
by the voluntary, I mean pugilistic combats, in con-
tradistinction to those imposed on animals, which,
having no choice of their own, are instigated by the
will of others who have the power over them.
Having accepted the invitation of a friend to wit-
ness some of those trials of skill in the noble art of
self-defence, as practised at the Fives Court, I pre-
pared my mind for the expected novelty, and bent
my attention to the nature of what I was to expect.
I was perfectly aware that there was nothing new
p
210 death's doings.
or peculiar to the present day in the practice, of
which I was about to visit the exhibition. I was
only puzzled at the name chosen to designate the
amateurs in the science of boxing. To be one of the
" Fancy" might, by a foreigner, be readily supposed
to apply to something of the imagination, — some
matters of taste or virtu, in which gentlemen of fancy
were engaged. I had met with fancy bakers, fancy
brushes, and fancy dresses ; but of the application of
such a word to the sports of the Bear Garden! It
was at least an odd fancy.
The entrance to the Fives Court was surrounded
by expectant groups of spectators, eager to catch a
glance of those who entered, happy if they could re-
cognise a Cribb, a Belcher, a Spring, or any of the
other noted bruisers, as he made his way to the
chosen spot; and envying those whose means could
procure them admission to so gratifying a spectacle.
After securing our pockets as well as we could,
we elbowed our way through the motley crowd with-
out, to as motley a crowd within. By this time my
own eagerness became apparent, and I was glad to
find we were in time, for I was as fearful of missing
a blow as any of the combatants could be. Before
THE FANCY. 211
the sparring began, I employed myself in observing
the various company brought together on this inter-
esting occasion; and nothing could exhibit more of
contrast than this mixture of high and low, from the
well-dressed amateur to the aproned cobbler. The
hum of conversation and the shifting of stations
were at length broken and interrupted by notes of
preparation. The acting manager of the pugilistic
stage announced that and were about
to set-to, and, calling them forward, they came from
among the crowd, with small marks of likelihood
either in their dress or address : the elder, a man
little short of fifty, mean in his appearance, and
with a head so bald, that it might well be imagined a
warm night-cap would be better suited to it than an
exposure to the buffetings of his antagonist ; who
appeared much younger, but whose habiliments and
demeanour afforded sufficient evidence that he was
one of the same class and character.
They made their bow in the true style of the
Fancy, and, after having had their gloves tied on by
the aforesaid manager, were left to pursue their
sport, divested of their clothes, which showed the
body to great advantage even in men not of the best
make ; and the animation of the countenance at
p2
212 death's doings.
once obliterated the character of meanness. The
head thrown back, and the chest forward ; the wary
eye, the compressed lips, and the firm station of the
legs, bespoke their practice. A short interval was
spent in feints and manoeuvring, when blows were
given and parried with much dexterity, succeeding in
rapidity till fresh breathing was required: several
rounds went on in this way, till, as if l>y mutual
consent, the first pair of pugilists made their retiring
bow, amidst the shouts of the company and the rat-
tling of pence, which, to the eternal disgrace of
heroism, were carefully picked up "and pocketed.
There now followed several others, most of them
very young; these sprigs of laurel showed but little
science compared with the combatants whom I have
described, their principal object being, to all ap-
pearance, to lay on blows till they were out of
breath. We came at length to the scientific and
skilful men who had distinguished themselves in the
severest conflicts. — Belcher and Pullen were an-
nounced. They ascended the stage with a bounding
elasticity, and, merely throwing off their coats and
waistcoats, they went to work with a lightness and
dexterity which gave a grace and. interest to the
sport. It need hardly be mentioned, that here no
THE FANCY. 213
largess of copper coin (which ia this elegant school
I learnt was denominated browns) was offered.
Richmond the Black and Isle of Wight Hall
came next. The former I had observed among the
spectators : his countenance had an expression of
menace even in his ordinary address, but when
stripped and opposed to his man it assumed a higher
character ; steady and wary at the onset, it became
gradually darker, and, as the rounds increased, was
ferocious to a degree. This appeared the more
striking, from the contrast it afforded, both in expres-
sion and colour, to Hall, whose features never once
Jost the temper and good humour with which he set
out, or rather set-to.
Names of note continued to be given, and frames
of the finest athlectic proportion divided the attention,
and, to the eye of the anatomist or the artist, afforded
subjects of the first class for contemplation. The
most manly forms among the antique statues can
boast of nothing superior to what was here exhibited;
and to the flexibility and varied action of the mus-
cles, a light and shade, and colour were added, from
which the painter might have taken his finest tints.
214 death's doings.
Nearly three hours were spent in witnessing these
exploits, when my friend and I thought we had seen
enough to satisfy our curiosity. Upon our legs
during the whole time, the sameness now became te-
dious, and we left the Court a little before the sports
of the day were brought to a close.
The impressions made upon my mind by the no-
velty of the spectacle remained for some time ; and,
in the reflections which followed, I clearly convinced
myself that, whether it elevated or degraded the na-
tional character — whether it gave to Englishmen true
courage or ferocity — still it was not an amusement
suited to my " fancy." But so much has been said,
and so ably said, both for and against the " manly
science," that I dare not trust myself in delivering
an opinion upon that which, while it has found ad-
vocates and patrons even among the most distin-
guished of our senators, has been denounced by
others as a blackguard and vicious pastime, calcu-
lated not only to check the growth of all that is
amiable in the human heart, but to sink man below
the level of a brute.
A Querist.
BE ATlil
A DRAMATIC SCENE
215
DEATH:
A DRAMATIC SCENE.
{By the Author of " The Arabs.'')
DRAMATIS PERSONS.
Melpomene — Thalia — Death.
Supposed Scene. — A dark and cavernous foreground, soften-
ing into a beautiful landscape in the distance. Time —
Twilight.
Enter Melpomene and Thalia.
MELPOMENE.
The night is waning, and the moon-eyed owl
Long since hath hooted from her lone retreat
The last dark hour which suits my walks with Death.
All now is fresh and fair; the o'er- watching heavens
Are full of eyes, and see too much of earth :
The sullen ocean, in its hollow bed.
Lies hushed ; or doth but murmur in its sleep.
Dreaming of storms : the clouds, that late were big,
Have proved abortive ; and yon gleamy dawn
Forebodes a day that suits not with my mood.
216 death's doings.
O Death! my lonely bosom's only love.
Why dost thou linger?
THALIA.
Nay, my sister sad,
Prithee compose that rueful face of thine.
Lest it affect that buoyancy of heart
Which makes the world so beautiful to me.
Behold— the day-god lifts his radiant eye.
And looks upon the kindling prospect, through
The blue and golden lattice of the morn !
O how his presence will inspire my love, —
Gay, blithesome Life ! — the wild — the young — the free
The ever-laughing idol of my soul !
Who, scorning sleep, and seeking endless change.
With mirth and frolic, quips and jocund pranks.
Roves through the busy world, from peep of dawn,
'Till morn again outstares the winking stars.
MELPOMENE.
Catching at bawbles— gewgaws of the brain —
That press to air.
THALIA.
Plucking the poisoned stings
Wherewith thy hand would fence the honey'd sweets
death: a dramatic scene. 217
Hived in the bosom of the breathing world.
Why war with nature — hang the sun with crape —
And put the saddened earth in mourning-weeds?
Mine is the balm — the heart's catholicon —
Which springs from every gushing fount of joy,
In every season, and in every scene;
But cbiefest in the gay metropolis.
MELPOMENE.
The living cemetery, where men walk
Shrouded with woes; where wild Perversion reigns;
Where Misery appears in borrowed smiles.
Virtue in rags, and Infamy in robes ;
And each and all, according to their garb.
Meet scorn or homage.
THALIA.
Say it is the scene
Of Fashion, Splendour, Eloquence, and Grace;
The fount of Wit, the focus of Delight.
MELPOMENE.
And what are all the gaieties of earth?—
Turmoil and Trouble, Megrim and Despair,
Tricked in the gaudy trappings of Deceit.
218 death's doings.
THALIA.
These are thy minions, mingling 'midst the crowd
Of better spirits that attend my smiles.
Even the follies of mankind present
An ever-changing aliment for Mirth;
Bustle imparts an impetus to Life;
And Life, through all his Protean attributes.
Gives fire and brilliancy to all around.
Together oft we make our gay career : —
If 'chance, at court, in rich embroidered vest.
We're doomed to wade through billow^s of brocade.
To catch the corner of a royal eye ;
If at some ball, or festival or rout.
Too w^armly pressed to feel ourselves at home.
We pant through hours of elegant un-ease ;
If, for the theatre, (where thou and I
Preside alternately,) we melt through crowds
Of beaus and flambeaus, to more crowded tiers.
And that to list some fine apostrophe,
Or pretty — witty — ditty of the day.
Crushed by the roar of dissonant applause ; —
These may be follies ; yet they pass, with Life,
As things of course — the mere exuberance
Of that full feeling which cements mankind.
Rove we the City's mart — the busy 'Change —
DEATH : A DRAMATIC SCENE. 219
That Babylon, confused with many tongues,
No trade, no project, but presents some theme
To feed the comic humour of my vein.
And then the tender passion! how replete
With pleasant thoughts and sprightly incidents!
This is the master-spring, for there would be
No love of Life, without a life of Love.
MELPOMENE.
A dream ! a dream !
THALIA.
'Twere better far to dream.
And think us bless'd, than wake, like thee, to woe :
All nature glows with universal love :
All nature smiles; — shall we then frown on her?
The sky's blue ocean, and the deep's blue heaven.
The laughing valley, and the mountain free.
Invite us to a gaiety of heart.
And why was man made noble — woman fair?
Is beauty not a treasure to be prized?
MELPOMENE.
By eyes that fade as soon; — dizzy to-day
With dreamy longings, and to-morrow dim
With doting age: — what are thy treasures then?
220 death's doings.
THALIA.
May they not live in glowing portraiture.
Ages of splendour and unfading youth?
Art thus can triumph, by its magic power.
E'en over Death's inexorable hand.
Many there be, bright beauties of past years.
To whom the world makes daily pilgrimage.
Looking on eyes — with centuries between —
Still clear as in the breathing May of life.
The fadeless locks, the richly ruffled dress.
The sweet unruffled softness of the face,
Seem so like present life —
MELPOMENE.
Hist! hist! — becomes!
The king of kings ! — but yet he marks us not.
Enter Death.
DEATH.
Man builds the Pyramid, the ant its hill; —
And this, perhaps, the wonder of the two :
Yet more I marvel that creation's lord
Should ape the grandeur of creative power.
And rear these sculptured mountains but to show
His own contrasted littleness. Vain fool !
death: a dramatic scene. 221
Could he outlive the simorg's countless years.
And close, like that, his dreamy eyes on me.
What were his wisdom? I and hoary Time,
Mine old coadjutor, at last must sweep
Him and his wonder-works, alike, to earth.
Pale, pining atrophy, and bloat disease;
Murder, giim casualty, and penal blood ;
Immedicable anguish, stealing life.
Drop — drop by drop; phrenetic suicide.
Wide-wasting war, and sap-consuming age —
These are the minions that attend my power ;
And pride, ambition — all must bow to them,
Down to the dust. Man's grasping mind may pile
Pelions on Ossas, and, with giant stride.
Strive at the inaccessible; — my hand
Shall hurl the huge recoiling mountains back.
And whelm him in the ruin. When I climb
'Tis by an escalade of thrones on thrones —
Seats of the long succeeding Pharaohs, or
The more imperial Caesars, from whose brows
I spurn the shivered diadems to dust.
What have I done ! how much remains to do!
Where'er I've trod, all sleep the sleep profound ;
But I am restless, and must never sleep
'Till all shall wake; and this brief episode
In the vast history of the universe.
222 death's doings.
Shall be out-blotted, as a needless thing.
If aught could move my lipless jaws to mirth,
'Twould be to see these creatures of an hour
Fanning the flame of glory 'till the fire
Consumes themselves: — how glorious to become
Unconscious of the honours they have won ! —
To carve their names in granite, and exchange
The breath of life for stones, o'er which decay
Soon throws the shadow of its dusty veil!
Yet all this works to one great end of mine.
Red is the soil where grows the laurel-tree,
That Upas of the earth, round which men fall
In undistinguished multitudes; — for why?
Just or unjust the cause, I reck it not;
Yet greatest oft the bale when cause is least:
Torrents of grief have flowed for Victory's smile;
Oceans of blood for Beauty's single tear.
Some few have been of merited renown
In war and peace, whose deeds shall long survive.
Like mighty swimmers 'gainst the stream of time;
But these must sink at last: — nay, all alike —
Men — cities — nations — pass, in turn, away.
A shapeless mound is all of Babylon:
Tyre — Sydon — Carthage — vapours long exhaled :
The proud Acropolis, the eye of Greece,
Is dim with age : the city of the sun.
DEATH : A DRAMATIC SCENE. 223
Old Thebes, is silent; for its hundred gates
Were never barred against the flood of time :
E'en phoenix Rome on half its ashes sleeps —
[Sees the others.
My Melpomene!
MELPOMENE.
My liege! — where hast thou been?
DEATH.
Amongst the catacombs, where I have heaped
My mummied treasures ; and in many a vast
Necropolis, my cities of the dead;
And through the sepulchres of kings, where now
Moulder alike their sceptres and their bones :
And I have visited my harvest-fields
Of Marathon, and Leuctra, and Platea;
Cannae, Pharsalia, and the thousands more.
Which nameless millions have manured with Ijlood ; —
Scenes of my glory, where I warred on war,
Armipotent — sole victor — and the last
Sole refuge of the vanquished; for I love
To whet mine appetite with old exploits
That stimulate to new. Then I have made
Long journeys on the hot sirocco's wings.
To feast me in the cities of the plague ;
224 death's doings.
And I have ridden on the red simmoom,
Across the stifled desert; and have swept
The ocean's bosom with the lightning's blast,
Gulphing whole navies in the yawning deep:
On shore I have beheld the troubled earth
Heaving around me ; and the tumbling dome.
The reeling column, and the staggering tower,
All drunk with ruin ; whilst I, sole, bestrode
The sudden mountain and the black abyss.
But wherefore thus recount where I have been?
Where have I not been present ? what have not done
For thee, Melpomene ? — Come to my arms !
And, Thalia ! give to me thy playful hand :
Nay, shrink not; though it shall be mine at last.
Despite thy lover; and though oft my touch
May meet with thine amidst thy gayest hours ;
Yet shall my grasp ne'er freeze thy glowing blood,
'Till I myself prepare to lift the crown
From oflf my brows, and, with my sceptre broke.
Recline me, with thy sister and thyself.
Beneath the fragments of the ruined world —
The only fitting Monument of Death.
H. A. D.
UNIVERSITY OF ILLINOIS-URBANA
3 0112 078808547